Tracing the Beats: The Fusion of American Vernacular and Western Art Music_

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題名：	Tracing the Beats: The Fusion of American Vernacular and Western Art Music
作者：	Koay, Kheng Keow
出版日期：	2012
出版項：	高雄:國立中山大學出版社
ISBN：	9789868664166
主題關鍵詞：	音樂；流行文化；美國；Music；Popular culture；United States
學門：	藝術學
資料類型：	專書
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:0 點閱:84

期刊論文
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4.	Adams, John、Jemian, Rebecca、de Zeeuw, Anne Marie(1996)。An Interview with John Adams。Perspectives of new Music，34(2)，88-104。
5.	Adlington, Robert(2004)。Louis Andriessen, Harms Eisler, and the 'lehrstuck'。The Journal of Musicology，21(3)，381-417。
6.	Andriessen, Louis(1994)。Brave New World。The Musical Times，135(1816)，330-337。
7.	Andriessen, Louis(1968)。Muziek: De tijd in tegenspraak。De Gids，8，179-181。
8.	Andriessen, Louis、Thomas, Gavin(1994)。Life Downtown. Louis Andriessen Talks to Gavin Thomas about Lift up- and downtown。The Musical Times，135(1813)，138-141。
9.	Bennett, Elsie M.(1975)。William Grant Still and Accordion Music。The Black Perspective in Music，3(2)，193-195。
10.	Berger, V. Arthur(1945)。Aspects of Aaron Copland's Music。Tempo，10，2-5。
11.	Berger, V. Arthur(1945)。The Music of Aaron Copland。The Musical Quarterly，31(4)，420-447。
12.	Berger, V. Arthur(2001)。Copland and the Audience of the Thirties。Partisan Review，68，570-576。
13.	Bobb, Marice(2007)。For Art Sake: The Anti-Christ of Classical Music。Houston Magazine，2007(Apr.)。
14.	Cone, Edward T.、Copland, Aaron(1968)。Conversation with Aaron Copland。Perspectives of New Music，6(2)，57-72。
15.	Copland, Aaron(1958)。Piano Fantasy。Tempo, New Series，46，13-14。
16.	Crist, Elizabeth B.(2003)。Aaron Copland and the Popular Front。Journal of American Musicological Society，56(2)，409-456。
17.	Douglass, Howard Fannie(1974)。A Tribute to William Grant Still。The Black Perspective in Music，2(1)，51-53。
18.	Evans, David(1979)。Folk Elements in American Dance Music, Ragtime and Jazz。The Journal of American Folklore，92(365)，365-369。
19.	Evans, Peter(1959)。The Thematic Technique of Copland's Recent Works。Tempo, New Series，51，2-13。
20.	Ewen, David(1939)。Modern American Composers。Musical Times，80(1156)，413-416。
21.	Floyd, A. Samuel Jr.、Reisser, Marsha J.(1984)。The Sources and Resources of Classical Ragtime Music。Black Music Research Journal，4，22-59。
22.	Gabbard, Krin(2000)。Race and Reappropriation: Spike Lee meets Aaron Copland。American Music，18(4)，370-390。
23.	Gann, Kyle(2006)。The Bilingualist。Symphony Magazine，2006(Mar./Apr.)。
24.	Handy, W. C.、Southern, Eileen(1979)。Letters from W. C. Handy to William Grant Still。The Black Perspective in Music，7(2)，199-234。
25.	Hitchcock, H. Wiley(1981)。Aaron Copland and American Music。Perspectives of New Music，19(1/2)，31-33。
26.	Israels, Chuck(1985)。Bill Evans: A Musical Memoir。The Musical Quarterly，71(2)，109-115。
27.	Jean-Francois, Macollvie(2002)。Haitian-American Brings New Beats to Classical Music。Haitian Times, Art and Cultures，2002(Apr.)。
28.	Johnson, Timothy A.(1994)。Minimalism: Aesthetic, Style, or Technique?。The Musical Quarterly，78(4)，742-773。
29.	Kay, Norman(1970)。Aspects of Copland's Development。Tempo, new series，95，23-29。
30.	Kleppinger, Stanley V.(2003)。On the Influence of Jazz Rhythm in the Music of Aaron Copland。American Music，21(1)，74-111。
