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題名:蕭邦《馬厝卡舞曲》:傳統的沉澱與粹鍊
作者:簡汝瑾 引用關係
作者(外文):Ju-chin Chien
校院名稱:國立臺北藝術大學
系所名稱:音樂學系博士班
指導教授:陳美鸞
學位類別:博士
出版日期:2011
主題關鍵詞:蕭邦馬厝卡舞曲波蘭民間音樂波蘭民間舞蹈ChopinMazurkapolish folk dancepolish folk music
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波蘭作曲家蕭邦 (Fryderyk Franciszek Chopin,1810-1849) 的鋼琴作品充滿詩性與歌唱性,且具高難度的特殊彈奏技法,為鋼琴文獻史上開創了一個嶄新的紀元,可說是浪漫時期最具代表性的作曲家之一。在蕭邦眾多類型的鋼琴作品中,《馬厝卡舞曲》不僅充滿多元的波蘭民族性,且具神秘感,能充份的反映出他個人纖細內省與懷鄉思愁的特質。
這篇論文研究內容的三大主軸包括:(1) 追溯波蘭民族舞蹈中馬厝卡舞曲的起始風貌,包括馬厝爾舞曲、歐伯塔斯舞曲及庫亞維亞克舞曲的風格與特色。(2) 介紹現今使用的四種蕭邦作品編號系統 (Opus, Brown Index, Kobylanska Katalog, and Chomsinki Index),及三個分別由德國亨列出版社與波蘭音樂出版社出版的蕭邦《馬厝卡舞曲》之權威版本 (German Henle, PWM-Paderewski, PWM-National Edition)。(3) 探討蕭邦《馬厝卡舞曲》中使用的曲式結構、速度、調性、和聲、節奏、反覆樂念的運用等面向,解析蕭邦結合波蘭民族音樂精髓與古典音樂技巧的創新手法,發展出屬於蕭邦個人精緻藝術化的獨特作品。
Polish composer Fryderyk Franciszek Chopin (1810-1849) is known as one of the most significant figures of the Romantic era. His extensive contributions to the piano repertoire are full of poetry and singing, and required great technical mastery – all which opened a new era in the history of piano literature. Of the many types of Chopin’s compositions, the Mazurka is the most mysterious, full of Polish nationality, and fully reflects his style of introspective personality, nostalgia, and pessimism. This dissertation will discuss three major areas:
1) The source and origins of Polish folk dances, including the styles of Mazur, Kujawiak, and Obertas.
2) The introduction of Chopin’s four-part numbering system: Opus, Brown Index, Kobylanska Katalog, and Chominski Index, as well as the three most used publications of his works: the German Henle, PWM-Paderewski, and PWM-National Edition.
3) The study of form structure, tempo, tonality, harmony, rhythm, and the repeated use of short phrases and musical concepts in Chopin’s Mazurkas, and to demonstrate how both Polish folk music and classical music techniques were used to develop his very own unique artistic voice.
外文書目
Abraham, Gerald. Chopin''s Musical Style. Oxford: Oxford University Press, 1939.

Atwood, William G. Fryderyk Chopin: Pianist from Warsaw. New York: Columbia University Press, 1987.

Banowetz, Josepf. The Pianist''s Guide to Pedaling. Bloomington: Indiana University Press, 1985.

Braun, Hartmut. Einführung in die Musikalische Volkskunde. Darmstadt: Wissenschaftlische Buchgesellschaft, 1985.

Burkhart, Charles. "The Phrase Rhythm of Chopin''s a-Flat Mazurka, Op. 59, No. 2." In Engaging Music: Essays in Music Analysis, 3-12, 2005.

Czekanowska, Anna. Studien zum Nationalstil der Polnischen Musik. Kölner Beiträge zur Musikforschung, ed. Klaus Wolfgang Niemöller, Band 163. Köln: Gustav Bosse Verlag Regensburg, 1990.

Czekanowska, Anna. Polish Folk Music. Slavonic Heritage, Polish Tradition, Contemporary Trends. Cambridge Studies in Ethnomusicology, ed. John Blacking. Cambridge: Cambridge University Press, 2006.

Dale, Kathleen. "Dance Forms." In Nineteenth-Century Piano Music, 254-261. New York: Da Capo Press, 1954.

Dziewanowska, Ada, Basia Dziewanowska, Jás Dziewnowski, Stás Kmiéc, and Jacek Marek, eds. Polish Folk Dances and Songs: A Step-by-Step Guide. New York: Hippocrene Books, 1997.

Fink, Henry T. Chopin and Other Musical Essays. New York: Charles Scribners Sons, 1897.

Gerig, Reginald R. Famous Pianists & Their Technique. Washington: R. B. Luce, 1974.

Goldberg, Halina, ed. The Age of Chopin: Interdisciplinary Inquiries. Bloomington: Indiana University Press, 2004.

Goldschmidt, Aenne. Handbuch des deutschen Volkstanzes. Textband. Berlin: Henschelverlag Kunst und Gesellschaft, 1970.

Goldschmidt, Aenne. Handbuch des deutschen Volkstanzes. Notenband. Berlin: Henschelverlag Kunst und Gesellschaft, 1970.

