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2. | 蔡宗德(20030900)。印尼伊斯蘭教密契主義及其傳統音樂之間的互動:以中爪哇宮廷為例。新世紀宗教研究,2(1),71-98。 延伸查詢 |
3. | 蔡宗德(20040300)。印尼伊斯蘭宗教詩歌--音樂型態與演出環境。亞太研究論壇,23,37-70。 延伸查詢 |
4. | Faruqi, Lois Ibsen(1985)。Music, Musicians and Muslim Law。Asian Music,17(1),3-36。 |
5. | Rasmussen, Anne K.(2001)。The Qur'an in Indonesian Daily Life: The Public Project of Musical Oratory。Ethnomusicology,45(1),30-57。 |
6. | Hood, Mantle(1985)。Javanese Gamelan Sekati: Its anctity and Age。Acta Musicologica,1,33-37。 |
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8. | 林長寬(20010100)。伊斯蘭Tasawwuf之界定與內涵。臺灣宗教學會通訊,7,43-49。 延伸查詢 |
9. | Woodward, Mark R.(1988)。The Slametan: Textual Knowledge and Ritual Performance in Central Javanese Islam。His tori/ of Religions,28(1),54-89。 |
10. | Weiss, Sarah(2003)。"Kothong Nanging Kebak", Empty Yet Full: Some Thoughts on Embodiment and Aesthetics in Javanese Performance。Asian Music,34(2),21-49。 |
11. | Vetter, Roger R.(2001)。More than Meets the Eye and Ear: Gamelans and Their Meaning in a Central Javanese Palace。Asian Music,32(2),41-92。 |
12. | Vickers, Adrian.(1987)。Hinduism and Islam in Indonesia: Bali and the Pasisir World。Indonesia,44,31-58。 |
13. | Warsadiningrat, R. T.(1987)。Sernt Wedlm Prndntiggn[The book of sacred knowledge about gamelan music]。Becker and Feinstein,1987,1-170。 |
14. | 朱馬耶夫(1999)。伊斯蘭教與音樂。音樂學術信息,1,12-15。 延伸查詢 |
15. | 邱炫元(2003)。為「正行」而爭論:印尼伊斯蘭宇宙觀與儀式實踐中融合與反融合的宗教政治。海華與東南亞研究,3(2)。 延伸查詢 |
16. | Sakata, Hiromi Lorraine(1994)。The Sacred and Profane: Qawwali Represented in the Performances of Nursrat Fateh Ali Khan。The Word of Music,36(3),86-99。 |
17. | Pacholczyk, Jozef M.(1983)。The Relationship Between the Nawba of Morocco and the Music of the Troubadours and Touveres。World of Music,25(2),5-16。 |
18. | Nelson, Kristina(1982)。Reciter and Listener: Some Factors Shaping the Mujawwad Style of Quranic Reciting。Ethnomusicology,26(1),41-48。 |
19. | 崔治修(19991000)。旋轉的苦行僧德維席(dervish): 伊斯蘭神秘主義教派的僧人和其舞蹈。藝術評論,10,173-189。 延伸查詢 |
20. | Lee, Tong-Soon(1999)。Technology and the Production of Islamic Space: The Call to Prayer in Singapore。Ethnomusicology,4,86-100。 |
21. | 蔡宗德(20010100)。伊斯蘭蘇非主義之儀式與音樂關係初探。臺灣宗教學會通訊,7,50-57。 延伸查詢 |
22. | 蔡宗德(19990900)。音樂在伊斯蘭宗教的爭論。當代,27=145,26-39。 延伸查詢 |
23. | Brinner, Benjamin(1995)。Cultural Matrices and the Shaping of Innovation in Central Javanese Performing Arts。Ethnomusicology,39(3),433-456。 |
24. | Collins, Megan(2002)。Bongai in Tanjung Ipoh, Negeri Sembilan。Journal of the Malaysian Branch of the Royal Asiatic Society,75(1),91-114。 |
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29. | Harnish, David(2003)。Worlds of Wayang Sasak: Music, Performance, and Negotiations of Religion and Modernity。Asian Music,34(2),91-119。 |
30. | Florida, Nancy K.(1987)。Reading the Unread in Traditional Japanese Literature。Indonesia,44,1-16。 |
31. | Gade, Anna M.(2002)。Taste, Talent, and the Problem of Internalization: A Quranic Study in Religious Musicality from Southeast Asia。History of Religions,41(4),328-368。 |
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