Starting from the standpoints taken by the congregate housing residents in Taiwan, this paper took a creator’s standpoint to convert the residents’ feelings into a general sense through architectural works, then took a researcher’s standpoint to backtrack Taiwan’s post-war housing development with various housing literatures as reference and thereby reviewed how the nearby housing landscape came into being. Next, based on the staggered identity made up of resident/creator/researcher, the author expanded the scope of his perceptive practices and thus unfolded the conformation and reappearance of his experience related to Taiwan’s congregate housing which was considered not only an architectural structure of contiguous batch building, but a sensory structure converged with the collective living experience of the entire society. Congregate housing provides a tangible building space for residents and serves as a channel that connects experience and perception to imaginary feelings within historic context and social development process in which the standardized spatial characteristics serves as a criterion that allows everyone to find out the similarities among people and at the same time act in his usual fashion. For this reason, this paper divides congregate housing into three compound categories – home, house, and housing – to describe this dynamic and unique spatial relationship and then, with the “rehousing” concept deriving from artistic practice standpoint, introduced a flexible framework to facilitate multi-party discussion and thereby proposed an interrogative structure to explore the reality.The paper discusses three types of housing in Taiwan:"Townhouse", "Military Village", and "Apartment", and discusses the cases of my artwork related to these houses.It includes the "Cake House" series since 2009, the "Soft and Crumbling Memory _Cake House Workshop" in 2016, the solo exhibition "Nameless Path, Housewarming" in 2017, and the "Ideal House" creation project in 2019.To provides a different perspective on post-war residential research in Taiwan from the perspective of artistic practice .