This paper discusses Gao Xingjian's practice of Triple stages or levels of acting, especially, acting in the third-person. Gao thinks that there is a neutral actor between the performer's self and the character. He or she is both in and out of the character. This paper tries to examine Gao's theory and practice of Gao's triple-stage method, taking Gao's plays as examples. This paper consists of three parts. The first part discusses the relation between performers and characters, and it also introduces the methods of warming up and rehearsing techniques. The second part, which is the main body of the paper, focuses on acting skill, and lists several ways to explain how to act. The last part discusses his method. One is: Does the neutral actor appear in front of audience? And the other is about the problem of the use of pronouns in Gao's plays.