（一）外文著作
Alexander Gerner and Olga Pombo, ed., Studies in Diagrammatology and Diagram Praxis. UK: College Publications, 2010.
Antonio di Tuccio Manetti, The Life of Brunelleschi. Introd., notes, and critical text ed. by Howard Saalman; English translation of the Italian text by Catherine Enggass. PA: University Park, Pennsylvania State University Press, 1970.
Aristotle, The complete works of Aristotle: the revised Oxford translation. Edited by Jonathan Barnes, NJ: Princeton University Press, 1995 [1984].
Arthur C. Danto, After the end of art: contemporary art and the pale of history. NJ: Princeton University Press, 1998.
Brian D. Josephson, How observers create reality, Mind–Matter Unification Project, Department of Physics, University of Cambridge, J J Thomson Avenue, Cambridge CB3 0HE, UK.
Cynthia Freeland, But Is It Art? : An Introduction to Art Theory. NY: Oxford University Press, 2001.
David Bourdon, Christo. NY: Abrams, 1972.
Don Row, Talmage James Reid, Geometry, Perspective Drawing, and Mechanism. NJ: World Scientific Publishing Company, 2012.
Donald Preziose ed., Art of Art History: A Critical Anthology. NY: Oxford University Press, 1998.
Elizabeth Gilmore Holt ed., A Documentary History of Art, Volume 1: The Middle Ages and the Renaissance. NY: Princeton University Press, 1970.
Émile Bréhier, Histoire de la philosophie 2: XVIIe et XVIIIe siècles. FR: Presses Universitaires de France, 2000
Eric Alliez, The Signature of the World: What is Deleuze and Guattari's Philosophy? [LA SIGNATURE DU MONDE : Qu'est-ce que la philosophie de Deleuze et Guattari ? ]Trans. Eliot Ross Albert and Alberto Toscano, with a preface by Alberto Toscano, NY: Bloomsbury Academic, 2004[1993].
Erwin Panofsky, Perspective as Symbolic Form [Perspektive als symbolische Form]. Introduced and translated by Christopher S. Wood. NY: Zone Books ; MA: Cambridge, MIT Press, 2004[1991].
Euclid, Euclid’s Elements of Geometry, The Greek text of J.L. Heiberg (1883–1885) from Euclidis Elementa, edidit et Latine interpretatus est I.L. Heiberg, in aedibus B.G. Teubneri, 1883–1885. Edited and provided with a modern English translation, by Richard Fitzpatrick, published by Richard Fitzpatrick, 2007.
Eugene B. Young, Gary Genosko and Janell Watson, The Deleuze and Guattari Dictionary. UK: Bloomsbury Publishing, 2013.
Francesca Romei, Leonardo Da Vinci -Art Masters. MN: The Oliver Press, 2008.
Friedrich Muller, Ancient Art And Its Remains Or A Manual Of The Archaeology Of Art. MT: Kessinger Publishing, LLC, 2005.
Friedrich Nietzsche, The Will to Power [der Wille zur Macht]. Trans. by Walter Kaufmann and R. J. Hollingdale, NY: Vintage Books, 1968,
Frederick P. Brooks, Jr., The Mythical Man-Month: essays on software engineering, MA: Addison Wesley Longman, Inc., 1995.
Giorgio Vasari, The Lives of the Artists. Translated with an Introduction and Notes by Julia Conaway Bondanella and Peter Bondanella, NY: Oxford University Press, 1998[1991].
Genevieve von Petzinger, The First Signs: Unlocking the Mysteries of the World's Oldest Symbols. NY: Atria Books, 2016.
Gilles Deleuze, Difference and Repetition [Différence et Répétition]. Trans. by Paul Patton, NY: Columbia University Press, 1994[1968].
Gilles Deleuze, Desert Islands and other texts, 1953-1974. Translated by Micheal Taormina, edited by David Lapoujade. CA: Semiotext(e), 2004[2002]
Gilles Deleuze, Fold: Leibniz and the Baroque [Le pli: Leibniz et he baroque]. Trans. by Tom Conley, MN: University Of Minnesota Press, 1992[1988].
Gilles Deleuze, Foucault. Translated by Seán Hand, foreword by Paul A. Bové, MN: University of Minnesota Press, 1988.
