Su Qing was the long forgotten writer in the history of Chinese modern literature. There is hardly any description about her in the books of Chinese modern literature. In fact, Su Qing was the most the famous female writer in the Shanghai besieged period in the forties; she is even more popular than Eileen Chang at that time. Su Qing had been married and gave birth to child before becoming the writer, then got divorced when her husband having affair. Later on, she had become the professional writer. Su Qing’s article was smooth and straightforward, it talked about the feeling of newly wedded, and the pain and joy of birth, love affairs, and the difficulties of divorce women become independent and the concern about the children. Those articles were full of the feeling of women first enter the society and got disillusionment afterward. It was not easy for her to live independently as being the divorced women in the Japanese occupied Shanghai period. Su Qing had to bear all kinds of commets from society. Besides, to make livings by writing and taken it as entertainment was also not easy at that age. After the victory of Sino-Japanese war, Su Qing and Eileen Chang’s behaviors in the besieged Shanghai period were taken as cultural collaborators and were gradually forgotten by the history of Chinese modern literature. However, Eileen Chang had been well known again in the recent years, Su Qing’s experience was quite different, and that is hardly any literary writers or historians talking about her. In this thesis, I will try to discuss Su Qing’s most deputed role as the Jewish writer, in order to understand the problems of her writing career and cultural enterprises operation.