This dissertation explores the theme of "monsters" and utilizes ancient and modern stories of monsters, gods, ghosts, fairy tales, and more to discuss a series of artworks. The dissertation maintains a neutral stance on the actual existence of gods and ghosts, instead focusing on "the image of monsters as a manifestation of the human psyche." Through the examination of relevant theories and the exploration of a series of creations, it aims to deepen my understanding of the community and myself, encourage profound introspection and self-healing, and develop a unique artistic style.
The first chapter serves as an introduction, outlining the motivation and purpose behind my creative work. It briefly explains the methodology, scope, and limitations of the creative process. In the second chapter, I delve into the perspectives of art anthropology, sociology, and psychology. Initially, I explore the origins of monster imagery through the lens of art anthropology and subsequently reference the psychological theories of Swiss psychologist Carl G. Jung (1875-1961) concerning the concepts of "shadow" and "individuation." This chapter also delves into the societal backdrop of monster narratives, particularly considering Karl Marx's (1818-1883) theory of "alienation" and Herbert Marcuse's (1898-1979) concept of the "one-dimensional man." These theories are employed to discuss the psychological phenomenon of modern individuals "becoming monsters". The third chapter delves into image interpretation and aesthetic representation of monster artworks. Here, I compile the lineage of relevant artworks and analyze their aesthetic styles. Transitioning into my own creative context, the fourth chapter explores the personal significance of the creative series. It analyzes drawing techniques, processes, and media used in the creation process. The fifth chapter then proceeds to elaborate individual artworks. Taking "Monsters in Outlands" as the overarching theme of the series, I integrate the prior discussions on psychology, sociology, and iconology. Through this integrated approach, I present my individual creative concepts within the realms of situational creation and stylistic development.