Gilles Deleuze, The Logic of Sense [Logique du sens]. Revised ed. edition, ed. by Constantin V. Boundas, trans. by Mark Lester & Charles Stivale, NY: Columbia University Press, 1995[1969].
Gilles Deleuze, Francis Bacon: the logic of sensation [Francis Bacon: Logique de la Sensation]. Translated by Daniel W. Smith, London: Continuum, 2003[1981].
Gilles Deleuze & Claire Parnet, Dialogues [Dialogue]. Translated by Hugh Tomlinson and Barbara Habberjam. NY: Columbia University Press, 1996[1977].
Gilles Deleuze & Claire Parnet, Dialogues II. UK: Bloomsbury Academic, 2nd edition, 2006[1986].
Gilles Deleuze & Felix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia [Capitalisme et schizophrénie 2: Mille plateaux]. Trans. Brian Massumi. MN: University of Minnesota Press, 1987[1980].
Gilles Deleuze & Felix Guattari, What Is Philosophy? [Qu'est-ce que la philosophie?]. Translated by Hugh Tomlinson and Graham Burchell. NY: Columbia University Press, 1994[1991].
Genevieve von Petzinger, The First Signs: Unlocking the Mysteries of the World's Oldest Symbols. NY: Atria Books, 2016.
Giorgio Vasari, The Lives of the Artists. Translated with an Introduction and Notes by Julia Conaway Bondanella and Peter Bondanella, NY: Oxford University Press, 1998[1991].
Hal Foster ed., The Anti-Aesthetic: Essays on Postmodern Culture. NY: The New Press, 1998.
Herschel B. Chipp. edited, Theories of Modern Art: A Source Book by Artists and Critics. CA: University of California Press, Berkeley and Los Angeles, 1969.
Heinrich Wölfflin, Principles of Art History: the Problem of the Development of Style in Later Art [Kunstgeschichtliche Grundbegriffe: das Problem der Stilentwicklung in der neueren Kunst]. Translated by M. D. Hottinger. NY: Dover Publications, 1950[1932, 1915].
Immanuel Kant, Critique of Judgement [Kritik der Urteilskraft]. Translated by James Creed Meredith, revised, edited, and introduced by Nicholas Walker, Oxford : Oxford University Press, 2008[1790].
Irving Sandler, Art of the Postmodern Era – From the Late 1960s to the Early 1900s. CO: Westview Press, Icon Editions, 1996.
James Kirwan, The Aesthetic in Kant: a critique. UK; NY: Continuum, 2004.
James Williams, Gilles Deleuze’s Logic of Sense: A Critical Introduction and Guide. UK: Edinburgh University Press, 2008.
James D. Faubion ed., Michel Foucault: Aesthetics, Method, and Epistemology. NY:The New Press, 1999
Jacques Maquet, The aesthetic experience: an anthropologist looks at the visual arts. CT: Yale University Press, 1986.
John Archibald Wheeler, Kenneth W. Ford, Geons, Black Holes, and Quantum Foam: A Life in Physics. Revised ed. edition, NY: W. W. Norton & Company, 2000.
Jonathan Fineberg, Art since 1940-Strategies of Being. 2000 North and South American educational editions, NJ: Prentice Hall, 2000.
Jürgen Habermas, Modernity-An Incomplete Project. The Anti-Aesthetic: Essays on Postmodern Culture. Hal Foster ed., NY: The New Press, 1998.
Karl R. Popper. Objective Knowledge: An Evolutionary Approach. Revised ed. edition, NY: Oxford University Press, 1979.
Lacan, Jacques. The Four Fundamental Concepts of Psycho-Analysis [Le séminaire. Livre XI. Les quatre concepts fondamentaux de la psychanalyse]. Trans. Alan Sheridan, ed. Jacques-Alain Miller. NY: Norton, 1977[1973].
Laurie J. Wolf, Introduction to Theater: A Direct Approach. IN: Xlibris, 2012.
Lee Smolin, Time Reborn: From the Crisis in Physics to the Future of the Universe. Reprint edition, NY: Mariner Books, 2014.
Leonard Mlodinow, Euclid's Window: The Story of Geometry from Parallel Lines to Hyperspace. NY: Touchstone, Simon & Schuster, 2002.
