This paper to "self image" as to watch, thought, study the perspective of Taiwan modern poetry, points out that the image used in modern poetry may be more or less involve self external image, inner feelings, affection, transformation, or subconscious prototype performance, etc., such projection and the poet writing consciousness "self comparison" for animals, plants, characters or myth, namely "self image performance". The author tries to construct the concepts of imagery, psychoanalysis, writers and biography criticism, and focuses on five themes: self-realization, self-deformation, individualized process, character prototype, and the works of indigenous poets as the research center, so as to reorganize and discuss the various features of Taiwan modern poetry and the symbolic expression of self-image.
In terms of self-fulfilling personality image, the modern poet to the vision of self inner ideal and concept of enterprise and yearning, into something like represented in poetry, and a number of local poets also actively participate in social issues, to "like" out of self political consciousness, from maslow self realization and Freud "ego" concept, as a research perspective analysis is particularly considerable. The deformation of the body and lust, drawing on the concept of "deformation poetics", explores the poet incarnate as an animal or plant and linked to his own life experience, showing the multiple changes and comparison of the issuing image and the abstract self. The "self" in the individualized process is to discuss the subconscious and archetypal characters reflected in the poet's poems, such as shadow, Anima, and Anames, according to the method of Jung psychology. Finally, the symbol of "Ben" is regarded as a complete process. Then, by exploring the connection between the poems and the original meanings of different Taiwan poets by the six heroic archetypes, we can find the variability of the poet's style and the form of expression. Modern character projection is played by poets as night watchmen, sailors, clowns and workers, each expressing and displaying dramatic self-images. Finally, with Taiwan Aboriginal poets as the main body, we explore the change and particularity of indigenous poets in their self-image writing.
This paper attempts to understand the interactive relationship between the poet and the image and the meaning, and the poet consciously and unconsciously puts himself into the poem. This paper can see the research results from this paper. With the foil and assistance of the image, the poet expresses himself, writes himself and transforms himself, showing the flowing and very representative self-image.