本文主要討論八○年代崛起的年輕小說家駱以軍的抒情轉折。扣緊他和業師張大春之間寫作技術及世界觀之間的繼承與叛離(「克服」張大春)，尤其關注作為其內向轉折重要環扣之駱以軍的詩集《棄的故事》，及箇中衍生的遺棄美學。以遺棄及身體的愛欲感覺為軸心，駱以軍悄悄地重回被張大春遺棄的抒情傳統，完成了以私小說為敘事策略的內向轉折。

　　　　　This paper focuses on the lyrical turn in the works of Luo Yijun, a budding local writer of the 1980’s. Emphasis is placed on the relationship between Luo and Zhang Dachun, specifically on how Luo first adopted Zhang’s writing skills and worldviews and then departed from his mentor (his “overcoming” Zhang). It is precisely in Luo’s collection of poems Qi de gushi [The story of Qi/desertion], which bears traces of such a significant turn, that the poet picks up stealthily the lyrical tradition deserted by Zhang, seeking the “I-novel” as a source of his narrative strategy and hence accomplishing an aesthetics of desertion.