Luhmann, Niklas, Art as a social system. Translated by Eva M. Knodt, CA: Stanford University Press, 2000.
Matila Costiescu Ghyka, A Practical Handbook of Geometrical Composition and Design. NY: Dover Publications, 1977.
Michel Foucault, The Birth of the Clinic: An Archaeology of Medical Perception [Naissance de la clinique: une archéologie du regard medical]. Translated by A. M. Sheridan Smith, NY: Vintage Book Edition, 1994[1963].
Michel Foucault, This Is Not a Pipe [Ceci n'est pas une pipe]. Translated and edited by James Harkness, CA: The Regents of the University of California, 1983[1982].
Michel Foucault, The Order of Things: an Archaeology of the Human Sciences [Les mots et les choses: une archéologie des sciences humaines]. Trans. by Les Mots et Les choses, NY: Vintage Books, 1994[1966].
Michel Foucault, The Archaeology of Knowledge and the Discourse on language [L'archéologie du savoir]. Trans. by A. M. Sheridan Smith. NY: Pantheon Books, 1972[1969].
Mitchell W. J. Thomas, Iconology: Image, Text, Ideology. UK: The University of Chicago Press, Ltd., 1986.
Olga Pombo & Alexander Gerner, edited, Studies in Diagrammatology and Diagram Praxis. UK: College Publications, 2010.
Patrick Wilken, Claude Lévi-Strauss: The Poet in the Laboratory. NY: Penguin Press, 2010.
Peter Burger, Theory of the Avant-Garde. Trans. by Michael Shaw, MN: Manchester University Press, University of Minnesota Press, 1984.
Paul Klee, Pedagogical Notebook [Pädagogisches Skizzenbuch]. Trans. by Sibyl Moholy-Nagy, NY: Praeger Publishers, 1992[1953].
Paul Klee, Towards a Theory of Form-Production, Note Books Volume1& II: The Thinking Eye. Translated by Ralph Manheim, ed. Jurg Spiller, UK: Lund Humphries, 1961[1955].
Paul Rand, A Designer's Art. CT: Yale University Press, 1985.
Plato, Plato in Twelve Volumes, Vol. 12. Translated by Harold N. Fowler, MA: Harvard University Press; UK: William Heinemann Ltd., 1921.
Proclus, Proclus: A Commentary on the First Book of Euclid's Elements. Trans. by Glenn R. Morrow, reprint edition, NJ: Princeton University Press, 1992[1970].
Richard Kearney & David Rasmussen, ed., Continental Aesthetics: Romanticism to Postmodernism – An Anthology. UK: Blackwell Publishing, 2001.
Russell Winslow, Aristotelian Definition: on the Discovery of Archai. NY: Bloomsbury, 2014.
Samuel Y. Edgerton, The Mirror, the Window, and the Telescope: How Renaissance Linear Perspective Changed Our Vision of the Universe. NY: Cornell University Press, 2009.
Slovoj Zizek, Less Than Nothing: Hegel and the Shadow of Dialectical Materialism. UK: Verso, 2012.
Slovoj Zizek, Organs without bodies: Deleuze and consequences. UK: Routledge, 2003.
Sybille Krämer, Epistemology of the Line-Reflections on the Diagrammatical Mind, Studies in Diagrammatology and Diagram Praxis. Alexander Gerner and Olga Pombo ed., UK: College Publications, 2010.
Theodor W. Adorno, Aesthetic theory. Edited by Gretel Adorno and Rolf Tiedemann; newly translated, edited, and with a translator's introduction by Robert Hullot- Kentor, UK: Athlone, 1997.
Tim Ingold, Line: A brief history. UK & NY: Routledge, 2007.
Vilém Flusser, Towards a Philosophy of Photography. Translated by Anthony Mathews, UK: Reaktion Books, 2000[1983].
Vilém Flusser, Writings. Edited by Andreas Strohl, translated by Erik Eisel. MN: University of Minnesota Press, 2002.
Wassily Kandinsky, Concerning the Spiritual in Art: Especially in Painting [Über das Geistige in der Kunst: Insbesondere in der Malerei]. Translated and with an introduction by M. T. H. Sadler, NY: Dover, 1977 [1911].