31.	Ligeti, György(1960)。Metamorphoses of Musical Form。die Reihe，7，5-19。
32.	MacDonald, Calum(2000)。Statements and Connotations: Copland the Symphonist。Tempo, new series，213，26-30。
33.	Malcolm, Douglas(1999)。'American Jazz': Jazz and African American Culture in Jack Kerouac's 'On the Road'。Contemporary Literature，40(1)，85-110。
34.	Marmande, Francis、Johnson, Carol(1996)。The Laws of Improvisation, or the Nuptial Destruction of Jazz。Yale French Studies，89，155-159。
35.	Matthews, Miriam(1951)。Phylon Profile, XXIII: William Grant Still--Composer。Phylon (1940-1956)，12(2)，106-112。
36.	Mellers, Wilfrid(1970)。Homage to Aaron Copland。Tempo, new series，95，2-4。
37.	Moe, Orin(1980)。William Grant Still: Songs of Separation。Black Music Research Journal，1，18-36。
38.	Oja, Carol(1994)。Gershwin and the American Modernists of the 1920s。The Musical Quarterly，78(4)，646-668。
39.	Perlove, Nina(2000)。Inherited Sound Images: Native American Exoticism in Aaron Copland's Duo for Flute and Piano。American Music，18(1)，50-77。
40.	Reynolds, Roger(1984)。Conlon Nancarrow: Interviews in Mexico City and San Francisco。American Music，2(2)，1-24。
41.	Roig-Francoli, Miguel A.(1995)。Harmonic and Formal Processes in Legeti's Net-Structure Compositions。Music Theory Spectrum，17(2)，242-267。
42.	Rosenthal, David H.(1988)。Hard Bop and Its Critics。The Black Perspectives in Music，16(1)，21-29。
43.	Schöenberger, Elmer、Andriessen, Louis、Hamburg, Jeff(1982)。The Apollonian Clockwork: Extracts from a Book。Tempo, New Series，141，3-21。
44.	Schorske, Carl E.(1983)。Mahler and Ives: Populist Archaism and Musical Innovation。Bulletin of the American Academy of Arts and Sciences，37(1)，20-39。
45.	Schwarz, K. Robert(1990)。Process vs. Institution in Recent Works of Steve Reich and John Adams。American Music，8(3)，245-273。
46.	Seaman, Gerald Roberts(1993)。Russian music at the crossroads。Current Musicology，52，58-59。
47.	Smith, Catherine Parsons(1977)。'Harlem Renaissance Man' Revisited: The Politics of Race and Class in William Grant Still's Late Career。American Music，15(3)，381-406。
48.	Smith, Catherine Parsons(2004)。William Grant Still in Ohio (1911-1919)。American Music，22(2)，203-230。
49.	Southern, Eileen(1973)。Afro-American Musical Materials。The Black Perspective in Music，1(1)，24-32。
50.	Southern, Eileen、Still, William Grant(1975)。William Grant Still。The Black Perspective in Music，3(2)，165-176。
51.	Spenser, Jon Michael(1996)。William Grant Still, 'Lenox Avenue' 1937。Lenox Avenue: A Journal of Interarts Inquiry，2，ii-vi。
52.	Sterne, Colin(1971)。The Quotations in Charles Ives's Second Symphony。Music & Letters，52(1)，39-45。
53.	Swed, Mark(1989)。John Adams。The Musical Times，130(1761)，662-664。
54.	Templeton, David(2005)。A Fresh Spin Classically trained players take the violin into the high-energy world of hip-hop。Strings，126。
55.	Tick, Judith(2002)。The Origins and Style of Copland's Mood for Piano, No. 3, 'Jazzy'。American Music，20(3)，277-296。
56.	Waterman, Richard A.(1948)。'Hot' Rhythm in Negro Music。Journal of the American Musicological Society，1(1)，24-37。
57.	Whitesell, Lloyd(1994)。Reckless Form, Uncertain Audiences: Responding to Ives。American Music，12(3)，304-319。
58.	Whittall, Arnold(2001)。Andriessen's Recent Music: Three for All。The Musical Times，142(1875)，9-20。
59.	Whittall, Arnold(2003)。Class Act。The Musical Times，144(1883)，72-73。
