在19世紀愛爾蘭歷史小說中,如畫風景以歷史場景的空間架構為基礎,形成了新古典主義主導的風格流變。這種風格流變在賦予如畫美愛爾蘭性的同時,也開啟了對歷史空間的自反性探索。關于風景敘述,愛爾蘭如畫美采用地志研究的話語形態。這使土地的培育、生產關系、制度沿革成為核心議題,從而有效揭示了愛爾蘭歷史動蕩不安的根源。在資本主義建制的浪潮席卷下,怪誕的城鎮景觀興起于愛爾蘭歷史小說。通過創造性地移用"和諧的不和諧"這一美學原則,愛爾蘭如畫美與怪誕進行了雙向地吸收和同化,共同墾殖出統攝城鄉的歷史空間。

In the 19 th century Irish historical novel,writers used picturesque landscape based on the spatial fabric of historical scenes and developed a changing style that was dominated by Neoclassicism as its primary influence.The evolution of such a style not only endowed the Picturesque with Irishness,but also opened the way to assessing historical space selfreflexively.Irish Picturesque adopted some patterns of topographical discourse for the representation of landscape.This made core issues of land cultivation,production relation,and institutional evolution,thus effectively revealing the root cause for the turbulent Irish history.Also,under the sweeping influence of the capitalist system,grotesque urban landscape started to appear in the Irish historical novel.By adopting the aesthetic principle of "concordia discors" creatively,writers managed to facilitate a reciprocal assimilation between Picturesque and Grotesque in order to cultivate the unified historical space for the country and city as well in Irish historical novel.