Wassily Kandinsky, Point and line to plane: contribution to the analysis of the pictorial elements [Punkt und Linie zu Fläche: Beitrag zur Analyse der malerischen Elemente]. Translated by Howard Dearstyne & Hilla Rebay, NY: Solomon R. Guggenheim Foundation, 1947[1926].
Walter Isaacson, Steve Jobs. NY: Simon & Schuster, 2011.
（二）中文著作
大江健三郎，《大江健三郎作家自語》，尾崎真理子採訪整理，許金龍譯。（臺北：遠流出版，2008）
大栗博司，《超弦理論：探究時間、空間及宇宙的本原》，逸宁譯。（大陸：人民郵電出版社，2015）
巴特里克・沃爾特（Patrick Walters）、東尼・海（Tony Hey），《愛因斯坦得鏡子》（Einsten’s Mirror），曾耀還、邱家媛譯。（臺北：世潮，2003）
尼采，《上帝之死》，劉崎譯。（台北：志文出版，1981年）
安伯托．艾可（Umberto Eco），《無盡的名單》（Vertigine Della Lista），彭淮棟譯。（臺北：聯經出版公司，2012）
米歇爾・傅柯（Michel Foucault），《臨床醫學的誕生》，劉北成譯。（南京；譯林出版，2004再版）
吉勒．德勒茲（Gilles Deleuze），《德勒茲論傅柯》（Foucault），楊凱麟譯。（臺北：麥田出版，2000）
理查.包威爾（Richard R. Powell），《無為而活 : 來自日本茶道大師及禪師的侘寂精神》，朱影譯，臺北縣新店市 : 人本自然文化出版，2007[民96]。
李奧納多.曼羅迪諾（Leonard Mlodinow），《歐幾里得之窗 : 從平行線到超空間的幾何學故事》（Euclid's Window : The Story of Geometry from Parallel Lines to Hyperspace），陸劍豪譯（臺北市：究竟，2002[民91]）
阿拉史泰爾．邦尼特（Alastair Bonnett），《地圖之外－47個被地圖遺忘的地方，真實世界的另一個面貌》（Unruly Places: Lost Spaces, Secret Cities, and Other Inscrutable Geographies），黃中憲譯。（臺北：臉譜出版，2016）
林志明，〈描繪一個不存在於任何地方的圓周〉，《物體系》。（台北：時報出版，1997）
約翰・惠勒（John Archibald Wheeler）、肯尼斯・福特（Kenneth W. Ford），《約翰・惠勒自轉：物理歷史與未來的見證者》（Geons, Black Holes, and Quantum Foam: A Life in Physics），蔡承志譯。（臺北：商周出版，2000[民89]）
亞瑟．丹托（Arthur C. Danto），《在藝術終結之後：當代藝術與歷史藩籬》（After the end of art: contemporary art and the pale of history），林雅琪、鄭惠雯譯。（臺北：麥田出版社，2010）
恩斯特・費雪（Ernst Peter Fischer），《從亞里斯多德以後 : 古希臘到十九世紀的科學簡史》（Aristoteles & Co.: Eine Kleine Geschichte der Wissenschaft in Portraits von der Antike bis ins 19. Jahrhundert）陳恆安譯。（臺北市: 究竟出版社， 2001[民90]）
理查.包威爾（Richard R. Powell），《無為而活 : 來自日本茶道大師及禪師的侘寂精神》，朱影譯。（臺北縣新店市 : 人本自然文化出版，2007[民96]）
康丁斯基（Wassily Kandinsky），《藝術中的精神》（Concerning the Spiritual in Art），余敏玲譯，鄧揚舟審校。（臺北：華滋出版，2013）
賀爾・福斯特（Hal Foster）主編，《反美學：後現代論集》（The anti-aesthetic : essays on postmodern culture），呂建忠譯。（臺北：立緒，1998）
雷諾・博格（Ronald Bogue），《德勒茲論文學》（Deleuze on Literature），李育霖譯（臺北：麥田出版，2006）
費瑞拉（Pedro Ferreira）著，蔡承志譯，《完美的理論－一整個世紀的天才與廣義相對論》（The Perfect Theory- A Century of Geniuses and the Battle over General Relativity）。（臺北：天下文化出版，2015）
奧修（OSHO）口述，謙達那譯，《當鞋子合腳時》（When the Shoe Fits）。（臺北：奧修出版，1992）
賈克・馬奎（Jacques Maquet）著，武珊珊、王慧姬譯，袁汝怡校譯，卜道企劃、導讀，《美感經驗》（The Aesthetic Experience）。（臺北：雄獅圖書，2006[2003]）
赫索．契普（Herschel B. Chipp）編，《現代藝術理論I, II》，余姍姍譯。（臺北：遠流出版，2004）