60.	Williams, Alastair(1995)。Modernism, Functionalism, and Tradition: The Music of Friedrich Goldman。Tempo, New series，193，27-30。
61.	Wilson, Olly。Black Music as an Art Form。Black Music research Journal，3，1-22。
62.	Wright, David(2001)。Robert Saxon in the 1990s。Tempo, New Series，215，2-6。
63.	Wright, Josephine R. B.、Gillespie, John Birks "Dizzy"(1976)。Conversation with John Birks "Dizzy" Gillespie, Pioneer of Jazz。The Black Perspective in Music，4(1)，82-89。
64.	Ross, Alex(2001)。The Harmonist: John Adams takes the Agony out of Modern Music。The New Yorker，2001(Jan.)。
65.	Teachout, Terry(1997)。Cross Over, Beethoven。Time，1997(Mar.)。
66.	Bye, Antony(1993)。Louis Andriessen: De Staat; Hoketus; Symphony for Open strings; Mausoleum; De Tijd。The Musical Times，134(1801)，138-139。
67.	Goldman, Richard F.(1956)。Copland: Piano Concerto, 1926 ('Jazz Concerto'). Bloch: Four Episodes for Chamber Orchestra by Leo Smith; Radio Rome Symphony Orchestra; Aaron Copland; Radio Zurich Symphony Orchestra; Thomas Scherman; Copland; Bloch。The Musical Quarterly，42(4)，556-557。
68.	Harvey, David(1986)。Andriessen: De Tijd, for Large ensemble。Music & Letters，67(3)，340。
69.	Hellmon, Betty(1987)。William Grant Still Conducts William Grant Still by William Grant Still; William Grant Still, 1895-978 by William Grant Still。American Music，5(4)，473-475。
70.	Knussen, Oliver(1981)。Birtwistle: Punch and Judy; Ligeti: Scenes and Interludes from 'Le Grand Macabre'。Tempo, new series，136，27-29。
71.	Oja, Carol J.(1994)。Gerschwin and American Modernists of the 1920s。The Musical Quarterly，78(4)，464-668。
72.	Oliver, Michael(1994)。Ligeti: Cello Concerto; Chamber Concerto for 13 Instrumentalists。Tempo, new series，190，46。
73.	Osborne, Nigel(1993)。Andriessen: Der Tijd (Time), Diderik Wagenaar: Tam Tam。Tempo, New Series，144，38-40。
74.	Protheroe, Guy(1990)。John Adams: Shaker Loops; Water by the Ridge Quartet; Fearful Symmetries; The Wound-Dresser by Stanford Sylvan; Orchestra of St. Luke's; Michael Torke: The Yellow Pages; Slate; Adjustable Wrench; Vanada, Rust by London Sinfonietta, Kent Nagano; David Miller; Michael Torke。Tempo, New Series，175，42-44。
75.	Quinn, Peter(1999)。Adams: Shaker Loops; Phrygian Gates; I was looking at the ceiling and then I saw the sky。Tempo, New series，209，47-48。
76.	E. R.(1964)。Divertimento by Henry Barraud, Divertimento for string quartet by Geoffrey Bush, Connotations by Aaron Copland, Riff 62 by Wojciech Kilar, Inwencje (Inventions) by Henryk Schillar。Music and Letters，45(4)，409-410。
77.	Seabrook, Mike(1994)。Glass: Anima Mundi; Hydrogen Jukebox; Einstein on the Beach. Adams: Hoodoo Zephyr。Tempo, New series，189，52-53。
78.	Searby, Mike(1996)。Ligeti: Books 1 2; Invention; Due Capricci; Trois Bagatellses for David Tudor; Chromatische Phantasie。Tempo, new series，198，58-59。
79.	Smalley, Roger(1971)。Mauricio Kagel: Der Schall; György Ligeti: String Quartets; Luc Ferrari: Presque Rien no. 1; Lukas Foss; Paradigm; Stockhausen: Stimmung; Roland Kayn: Cybernetics III。The Musical Times，112(1540)，567。
80.	Stein, Robert(1999)。John Adam's 'Century Roll'。Tempo, New series，208，66-67。
81.	Svard, Lois(1988)。György Ligeti: Etudes Pour Piano, Premier Livre。Notes, second series，44(3)，578-579。
82.	Svard, Lois(2000)。György Ligeti: Etudes Pour Piano, Premier Livre, Etudes Pour Piano, deuxime livre。Notes, second series，56(3)，800-804。
