梅花，在中國的詠花詩壇一向都居於主流花卉，尤其是在國勢衰微的兩宋時期，詠梅之風更是大行其道，宋代才女朱淑真的梅花詩便是孕育於此文風中。朱淑真，是宋代與李清照並列的女性文學家，在她的作品中有許多自嘆、自憐的閨怨之作，但細看其詩，能發現其中對於女性閨閣世界與心靈空間有許多細膩及真摯大膽的書寫，這點不僅是朱淑真詩詞的一大特點，更是許多男性詩人所無法企及的。本篇論文將以朱淑真詠花詩中出現最多次的梅花詩為例，來探析在女性詩人筆下的梅花詩是具有少女浪漫情懷、少婦閨怨情愁與女性文人的自覺心等特點。並試圖透過這些詠梅作品，來發掘朱淑真深摯幽微的女性世界，是其女性自覺的最真實展現。

The plum blossom is the dominant flower in the Chinese poetry field which gives praise to flowers. The trend of praising plum blossom reaches it peak in the declining Song Dynasty. The literary trend cultivates the plum-blossom poetry made by the talented female Zhu Shuzhen in the Song Dynasty. Zhu Shuzhen is the female poet who is as well-known as Li Qingzao in the Song Dynasty. Much of her works are about a woman’s lament and self-pity. Nevertheless, there are detailed, honest, and bold descriptions of a female's chamber life and her mental sphere. This is not only the characteristics of Zhu's poetry but also an achievement that most male poets can not reach. This essay aims to discuss the romantic fantasy of an adolescent girl, the lament of a young wife, and the self-awareness of a female poet in the plum-blossom poems that are the dominant ones in Zhu's flower-praising poems. Moreover, the essay attempts to discover the subtle world of a female which is the truest presentation of female self-awareness through her works that appreciate the plum blossom.