"現代性"概念傳入中國后,對中國文藝理論的發展起了重要作用。由于未能全面理解"現代性"與"當代性"的復雜關系,中國學界的"現代性"研究一定程度上仍存在邊界模糊、概念混雜等問題,亟須建構出一套根植于中國本土文藝實踐、有效超越現代性理論的文藝理論范式及批評方法。"當代性"在對"現代性"的延展與修正中不斷完善自身,這種理論坐標把歷史、當下和未來等不同時間維度嵌入文藝創作與批評,使作品內涵和審美意義具有"前瞻性"和"真理性"。中國當代文藝理論建設需從前置的"現代性"過渡到創新的"當代性",延展"現代性"的合理性,充分涵容時代性,同時區分中西文藝的"當代性"差異,才能經得起歷史、現實和未來檢驗,成為一種行之有效的理論范式與批評方法。

Once the concept of "modernity"was introduced into China,it played an important role in the development of Chinese literary theory.Their failure to fully understand the complex relationship between"modernity"and"contemporaneity"has however left Chinese academic circles with some problems in the study of modernity,such as blurred boundaries and confused concepts.We urgently need to construct a set of theoretical literary paradigms and critical methods rooted in China’s own literary practice and effectively transcending the theory of modernity."Contemporaneity"ceaselessly improves itself in the extension and revision of"modernity."This theory embeds different temporal dimensions such as history,the present day and the future into literary creation and criticism,endowing such works with the connotations and aesthetic significance of"foresight"and"truth."In order to stand the test of history,the present and the future and become an effective theoretical paradigm and method of criticism,the construction of contemporary Chinese literature and art theory needs to move from preset modernity to innovative contemporaneity, extend the rationality of modernity, fully embrace the characteristics of the times,and distinguish the differences between Chinese and Western literature and art.