83.	(1955)。Trio for Flute, Oboe and Piano by John Addison; Sextet, for String Quartet, Clarinet and Piano by Aaron Copland。Music & Letters，33(4)，371。
84.	Whittall, Arnold(1997)。Material Issues。The Musical Times，138(1852)，38-39。
85.	Wright, David(1997)。Andriessen: De Materie。Tempo, New Series，201，59-60。

學位論文
1.	Owens, Thomas(1974)。Charlie Parker: Techniques of Improvisation(博士論文)。University of California。

圖書
1.	Rosen, Charles(1995)。The Romantic Generation。Cambridge, Massachusetts：Harvard University Press。
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33.	Perlis, Vivian、Van Cleve, Libby(2005)。Composer's Voices from Ives to Ellington: An Oral history of American Music。Yale University Press。
34.	Pollock, Howard(1999)。Aaron Copland: The Life and Work of an Uncommon Man。Chicago：University of Illinois Press。
35.	Ramaer, Huib。Programme note to Louis Andriessen: Facing Death。Centrum Nederlandse Muziek。
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37.	Shadwick, Keith(2002)。Bill Evans。San Francisco：A Backbeat Book。
38.	Smith, Catherine Parsons(2000)。William Grant Still: A Study in Contradictions。Berkeley：University of California Press。
39.	Smith, Catherine Parsons(2008)。William Grant Still。University of Illinois Press。
40.	Smith, Julia(1955)。Aaron Copland: His Work and Contribution to American Music。New York：E. P. Dutton。
41.	Solis, Gabriel(2008)。Monk's Music: Thelonious Monk and Jazz History in the Making。Los Angeles：University of California Press。
42.	Soll, Beverly(2005)。The Opera of William Grant Still。Fayetteville：The University of Arkansas Press。
43.	Southern, Eileen(1997)。The Music of Black Americans: A History。New York：W. W. Norton & Company。
44.	Steinitz, Richard(2003)。György Ligeti: Music of the Imagination。London：Faber and Faber Ltd.。
45.	May, Thomas(2006)。The John Adams Reader: Essential Writings on an American Composer。New Jersey：Amadeus Press。
46.	Trochimczyk, Maja(2002)。The Music of Louis Andriessen。New York：Routledge Publishing。
47.	Crist, Elizabeth B.、Shirley, Wayne(2006)。The Selected Correspondence of Aaron Copland。Yale University Press。

其他
1.	Beal, Jim Jr.(20100225)。DBR and The Mission offer musical civil rights portraits。
2.	Brookes, Stephen(20070221)。Composer Mason Bates Turns On Electronica to Keep Classical Music Current。
3.	Chrumka, Jennifer(20070116)。DBR preaches the word: Sonata for Violin and Turntable at the PuSh Festival for the Performing Arts。
4.	Conrad, Willa J.(20060317)。An odd couple transcends generations: Composers Glass and Roumain form mutual admiration society。
5.	Dalton, Joseph(20100122)。Music Review: Daniel Bernard Roumain。
6.	Dalton, Joseph(20080203)。He Digs Hip-Hop and Bach。
7.	Druckenbrod, Andrew(20100218)。Composer/club DJ Mason Bates challenges the symphonic norm with classical electronica。
8.	Eamonn, Kelly(20061024)。Music。
9.	Hulsman, Bernard(19950320)。Louis Andriessen over Janet Jackson。
10.	Kozinn, Allan(20050102)。This is Really Longhair, and the Violin is Cool。
11.	Lang, Paul Henry(19570125)。The Philharmonic。
12.	Lautenschlager, Max(20070222)。Mason Bates, Bringing Electronica to the Concert Hall。
13.	Leonard, Rodney Terich(20020914)。Blackness and Bach, Hip-Hop and Harlem on his Mind。
14.	Marianetti, Rick(20090526)。Davies Symphony Hall; the coolest place in town last week。
