圖書| 1. | Cotton, C.(2004)。The photograph as contemporary art。London：Thames & Hudson。   |
| 2. | Sontag, Susan、黃翰荻(1997)。論攝影。唐山出版社。 延伸查詢 |
| 3. | Foucault, Michel、Smith, A. Sheridan(1972)。The Archaeology of Knowledge。New York：Harper Colophon Books。 |
| 4. | Sekula, Allan(1989)。The Body and the Archive。The Contest of Meaning: Critical Histories of Photography。Cambridge, MA/London。 |
| 5. | Alberch I Fugueras, Ramon(2000)。La dimensión democrática de los archivos。Culturas de archive。Barcelona。 |
| 6. | Sekula, Allan(1983)。Reading an archive: Photography between labour and capital。Art and Photography。London。 |
| 7. | Henning, Michelle(2006)。The subject as object-Photography and the human body。Photography: A critical introduction。New York。 |
| 8. | Enwezor, Okwui(2008)。Archive Fever-Uses of the document in contemporary art。Archive Fever-Uses of the document in contemporary art。New York/Göttingen。 |
| 9. | Lee, Pamela(2003)。The Austerlitz Effect: Architecture, Time, Photo conceptualism。The last picture show: artists using photography 1960-1982。Minneapolis。 |
| 10. | Foote, Nancy(2003)。The Anti-Photographers。The last picture show: artists using photography 1960-1982。Minneapolis。 |
| 11. | Campany, David(1983)。Memories and archives。Art and Photography。London。 |
| 12. | Blasco Gallardo, Jorge(2002)。Notas shobre la posibilidad de un archive-expuesto。Culturas de archive。Barcelona。 |
| 13. | Rosler, Martha(1981)。In, around, and afterthoughts (on documentary photography)。The Contest of Meaning: Critical Histories of Photography。Cambridge, MA/London。 |
| 14. | Wall, Jeff(2003)。《Señales de indiferencia》: Aspectos de la fotografía en el arte conceptual o como arte conceptual, parte 1: Del reportaje al fotodocumentalismo。Indiferencia y singularidad。Barcelona。 |