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題名:當紀錄影像成為檔案文件--當代影像紀錄態度的轉變與其差異性目的
書刊名:現代美術學報
作者:黃津夫
作者(外文):Huang, Chin-fu
出版日期:2010
卷期:19
頁次:頁59-83
主題關鍵詞:紀錄態度檔案攝影影像攝影報導主義紀錄性計畫類型學Documentary attitudeArchivePhotographic imagePhotojournalismDocumentary projectTypology
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:0
  • 點閱點閱:75
期刊論文
1.Ratcliff, Carter(2006)。What "Evidence" Says about Art-A recently revived exhibition of uncaptioned documentary photographs offered multiple lessons about how (and how not) to interpret artworks。Art in America。  new window
圖書
1.Cotton, C.(2004)。The photograph as contemporary art。London:Thames & Hudson。  new window
2.Sontag, Susan、黃翰荻(1997)。論攝影。唐山出版社。  延伸查詢new window
3.Foucault, Michel、Smith, A. Sheridan(1972)。The Archaeology of Knowledge。New York:Harper Colophon Books。  new window
4.Sekula, Allan(1989)。The Body and the Archive。The Contest of Meaning: Critical Histories of Photography。Cambridge, MA/London。  new window
5.Alberch I Fugueras, Ramon(2000)。La dimensión democrática de los archivos。Culturas de archive。Barcelona。  new window
6.Sekula, Allan(1983)。Reading an archive: Photography between labour and capital。Art and Photography。London。  new window
7.Henning, Michelle(2006)。The subject as object-Photography and the human body。Photography: A critical introduction。New York。  new window
8.Enwezor, Okwui(2008)。Archive Fever-Uses of the document in contemporary art。Archive Fever-Uses of the document in contemporary art。New York/Göttingen。  new window
9.Lee, Pamela(2003)。The Austerlitz Effect: Architecture, Time, Photo conceptualism。The last picture show: artists using photography 1960-1982。Minneapolis。  new window
10.Foote, Nancy(2003)。The Anti-Photographers。The last picture show: artists using photography 1960-1982。Minneapolis。  new window
11.Campany, David(1983)。Memories and archives。Art and Photography。London。  new window
12.Blasco Gallardo, Jorge(2002)。Notas shobre la posibilidad de un archive-expuesto。Culturas de archive。Barcelona。  new window
13.Rosler, Martha(1981)。In, around, and afterthoughts (on documentary photography)。The Contest of Meaning: Critical Histories of Photography。Cambridge, MA/London。  new window
14.Wall, Jeff(2003)。《Señales de indiferencia》: Aspectos de la fotografía en el arte conceptual o como arte conceptual, parte 1: Del reportaje al fotodocumentalismo。Indiferencia y singularidad。Barcelona。  new window
 
 
 
 
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