蔡天新，《難以企及的人物－數學天空的閃耀群星》。（台北：信實文化，2014）
德勒茲與瓜達里，《何謂哲學？》，林長杰譯。（台北：臺灣商務印書館，2004）
德勒茲與瓜達里，《資本主義與精神分裂（卷2）：千高原》，姜宇辉譯。（上海：上海書店出版社，2010）
德勒茲，《法蘭西斯．培根：感官感覺的邏輯》，陳焦譯。（臺北：桂冠出版社新，2009）
閻亢宗，《論外來政權現象─柏拉圖與馬基維里的哲學思考》。（台北：秀威資訊，2007）
蔡天新，《難以企及的人物－數學天空的閃耀群星》。（台北：信實文化，2014）
（三）外文期刊論文
Brian D. Josephson, How observers create reality, Mind–Matter Unification Project, Department of Physics, University of Cambridge, J J Thomson Avenue, Cambridge CB3 0HE, UK.
Corry Shores, Deleuze and Rhythm: Klee's Grey Point (Graupunkt), Messiaen's and Bacon's Rhythmic Figures, Maldiney, Boulez, Brakhage, and Golden Ratio, 2009.
Samuel Y. Edgerton, Brunelleschi’s mirror, Alberti’s window, and Galileo’s ‘perspective tube’. História, Ciências, Saúde – Manguinhos, v. 13, (supplement), October 2006.
Sybille Krämer, Epistemology of the Line-Reflections on the Diagrammatical Mind, Studies in Diagrammatology and Diagram Praxis, edited by Alexander Gerner and Olga Pombo, London: College Publications, 2010.
John S. Marshall, Art and Aesthetic in Aristotle, The Journal of Aesthetics and Art Criticism, Vol. 12, No. 2 (Dec., 1953), pp. 228-231.
Kjell Espmark, Presentation Speech: Nobel Prize in Literature, 1994
Louis Marin, Toward a Theory of Reading in Visual Arts: Poussin’s “The Arcadian Shepherds”, 1980, The Art of Art History: A Critical Anthology, edited by Donald Preziose, New York: Oxford University Press, 1998.
M.F. Burnyeat, DE ANIMA II 5, Phronesis, Vol. 47, No. 1 , Netherlands: Brill, 2002.
Michel Foucault, La vie: l'expérience et la science. Revue de métaphysique et de morale, 90e année, no 1: Canguilhem, janvier-mars 1985.
Michel Foucault, The Simulacrum and Ancient Philosophy.
Foucault, Michel, Theatrum Philosophicum, Aesthetics, Method, and Epistemology, edited by James D. Faubion. 本評論文章最先出現在Critique 282(1970)
Russell Winslow, Aristotelian Definition: on the Discovery of Archai. The Bloomsbury Companion to Aristotle, edited by Claudia Baracchi, NY: Bloomsbury, 2014.
Walter Isaacson, Steve Jobs, NY: Simon & Schuster, 2011.
（四）中文期刊論文
丁福寧，〈斯多噶學派的視為己有（Oikeiōsis）〉，《國立臺灣大學哲學論評》第46期，頁1-52。（臺北，2013. 10）朱立元，〈線與生成：德勒茲文學創作理論的兩個主要概念〉，《文藝研究》2012（1）
丹尼爾森（Dennis Danielson）、葛藍尼（Christopher M. Graney）著，〈科學家也反對哥白尼？〉，甘錫安譯，《科學人雜誌》，第144期（臺北，2014. 2）
李建漳，〈「大政治」及「未來哲學」的同一性—對尼采整體哲學的一個詮釋〉，《台大文史哲學報》第七十三期（臺北，2010. 1011）（五）網頁資料
Beth Harris and Steven Zucker, "Polykleitos, Doryphoros (Spear-Bearer)" in Smarthistory.
