本文旨在探討並分析印尼伊斯蘭宗教音樂的現代化與西化的現象與過程。儘管宗教音樂被認為是所有音樂型態中改變最慢的樂種，然而在西方強勢文化的影響下，許多東方宗教的儀式音樂也為了適應這種社會西化的趨勢中，而在音樂觀念、音樂結構或者演出型態等方面做一定程度的改變。例如，印度克里希納教 (Krishna)為了吸引年輕人而將其宗教音樂改以流行樂的方式演出；台灣佛經唱誦以電子琴伴奏，甚至以西方舞台式的方式演出；而印尼伊斯蘭宗教音樂也在現代化與西化的趨勢下產生了改變。為了深入探討印尼伊斯蘭宗教音樂現代化與西化的情形，本文將從以下幾個層面來分析：一、伊斯蘭教與印尼傳統音樂的結合；二、印尼伊斯蘭宗教唱誦傳播方式的變遷；三、印尼伊斯蘭蘇非宗教音樂的流行化。

　　　　　The purpose of this article is to discuss and analyze the phenomenon and process of modernization and westernization in Islamic religious music. Although religious music seems in many societies to change less readily than the secular, many ritual musics of oriental religions gradually change in music concepts, musical structures, and performing contexts for adapting contemporary societies. For examples, Indian Krishina performs her religious music in popular style to attract young men. Buddhism chant in Taiwan is accompanied by electric piano and even performed in the concert hall. Religious music of Indonesian Islam is also influenced by the modernized and westernized society. To have a understanding to the modernization and westernization of Islamic music in Indonesia, the texts will be divided into following parts: combination of Islam and Indonesian traditional music, change of broadcast system of Islamic chant, and popularization of Indonesian Sufi music.