「竹意象」，由自身記憶感情所產生的意象圖，這當中沒有制式的規範，極度想要跳脫，一般所認定的布料處理方式，一般而言；布料圖案通常都以印刷或織出來的表現方式，而服裝設計師通常會被已成形圖案設計所限制住，因此本創作試驗出；跳脫印、染、畫、織、繡產生圖案之方法，創作出一體成型表現圖案新的方式與技巧，即在布料上直接車縫褶子成為褶紋的圖案技法，車縫出「竹意象」圖。這當中試圖建立一種中介式的轉化設計方法，即二元對立；經中介將二元互相滲入融合共存，所衍生出的第三種狀態設計創作方法，【意象：二元對立；中介＝第三種狀態】。

The designer extremely wants to escape from the traditional ways of fabric treatments. Fashion designers are usually limited by the ready-made patterns. Therefore, the work tries to jump out the box. It focuses on the Integrative shaping skills, which completes the shape and patterns at the same time by darts. Moreover, this way allows the designer sewing the imagined picture on the work directly. It is a brand-new way. The designer can express the ideas freely with his/her inner thoughts and emotions. The work shows the original ”Bamboo consciousness” inspiration. Also, it tries to construct a transform designing way, which means binary opposition. The designer mixes binary opposition through in-between medium into the work, and he/she creates the third state creation way. [Image=binary opposition; in-between= the third state]