As long as five hundred pages, Limmortalite is the fifth novel by Milan Kundera and published in 1990, three years before its publication in his motherland, Czechoslovakia. Published after L'insoutenable légèreté de l'être, this is the last of Kundera's novels written in his mother tongue as well as the first one based on the background of France. Combining stories, familiar essays and biographies, this is a meditation about the life in the late twentieth century. Though the seven parts of the novel-"The Face," "Immortality," "Fighting," "Homo sentimentalis," "Chance," "The Dial," "The Celebration"-look like seven different topics, the contents are cleverly linked throughout all these parts. This article first addresses two incidents in the novel in order to analyze the writing style of the novel as well as examine people's attitudes toward life and their confusion between images and reality. From all the above, we conclude with how the novelist reflects on the meaning of being through humanism and writing.