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摘要
外文摘要
引文資料
題名:
Affinity and Difference between Japanese Cinema and Taiyu pian through a Comparative Study of Japanese and Taiyu pian Melodramas
書刊名:
文山評論:文學與文化
作者:
王君琦
作者(外文):
Wang, Chun-chi
出版日期:
2012
卷期:
6:1
頁次:
頁71-102
主題關鍵詞:
日本電影
;
臺語電影
;
通俗劇
;
現代性
;
女性再現
;
Taiyu pian
;
Taiwanese-dialect cinema
;
Japanese cinema
;
Melodrama
;
Modernity
;
Women in film
原始連結:
連回原系統網址
相關次數:
被引用次數:期刊(
2
) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:
2
共同引用:0
點閱:89
台灣電影的放映基礎始於日治時期,但在製作上的參與卻是鳳毛麟角;戰後台灣的電影製作,則由民間產製的台語電影帶動。台語電影除了以歌仔戲與民間故事為題材之外,也大規模的翻拍日本電影。因此,迄今有關台語電影的研究普遍咸認為台語電影本身即是殖民遺緒的展現,並將日本電影之所以成為台語電影主要摹仿對象的現象歸因於殖民歷史所造成的文化相近性。本文透過比較日本電影與台語電影的通俗劇類型(以家庭倫理與愛情文藝為敘事主軸),從兩者的異同之處重新檢驗單從殖民歷史的脈絡論述台語電影型塑的侷限,並論證日本電影僅是採取文化食人主義途徑的台語電影的其中一個素材來源,但不是唯一亦非主要,台語電影事實上也受到其他如好萊塢電影的影響。本文也將指出台語電影對現代性、性別、家庭等主題不同於日本電影的更動緊緊鑲嵌於1960年代的戰後台灣的社會脈絡。
以文找文
The foundational infrastructure of the Taiwanese film industry is generally viewed as having being established during the period of Japanese colonization, when the Japanese colonial government in Taiwan recognized film’s potential for disseminating propaganda to promote the realization of assimilation (dōka). In the 1960s Taiwan, the popularity of Japanese films sometimes outranked that of those imported from Hollywood, Shanghai, and Hong Kong, both during and after the colonial period. Film historians of taiyu pian, or Taiwanese-dialect cinema, have argued that the adoption of many of the conventions of Japanese cinema reflected a consequence of colonization, and that this indirectly boosted the popularity of Taiwanese-dialect cinema in the 1950s and the 1960s, since its main audience consisted primarily of the ex-colonized. While the influence of Japanese cinema was undeniably profound, it would be simplistic to categorize Taiwanese-dialect cinema as merely post-colonial. This paper proposes a rethinking of the affinity between Japanese cinema and taiyu pian by comparing Japanese melodramatic cinema and its Taiwanese-dialect adaptations. I argue that taiyu pian deviates from its Japanese predecessor by addressing the culturally specific experiences of modernity in Taiwan and by incorporating other international cinemas to enhance its competitiveness. This comparative study challenges the assumed predominance of the colonial legacy that has exerted a strong influence on the construction of the history of Taiwanese-dialect cinema and reveals the social and political factors that affect the decisions on what to adopt and what to modify.
以文找文
期刊論文
1.
Chiu, Kuei-fen(2011)。The Question of Translation in Taiwanese Colonial Cinematic Space。The Journal of Asian Studies,70(1),77-97。
2.
Kaplan E. Ann(1983)。The Case of the Missing Mother: Maternal Issues in Vidor’s Stella Dallas。Heresies,4(4),81-86。
3.
Russell, Catherine(2010)。Japanese Cinema in the Global System: An Asian Classical Cinema。The China Review,10(2),15-36。
4.
Wang, Chun-Chi(2010)。A Feminist Reading of Taiwanese-dialect Films Before the Mid-1960s。Film Appreciation Academic Journal,13,4-19。
5.
Diamond, Norma(1975)。Women Under Kuomintang Rule: Variations on the Feminine Mystique。Modern China,1(1),3-45。
6.
Pratt, Mary Louise(1991)。Arts of the Contact Zone。Profession,1991,33-40。
會議論文
1.
Zhang, Chang-yan(2007)。The Translation Between The Unusual Love and The Love-Troth Tree。A Drifting Life of Fifty Years: The Academic Conference on Taiwanese-dialect Film,(會議日期: 20070624)。Beitou. Taipei:Chinese Taipei Film Archive。50-64。
學位論文
1.
Otilia, Bianca Briciu(2008)。The Cinema of the Victim: Gender and Collective Trauma in the Postwar Japanese Woman’s Film(碩士論文)。Carleton University。
圖書
1.
Taylor, E. Jeremy(2011)。Rethinking Transnational Chinese Cinemas: The Amoy-dialect Film industry in Cold War Asia。Routledge。
2.
Standish, Isolde(2006)。A New History of Japanese Cinema: A Century Of Narrative Film。New York。
3.
Anderson, Joseph、Richie, Donald(1982)。The Japanese Film: Art and Industry。Princeton:Princeton UP。
4.
Du, Yun-zhi(1972)。The History of Chinese Cinema。Taipei:The Commercial Press。
5.
Doane, Mary Ann(1987)。The Desire to Desire: The Woman's Film of the 1940s。Bloomington:Indian UP。
6.