Grudziński, Antoni. The Chopin Cult in Poland. Translated by Jerzy Ossowski. Poznań: Ars Nova, 1995.

Huneker, James. Chopin. The Man and His Music. With a foreword by Hebert Weinstock. New York: Dover Publications, Inc, 1966.

Kallberg, Jeffrey. Chopin at the Boundaries: Sex, History, and Musical Genre. Convergences: Invertories of the Present, ed. Edward W. Said. Cambridge: Harvard University Press, 1996.

Ludwik, Erhardt. Musik in Polen. Warszawa: Verlag Interpress, 1978.

Michalski, Grzegorz, Ewa Obniska, Henryk Swolień, and Jerz Waldorff, eds. Geschichte der Polnischen Musik. Warschau: Verlag Interpress, 1988.

Molen, Uli. Die Geschichte des Klavierspiels in historsichen Zitaten. Balingen: Musik-Verlag Uli Molsen, 1982.

Pekacz, Jolanta T. Music in the Culture of Polish Galicia, 1772-1914. New York: University of Rochester Press, 2002.

Porte, John F. Chopin, the Composer and His Music; an Analytic Critique of Famous Traditions and Interpretations as Exhibited in the Playing of Great Pianists Past and Present. London: William Reeves, 1935.
Rayson, Ethel. Polish Music and Chopin Its Laureate. London: William Reeves, 1917.

John Rink and Jim Samson, eds., Chopin Studies 2. Cambridge: Cambridge University Press, 1994.

Rothstein, William Nathan. Phrase Rhythm in Tonal Music. New York, London: Schirmer Books; Collier Macmillan, 1989.

Rowland, David. A History of Pianoforte Pedalling. Cambridge: Cambridge University Press, 1993.

Samson, Jim. The Music of Chopin. Companions to the Great Composers. London, Boston and Henley: Routledge & Kegan Paul, 1985.

Samson, Jim, (ed.) Chopin Studies. Cambridge: Cambridge University Press, 1988.

Samson, Jim. Chopin. The Master Musicians, ed. Sadie Stanley. Oxford: Oxford University Press, 1996.

Starczewski, F., (ed.) Die Polnischen Tänze. Vol. 2, Sammelbände der Internationalen Musik-Gesellschaft, 1900-01.

Tomaszewski, Mieczyslaw. Frederyk Chopin. A Diary in Images. Translated by Rosemary Hunt. Warszawa: Polskie Wydawnictwo Muzyczne : Arkady, 1990.

Tomaszewski, Mieczysław. Frédéric Chopin und seine Zeit. Große Komponisten und Ihre Zeit. Laaber: Laaber-Verlag, 1999.

Zofia Uminska, H. E. Kennedy. Chopin. The Child and the Lad. London: Methuen & Co. Ltd., 1925.

中文書目
王敏惠,〈蕭邦筆下的馬厝卡舞曲 (Mazurka) 舞曲〉。《輔仁學誌: 人文藝術之部》30 (2003): 153-184。
王惠玲,《蕭邦馬厝卡舞曲之研究》。國立臺北藝術大學音樂系碩士在職專班音樂專業師資教育組,碩士論文,2008。

朱玫勳,《蕭邦馬厝卡舞曲探討》。東吳大學音樂學系,碩士論文,1993。

李欣恬,〈作為國族象徵的蕭邦 (F. Chopin) 馬祖卡節奏探討〉。《國立台北藝術大學音樂研究所2009年音樂學研討會論文》,20。台北,2009。

徐頌仁,《音樂演奏的實際探討》。台北:全音樂譜出版社,1992。

焦元溥,《遊藝黑白。世界鋼琴家訪問錄(上、下)》。台北:聯經出版社,2007。

焦元溥,《聽見蕭邦》。台北:聯經出版社,2010。

彭聖錦,〈蕭邦馬厝卡舞曲研究〉。《古典音樂》 94 No. 6 (2000):92-102。

翻譯書籍
李斯特 (Liszt, Franz, Fredérdic) 著,《李斯特論蕭邦》。張澤民/高士彥譯。台北:世界文物出版社,1993。

歐皮安斯基 (Henryk Opieński) 編,《蕭邦書信集(上)(下)》。潘保基譯。台北:世界文物出版社,1995。

杜巴 (David Dubal) 著,《鋼琴家談演奏藝術》。顧連理譯。台北:世界文物出版社,1998。

匈伯格 (Harold C. Schonberg) 著,《不朽的鋼琴家》。顧連理/吳佩華譯。台北:世界文物出版社,1998。

樂譜
Chopin, Fredérdic. Mazurken. Müchen: G. Henle Verlag, 1989.


Chopin, Fredérdic. Mazurkas. ed. Ignacy J. Paderewski. Warsaw: Polskie Wydawnictwo Muzyczne SA, 1953.

Chopin, Fredérdic. Mazurkas. ed. Ignacy J. Paderewski. Warsaw: Polskie Wydawnictwo Muzyczne SA, 1953.

Chopin, Fredérdic. Mazurki. ed. Jan Ekier. Wydanie Nrodowe. Warsaw: Polskie Wydawnictwo Muzyczne SA, 1953.

Chopin, Fredérdic. Mazurkas. edit. A. Cortot. Paris: Salabert Edition.


 
 
 
 
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