在中國古典文學語境中，一個主題的奠立往往需要歷時彌久，而這本身也為後繼文人提供了可資汲揚的源泉。其中顯著的一例便是詩歌的「感遇主題」。這些作品題意、風格上雖近，然審美性愈呈繁複。本研究力圖通過以陳子昂（約661-702 ）與張九齡（678-740） 的〈感遇〉同題組詩為中心，釐清文學「感遇」主題在此之前的淵源傳統、兼及二人之間的遞衍本末。進而分析初盛唐交接時期的政治興變與詩風演化的關係，鉤深抉異其中足以影響二人詩歌理論與創作的質因。然後回歸文本，對舉檢討這二組詩在藝術表現至情感基調上的殊異複變。最終重新估價陳、張二人在唐詩演進歷程中的創獻。

In the context of Chinese traditional literature, the shaping of a theme often takes a long time, which provide a rich inheritance for the successors to carry forward. One of the most typical examples is “Kan-yü 感遇Theme” in poems. These pieces are thematically and stylistically close to each other, but more and more aesthetically satisfying and intellectual complex. The mission of this monographic essay is to not only explore how the pre-T’ang poetry evolve in the direct tradition of “Kan-yü 感遇Theme” before Ch’en Tzu-ang (ca.661-702), but also examine how Chang Chiu-Ling (678-740) take Ch’en and other predecessors as his principal model in composition, based on the two series of poems with the same title written by these two poets. Moreover, I will further the investigation of the correlation between political vicissitude and style changes of poetry during the transitional period of early-high T’ang, as well as the contributing factors leading to influence the poetic craft of Ch’en and Chang. Afterwards, I will offer in-depth analysis on the process of Chang’s creating and changing in respect of the technical versatility and the inner tone. Indeed, above all, I suggest that these two poets’ works is more varied than the reponses of earlier critics would consider on the role what Ch’en and Chang play in the path to the high T’ang poetry.