Foucault, Michel、Smith, Alan M. Sheridan(1972)。The Archeology of Knowledge and The Discourse on Language。Tavistock Publication Ltd.。
7.
Huang Ren(2008)。Japanese Films in Taiwan。Taipei:Weixiu keji。
8.
King, John(2000)。Magical Reels: A History of Cinema in Latin America。New York:Verso。
9.
Liao, Jin-feng(2001)。The Vanishing Image: Cinematic Representations and Cultural Identity in Taiwanese-dialect Cinema。Taipei:Yuanliu。
10.
Li, Yu-ying(2010)。Consumer’s Culture and Modernity。Periphery of Empires: An Investigation of Taiwan’s Modernity。Taipei:Socio。
11.
Lin, Zan-ting(2003)。Cinematography in Taiwan 1945-1970: History and Technical Development 1945-1970。Taipei:Council for Cultural Affairs and Chinese Taipei Film Archive。
12.
Lowry, Dina(2007)。The Japanese “New Woman”: Images of Gender and Modernity。New Brunswick, N. J:Rutgers University Press.。
13.
Mamie, Misawa(2001)。Colonial screen: A study of the Japanese government’s film policies in colonial Taiwan, 1895-1942。Taipei:Chienwei。
14.
Mercer, John、Shingler, Martin(2004)。Melodrama: Genre, Style, and Sensibility。London:British Film Institute。
15.
Russell, Catherine(2011)。Classical Japanese Cinema Revistied。New York:Continuum。
16.
Russell, Catherine(2005)。Naruse Mikio’s Silent Films: Gender and the Discourse of Everyday Life in Interwar Japan。New Women of the Silent Screen: China, Japan, Hollywood。
17.
Sato, Barbara(2003)。The New Japanese Women。Durham:Duke UP。
18.
Singer, Ben(2001)。Melodrama and Modernity: Early Sensational Cinema and Its Contexts。New York:Columbia UP。
19.
Staiger, Janet(1995)。Bad Women: Regulating Sexuality in Early American Cinema。Minneapolis:University of Minnesota Press。
20.
Tezuka, Yoshiharu(2012)。Japanese Cinema Goes Global: Filmworker’s Journeys。Hong Kong:Hong Kong UP。
21.
Ye, Lung-yen(1998)。A History of Taiwanese Movies in the Japanese Ruling Period。Taipei:Yushanshe。
22.
Ye, Lung-yen(2006)。The Influence of Japanese Films on Taiwan 1945-1972。Zhanghua:Department of Motion Pictures and Video Communication, Chung-Chou University of Science and Technology。
23.
Wada-Marciano, Mitsuyo(2007)。Nippon Modern: Japanese Cinema of the 1920s and 1930s。Honolulu:University of Hawaii Press。
24.
Zhang, Li-sheng(1964)。Sino-Japanese Relations and The Zhou Hong-Qing Incident。Taipei:Haiwai。
25.
Dissanayake, Wimal(1993)。Melodrama and Asian Cinema。Cambridge:Cambridge UP。
26.
張英進(2004)。Chinese National Cinema。New York:Routledge。
27.
Bhabha, Homi K.(1994)。The Location of Culture。Routledge。
28.
Russell, Catherine(1993)。Insides and Outsides: Cross-Cultural Criticism and Japanese Film Melodrama。Melodrama and Asian Cinema。Cambridge:Cambridge UP。
29.
Hong, Guo-Juin(2011)。Taiwan Cinema: A Contested Nation on Screen。New York:Palgrave Macmillian。
其他
1.
(19580409)。Hua-Hsin Studio Has New Equipment to Make a Cinemascope Film。
2.
Yao, Feng-Pan(19630219)。Taiwanese-dialect cinema going downward again。
3.
Ye, Lung-yen(200012)。The Scripts of Authentic Taiwanese-dialect Cinema and Directors Who Went to Japan to Study。
4.
Xie, Jia-xiao(19650417)。The Controversy around the Import of Japanese Films。
5.
Yu, Wen(19650417)。The Mess Regarding the Import of Japanese Films。
6.
Hiromasa Nomura,Schockiku(1938)。The Love-Troth Tree。
7.
Lin Tuan-qiu,Yu-feng(1958)。The Husband’s Secret。
8.
Noboru Hakamura,Schochiku(1962)。The Love-Troth Tree。
9.
Shao Lo-hui,Yong-da(1962)。Unremitted Love。
10.
Liang Zhe-fu,Tai-lian(1963)。Last Train from Kaohsiung。
11.
Zheng Dong-shan,Yuan-da(1964)。The Unusual Love。
12.
Wu Fei-jian,Tai-lian(1965)。The Dream of Sorrowful Couples。
13.
Xin Qi. Yong-da(1965)。The Unforgettable Station。
14.
Xu Shou-ren,Xin-ya(1967)。Love Till Death。
15.
Wu Fei-jiang,Yong-da(Dir)。A Wife and a Concubine。
16.
Xin Qi,Yong-da(1967)。Great Lamentation。
圖書論文
1.
Gates, Hill(1992)。Small Fortunes: Class and Society in Taiwan。Taiwan: Beyond the Economic Miracle。New York:M. E. Sharpe。
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