15.	Nilsen, Richard(20100221)。Composer's music has electronic personality。
16.	Nilsen, Richard(20050327)。Musical Missionary: NY composer Roumain shares his talent at ASU。
17.	Ortiz, Edward(20090517)。A composer in the best two worlds。
18.	Parkhurst, Emily(20080924)。Double duty DJ。
19.	Richard, Nilsen(20050327)。Musical Missionary: NY composer Roumain shares his talents at ASU。
20.	Rivers, Karen(20060908)。Past Eclecticism。
21.	Schwarz, K. Robert(20021000)。From Rebel to Guru to (Horror of Horrors) Elder Statesman?。
22.	Swed, Mark(20010113)。Rebirth of a Savior in 'El Niño'。
23.	Walton, Erika L.(20060412)。Last Night the DJ Saved My Life with a song。
24.	Weinberg, Bob(20080331)。Daniel Bernard Roumain adds hip-hop to his violin strings。
25.	(2006)。Aesthetic Battleground，http://www.newmusicbox.org/articles/Collision-Bill-T-Jones-and-Daniel-Bernard-Roumain/2/。
26.	(2009)。American as Muse: Q & A with Michael Daugherty，http://blogs.myspace.com/idex.cfm?fuseaction=blog.view&friendId=15257640&blog。
27.	(2006)。The Audience，http://www.newmusicbox.org/articles/Collision-Bill-T-Jones-and-Daniel-Bernard-Roumain/4/。
28.	Beverly, David(1995)。Klinghoffer and the Art of Composing，http://www.earbox.com/inter003.html。
29.	Byrd, David(20100200)。Haitian American Violinist at Opympics Beldns Classical, Hiphop，http://www1.voanews.com/english/news/americas/Haitian-American-Violinist-at-Olympics-Blends-Classical-Hip-Hop-84408657.html。
30.	Bustard, Clarke(20070221)。First String Laptop，http://www.styleweekly.com/article.asp?idarticle=13884。
31.	(2008)。California Symphony to present world premiere of Mason Bates. Music From Underground Spaces，http://www.californiasymphony.org/files/news/MasonBates。
32.	Huebner, Michael(20090417)。Zappa, Hendrix, art rock, disco blend into concert，http://www.al.com/entertainment/birminghamnews/art.ssf?/base/entertainment。
33.	Johnston, Russell(20081119)。Classical Composers Michael Alec Rose and Michael Daugherty Consider the Pastoral and the Urban，http://www.nashvillescene.com/2008-11-20/music/classical-composers-michael-alec-rose-and-michael-daugherty-consider-the-pastoral-and-the-urban。
34.	Karp, Jerry(20050220)。Man on a Mission，http://www.dbrmusic.com/dbr-press/sf_chronicle-050200.doc。
35.	Oteri, Frank J.(2007)。Icon Artist: Michael Daugherty，http://www.newmusicbox.org/article.nmbx?id=4905。
36.	Walters, John(1997)。John Adams Interviewed by John Walters，http://www.earbox.com/inter002.html。
37.	Stryker, Mark(20090809)。Detroit Free Press Mark Stryker Column: Daugherty's Works for DSO Shine on New Disc。

圖書論文
1.	Mattis, Olivia(2002)。The Physical and the Abstraction: Varèse and the New York School。The New York Schools of Music and Visual Arts。New York：Routledge。
2.	Russell, Ross(1959)。Bebop。The Art of Jazz。New York：Oxford University Press。
3.	Samuel, Claude、Kilmartin, Terence(1983)。Entretien avec György Ligeti。Ligeti in Conversation。London：Eulenberg。
4.	Scott, Judson(2003)。Michael Daugherty。A Composer's Insight: Thoughts, Analysis, and Commentary on Contemporary Masterpieces for Wind Band。Galesville, MD：Meredith Music Publications。
5.	Still, William Grant(1992)。The Music of My Race。The William Grant Still Reader: Essays on American Music。Durham, NC：Duke University Press。

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