本文將"政治"這一概念置于"不可視的、無意識的"框架中,通過對戰后川端康成文學活動中"不可視的、無意識的"部分的考察,探討其"政治"表征,以期更加切近戰后川端文學的實質,為全面認識川端文學提供一個可行且有效的視角。戰后,川端做出回歸古典傳統的文化抉擇時,即進入了"政治"的軌道,并通過自身文學走向世界,用"日本美"將日本與西方、用"現代性"將日本與亞洲國家區別開來,使"日本"變得愈加獨一無二、卓爾不群。可以說,戰后川端最大的"政治",就是懷著對"日本"這個國家的高度認同感,大打"日本牌",并通過將自身文學與"日本"綁定,取得"共贏"。

In this paper, "politics" refers to that of the "invisible" and "unconscious." By investigating the "invisible" and "unconscious" part of the literary activities which Kawabata Yasunari participated in after World War Ⅱ, the paper analyzes his political features, looking closer at Kawabata’s literature and providing a feasible and effective perspective to understand it in a comprehensive way. After World War Ⅱ, when Kawabata made his own decision to return to the classical and traditional culture, he had already entered the "political" field. At the same time, Kawabata stepped on the world stage with his own works and distinguished Japan from the West with the "unique beauty of Japan," from other Asian countries with "modernization," which made "Japan" more unique and preeminent. All in all, the most important part of Kawabata’s "politics" is holding the high degree of Japanese national identity, using the "unique beauty of Japan" to combine his own works with "Japan" so as to achieve "win-win."