| 期刊論文| 1. | Bauman, Richard(2005)。Commentary: Indirect Indexicality, Identity, Performance: Dialogical Observations。Journal of Linguistic Anthropology，15(1)，145-150。   | | 2. | Briggs, Charles L.、Bauman, Richard(1992)。Genre, Intertextuality, and Social Power。Journal of Linguistic Anthropology，2(2)，131-172。 | | 3. | Dorst, John D.(1983)。Neck-riddle as a Dialogue off Genres: Applying Bakthin's Genre Theory。Journal of American Folklore，96(382)，413-433。 | | 4. | Ghosh, Pika(2003)。Unrolling a Scroll: Artistic Practice and Identity in Late-Nineteenth Century Bengal。Journal of Asian Studies，62(3)，835-871。 | | 5. | Hanks, William F.(1987)。Discourse Genres in a Theory of Practice。American Ethnologist，14(4)，668-692。 | | 6. | Hauser, Beatrix(1994)。Scroll Painters (Patuya) and Storytelling in Bengal: Patterns of Payment and Performance。Jabrbuch fur Musicalishe Volks- and Volkerkunde，15，135-152。 | | 7. | Hauser, Beatrix(2002)。From Oral Tradition to "Folk Art": Reevaluating Bengali Scroll Paintings。Asian Folklore Studie，61(1)，105-122。 | | 8. | Mannheim, Bruce、Van Vleet, Krista(1998)。The Dialogics of Southern Quechua Narrative。American Anthropologist，100(2)，326-346。 | | 9. | Ramanujan, A. K.(1989)。Where Mirrors Are Windows: Toward an Anthology of Reflections。History of Religions，28(3)，187-216。 | 學位論文| 1. | Caughran, Neema(1997)。The Potter, the Brahm, and the Butcher's Ghost: Caste and Family Dynamics in North India。 | 圖書| 1. | Bauman, Richard(1977)。Verbal Art as Performance。Prospect Heights, IL：Waveland Press。 | | 2. | Bakhtin, Mikhail Mikhailovich、Emerson, Caryl、Holquist, Michael(1981)。The Dialogic Imagination: Four Essays by M. M. Austin。Austin, TX：University of Texas Press。 | | 3. | Mathews, Gordon(2000)。Global Culture/Individual Identity: Searching for Home in the Cultural Supermarket。Routledge。 | | 4. | (1989)。Patua Art: Development of the Scroll Paintings of Bengal Commenorating the Bicentenary of the French Revolution。Patua Art: Development of the Scroll Paintings of Bengal Commenorating the Bicentenary of the French Revolution。Calcutta, India。 | | 5. | Bakhtin, M. M.(1986)。Speech Genres and Other Essays。Austin, TX：University of Texas Press。 | | 6. | (1989)。Oral Epics in India。Oral Epics in India。Berkeley, CA。 | | 7. | Flueckiger, Joyce Burkhalter(1996)。Gender and Genre in the Folklore of Middle India。Gender and Genre in the Folklore of Middle India。Ithaca, NY。 | | 8. | Fruzzetti, Lina、Ostor, A.、Sarkar, A. N.(2005)。Singing Pictures。Singing Pictures。Watertown, MA。 | | 9. | Gossen, Gary(1974)。Chamulas in the World of the Sun: Time and Space in a Maya Oral Tradition。Chamulas in the World of the Sun: Time and Space in a Maya Oral Tradition。Cambridge。 | | 10. | Gold, Ann Grodzins(1993)。A Carnival of Parting: The Tales of King Bharthari and King Gopi Chand as Sung and Told by Madhu Natisar Nath of Ghatiyali, Rajasthan。A Carnival of Parting: The Tales of King Bharthari and King Gopi Chand as Sung and Told by Madhu Natisar Nath of Ghatiyali, Rajasthan。Berkeley, CA。 | | 11. | Korom, Frank J.(2006)。Village of Painters: Narrative Scrolls from West Bengal。Village of Painters: Narrative Scrolls from West Bengal。Santa Fe, NM。 | | 12. | McCutchion, David J.、Bhowmik, Suhrid K.(1999)。Patuas and Patua Art in Bengal。Patuas and Patua Art in Bengal。Calcutta, India。 | | 13. | Raheja, Gloria Goodwin、Gold, Ann Grodzins(1994)。Listen to the Heron's Words: Reimagining Gender and Kinship in North India。Listen to the Heron's Words: Reimagining Gender and Kinship in North India。Berkeley, CA。 | | 14. | Ramanujan, A. K.(1991)。Three Hundred Ramayanas。Many Ramayanas: The Diversity of a Narrative Tradition。Berkeley, CA。 | | 15. | Rushdie, Salmon(1990)。Haroun and the Sea of Stories。Haroun and the Sea of Stories。London, UK。 | | 16. | Sarkar, Aditi Nath(2002)。Bengali Patas: Beneath the Banyan Tree. Ritual, Remembrance and Storytelling in Performed North Indian Folk Arts。Bengali Patas: Beneath the Banyan Tree. Ritual, Remembrance and Storytelling in Performed North Indian Folk Arts。Syracuse, NY。 | | 17. | Todarmal(1879)。Nalacaritamtat arthat Dhola Maru。Nalacaritamtat arthat Dhola Maru。Mathura, India。 | | 18. | Todarmal(1975)。The Real Dhola Maru。The Real Dhola Maru。Mathura, India。 | | 19. | Urban, Greg(1984)。The Semiotics of Two Speech Styles in Shokleng。Semiotic Mediation。Orlando, FL。 | | 20. | Wadley, Susan Snow(1978)。Texts in Contexts: Oral Traditions and the Study of Religion in Karimpur。American Studies in the Anthropology of India。New Delhi, India。 | | 21. | Wadley, Susan Snow(1989)。Choosing a Path: Performance Strategies in the North Indian Epic Dhola。Oral Epics in India。Berkeley, CA。 | | 22. | Wadley, Susan Snow(1994)。Struggling with Destiny in Karimpur, 1925-1984。Struggling with Destiny in Karimpur, 1925-1984。Berkeley, CA。 | | 23. | Wadley, Susan Snow(2004)。Raja Nal and the Goddess: The North Indian Oral Epic Dhola in Performance。Raja Nal and the Goddess: The North Indian Oral Epic Dhola in Performance。Bloomington, IN。 | |