Stable URL: https://smarthistory.org/polykleitos-doryphoros-spear-bearer/
Brian D. Josephson, How observers create reality, Mind–Matter Unification Project, Department of Physics, University of Cambridge, J J Thomson Avenue, Cambridge CB3 0HE, UK.
http://www.tcm.phy.cam.ac.uk/~bdj10/
Corry Shores, Deleuze and Rhythm: Klee's Grey Point (Graupunkt), Messiaen's and Bacon's Rhythmic Figures, Maldiney, Boulez, Brakhage, and Golden Ratio, 2009. http://piratesandrevolutionaries.blogspot.com/2009/01/deleuze-and-rhythm-klees-grey-point_08.html
Francis Bacon, George Dyer Riding a Bicycle, 1966. oil on canvas, © The Estate of Francis Bacon / DACS London 2016. All rights reserved.
http://francis-bacon.com/news/la-calls-on-london-to-display-bacon-freud-and-more
Günter M Ziegler, Dürer's polyhedron: 5 theories that explain Melencolia's crazy cube. Alex Bellos's Adventures in Numberland: Mathematics. https://www.theguardian.com
Holland Cotter, David Bourdon, 63, Art Critic With Expertise in Modern Genres. The New York Times, April 03, 1998
http://www.nytimes.com/1998/04/03/arts/david-bourdon-63-art-critic-with-expertise-in-modern-genres.html
John S. Marshall, Art and Aesthetic in Aristotle. The Journal of Aesthetics and Art Criticism. Vol. 12, No. 2 (Dec., 1953)
DOI: 10.2307/426876
M.F. Burnyeat, DE ANIMA II 5, Phronesis, Vol. 47, No. 1 (2002). Phronesis, Vol. 47, No. 1 (2002), Brill Online Books and Journals.
Stable URL: http://www.jstor.org/stable/4182688
Nick Stockton, Time Might Only Exist in Your Head, and Everyone Else’s. WIRED magazine
https://www.wired.com/2016/09/arrow-of-time/.
Jackson Pollock painting Alchemy, 1947. Photo via: Inferno Magazine.
https://news.artnet.com/exhibitions/jackson-pollock-masterpiece-reveals-drip-paintings-secret-256738
Marcos Novak, Production, Reproduction and Imitation. https://www.rca.ac.uk/schools/school-of-architecture/architecture/ads-themes-201617/ads4-series-6/
Plato. Cratylus. 401d、402a.
http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0172%3Atext%3DCrat.%3Asection%3D402a
Samuel Y. Edgerton, Fifty Years of Prospecting Linear Perspective and Finally Finding the Gold: The Sensible Horizon.
Stable URL: https://williams.academia.edu/SamEdgerton
Steve Johnston, Alternative Model of the Software Universe- Our Mathematical Universe: My Quest for the Ultimate Nature of Reality. http://softwarephysics.blogspot.tw/2015/07/new-introduction-to-softwarephysics.html
（六）檢索網站
Art Institute of Chicago
http://www.artic.edu/
DIRECTMEDIA Publishing GmbH., Public Domain,
https://commons.wikimedia.org/w/index.php?curid=157589
Francis Bacon
http://francis-bacon.com/news/la-calls-on-london-to-display-bacon-freud-and-more
National Gallery of Art, UAS
http://www.nga.gov/
PBS: Public Broadcasting Service
http://www.pbs.org/art21/artists/hamilton/
Perseus Digital Liberary
http://www.perseus.tufts.edu/hopper/
Steve Johnston/ softwarephysics.blogspot/
http://softwarephysics.blogspot.tw/2015/07/new-introduction-to-softwarephysics.html
Susan Morris, Drawing in the Dark. Tate org.
http://www.tate.org.uk/research/publications/tate-papers/18/drawing-in-the-dark
The Journal of Aesthetics and Art Criticism, published by: Wiley on behalf of The American Society for Aesthetics.
Stable URL: http://www.jstor.org
Vilém Flusser
http://www.flusser-archive.org/
WIRED magazine
https://www.wired.com