一、中文與譯文書目
王美珠。《音樂 文化 人生：系統音樂學的跨學科研究議題與論文》。台北：美樂出版社，2012。
李斯特 (Liszt, Franz)。《李斯特論蕭邦》張澤民/高士彥譯。台北：世界文物出版社，1993。
哈洛德．荀白克 (Schoenberg, Harold C. )。《不朽的鋼琴家》顧連理/吳佩華譯。台北：世界文物出版社，1998。
泰德‧蕭爾茲 (Ted Szulz)《蕭邦在巴黎:浪漫時期的音樂大師與文化風貌》
馬永波譯。台北，高談文化，2007。
漢里克‧阿皮恩斯基(Henryk Opienski)編輯；《蕭邦書信集(上)(下)》潘保基譯。台北：世界文物出版社，1995。
李欣恬。《蕭邦的馬祖卡:歷史源流、風格特色與國族認同》國立臺北藝術大學
音樂學碩士論文，2011。
李琦瑋。《蕭邦敘事曲作品二十三與作品五十二中對比手法使用之探討》。
國立中山大學碩士論文，2004。
黃惠君。《蕭邦四首敘事曲之作品研究與演奏詮釋》。國立臺北教育大學碩士論文，2010。
楊志凱。《敘事曲高潮鋪陳手法之研究》。國立臺灣師範大學碩士論文，1999。
簡汝瑾。蕭邦《馬厝卡舞曲》：傳統的沉澱與淬鍊。國立臺北藝術大學音樂博士論文，2011。二、外文書目
Abraham, Gerald. Chopin’s Musical Style. London: Oxford University Press, 1968.
Azoury, Pierre. Chopin through His Contemporaries: Friends, Lovers, and Rivals. London: Greenwood Press, 1999.
Brown, Clive. Classical and Romantic Performing Practice 1750-1900. Oxford: Oxford University Press, 1999.
Dubal, David. The Art of the Piano: Its Performers, Literature, and Recordings.
Cambridge: Amadeus Press, 2004.
Dunn, John Petrie. Ornamentation in the Works of Frederick Chopin. New York:
Da Capo Press, 1971.
Eigeldinger, Jean-Jacques. Chopin: Pianist and Teacher as Seen by his Pupils.
Cambridge: Cambridge University Press, 1986.
Ferguson, Howard. Keyboard Interpretation from the 14th to the 19th Century. New
York: Oxford University Press, 2002.
Gillespie, John. Five Centuries of Keyboard Music. New York: Dover Publications,
1965.
Gordon, Stewart. A History of Keyboard Literature. New York: Schirmer Books,
1996.
Hudson, Riochard. Stolen Time: The History of Tempo Rubato. New York: Clarendon
Press Oxford, 1994.
Huneker, James. Chopin: The Man and His Music. New York: Dover Publication, 1966.
Janotha, Natalie. Chopin''s Greater Works, Preludes, Ballades, Nocturnes, Polonaises, Mazurkas, How They Should Be Understood. London: W. Reeves, 1897.
Jean-Jacques Eigeldinger ed., Chopin: Pianist and Teacher as Seen by His Pupils. Cambridge: Cambridge University Press, 2011.
Kelley, Edgar Stillman. Chopin: The Composer. New York: G. Schirmer, 1913.
Kirby, F. E. Music for Piano: A Short History. Cambridge: Amadeus Press, 2004.
Kuhn/ Clemens:”Form”(形式)詞條.Bd.3(Eng-Hamb), 1995, 607-643. in: Die Musik
in Geschichte und Gegenwart, Allgemeine Enzyklopadie der Musik
（簡稱MGG, 音樂的歷史與現狀. 一般音樂百科全書）, Friedrich Blume創立. 第二全新版由Ludwig Finscher編輯出版,共29冊, 包括術語部分9冊 (1994-1998) + 1冊索引 (1999)；人物部分17冊 (1999-2007 ) + 1冊索引 (2007) 與1冊補遺 (2008), Kassel; Basel; London; New York; Prag: Barenreiter; Stuttgart; Weimar: Metzler, 術語部分第9冊 (Sy-Z,)，1998, 2149-2220.
Lederer, Victor. Chopin - A Listener''s Guide to the Master of the Piano. Pompton
Plains, NJ: Amadeus Press, 2006.
Long, Marguerite. At the Piano with Debussy. London: J. M. Dent, 1972.
Methuen-Campbell, James. Chopin Playing - From the Composer to the Present Day.
London: Victor Gollancz, 1981.
Michałowski, Kornel and Jim Samson. “Frederic Chopin,” The New Grove’s Dictionary of Music and Musicians, 2nd ed., 29 vols. ed. Stanley Sadie London: Macmillan, 2001, Ⅴ, 706.
