本文主要探討文革後期到新時期初年，作為當代中國（大陸）文壇權力核心與資訊中心的北京，如何透過創作與出版資源上的絕對優勢，對成長中的知識青年產生巨大的影響（朦朧詩的代表詩人北島便是本文首選的分析案例）。在這個中國當代詩歌的黃金時代，另一位充滿異議色彩的貴州詩人黃翔，前進北京展開群眾化與泛政治化的詩歌活動。兩人截然不同的人格與風格，正好形成－齣詩史發言權的爭奪戰，以及詩歌美學的對照／對峙。

This article mainly discussing about how Beijing, was acting both as the core influence and the information centre of contemporary (Mainland) China’s literary world, to bring about great influences towards the growing educated youth (Bei Dao, the representative poet of “obscure poem” is the preferred case analysis of this article) via absolute predominance over creativity and publication resources, in between the later period of cultural revolution and the initial period of the new era. In this golden age of contemporary poem of China, there is a contradistinctive poet to the former. Huang Xiang, originated from Guizhou who moves forward to Beijing and outspreading poetic activities involved with popularization & pan-politicization. The differences of personalities and styles between Bei Dao & Huang Xiang just right about to both compete for the voice of history of poetry, and to act as the contradistinguish/confrontation for aesthetics of poetry.