Niecks, Frederick .Frederick Chopin as a Man and Musician.Neptune City, NJ: Paganiniana Publications,
Nichols, Roger. Debussy Remembered. Portland, OR: Amadeus Press, 1992.
Randel, Don Michael. The Harvard Concise Dictionary of Music and Musician. New
York: Harvard University Press, 1996.
Rink, John, ed. Musical Performance: A Guide to Understanding. Cambridge: Cambridge University Press, 2002.
Rosen, Charles. The Romantic Generation. Cambridge, MA: Harvard University
Press, 2003.
Samson, Jim. Chopin Studies. England: Cambridge University Press, 1988.
________. The Cambridge Companion to Chopin. Cambridge: Cambridge University Press, 1992.
________. Chopin: The Four Ballades .Cambridge: Cambridge University Press, 1992.
________. The Music of Chopin. New York: Oxford University Press, 1994.
________. Master Musicians, Chopin. New York: Oxford University Press, 1996.
Taruskin, Richard. The Oxford History of Western Music.3 vols. New York:
Oxford University Press, 2005.
Todd, Larry, ed. The Nineteenth-Century Piano Music. New York: Routledge, 2004.
Ulrich, Michels.《德國袖珍本出版社【音樂圖解】》(dtv-Atlas Musik), 2001.
Walker, Alan. The Chopin Companion: Profiles of the Man and the Musician. New
York: W. W. Norton, 1973.
Watson, Derek. Liszt. New York: Schirner Books, 2000.
Winter, Robert ed. Brown, H. and Sadie, S. 19th Century in Performance Practice: Music After 1600. London: MacMillan Press, 1989.
Witten, David, ed. Nineteenth-Century Piano Music: Essays in Performance and Analysis. New York: Garland Publishing, 1997.
期刊論文
Bellman, Jonathan. “Chopin and His Imitators: Notated Emulations of the ‘True Style’ of performance.” 19th-Century Music 24, no. 2 (Autumn 2000): 149-160.
Berger, Karol. “The Form of Chopin''s "Ballade," Op. 23.” 19th-Century Music 20,
no.1 (Summer 1996): 46-71.
Hooloway, Robin. ”Master of Hearts”, The Musical Times 136, no. 1830 (August
1995): 394-396.
Jasinska, Danuta. “Sketch for a Portrait of Kalkbrenner and Chopin.” Interdisciplinary
Studies in Musicology 9 (2011): 88
Langley, Robin. “John Field and the Genesis of a Style.” The Musical Times 123,
no. 1668 (February 1982): 92-99.
網路與樂譜資料
Bach, Johanna Sebastian. Das wohltemperierte Klavier I, BWV 846-869, Munchen:
G.Henle Verlag, 1978.
Bellini, Vincenzo. Norma. Leipzig: C. F. Peters, 1894.
Chopin, Frederic. Ballades: op.23, op.38, op.47, op.52. The Complete Chopin:
A New Critical Edition, ed. Jim Samson. New York: Edition Peters,
______. Ballades: op.23, op.38, op.47, op.52. Ignacy J. Paderewski ed. Warsaw:
Polskie Wydawnictwo Muzyczne SA, 1953
______. Ballades: op.23, op.38, op.47, op.52. Jan Ekier ed. Warsaw: Polskie Wydawnictwo Muzyczne SA, 2011
______. Ballades. Carl Mikuli ed.New York: G.Schirmer, 1894.
______. Barcarolle, op.60. Carl Mikuli ed. New York: G. Schirmer, 1894
______. Fantasie, op.13. Carl Mikuli ed. New York: G. Schirmer, 1894
______. Mazurkas. Carl Mikuli ed. New York: G. Schirmer, 1894
______. Nocturnes. Carl Mikuli ed. New York: G. Schirmer, 1894
______. Prelude, op.28. Ewald Zimmermann ed. Munchen: G.Henle Verlag, 1982.
_______. Polonaises. Carl Mikuli ed. New York: G. Schirmer, 1894
_______. Polonaise-Fantasie, op.61. Carl Mikuli ed. New York: G. Schirmer, 1894
_______. Scherzos, Carl Mikuli ed. New York: G. Schirmer, 1894
_______. Klavierstucke. Munchen: G.Henle Verlag, 1978.
Debussy, Claude. Ballade. New York: Dover Publications, 1974
G. Henle Publishers. [website online]; available from http://www.henle.com/; Internet;
Hummel, Johann Neponuk. La Bella Capricciosa, op.55. Vienna: Universal Edition, Vol.1, 1901
Pleyel Piano. [website online];available from http://www.pleyel.fr/; Internet
Weber, Cael Maria von. Grand Polonaise, op.21. Louis Kohler ed., Leipzig: C.F.
Peters, 1974.