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題名:當戰場變成情場:青少年電影《夏天協奏曲》的文化再現
書刊名:廣播與電視
作者:趙庭輝 引用關係
作者(外文):Chao, Ting-huei
出版日期:2013
卷期:36
頁次:頁69-90
主題關鍵詞:青少年電影夏天協奏曲文化再現Teenager's filmSummer TimesCultural representation
原始連結:連回原系統網址new window
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  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
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  • 共同引用共同引用:3
  • 點閱點閱:160
青少年電影《夏天協奏曲》描繪來自臺灣年輕女性與金門當地年輕男性,在暑假期間於金門產生一段刻骨銘心的愛情。本片不僅將人物完全放在高中學生身上,而且試圖在影音美學與敘事形式中消弭金門戰場的痕跡與記憶,轉形成純愛情場的唯美與浪漫。本文引用電影理論觀點,採取文本分析方法解讀與詮釋,並以旅遊指南的書寫與影音美學的運用、敘事形式的建構與性別形象的再現,以及文化場域的拉扯與妥協等三個層面進行討論,論證《夏天協奏曲》透過哪些電影語言再現特殊的文化意涵。
The teenager's film "Summer Times" illustrates an eternal love between a young lady from Taiwan and a young boy at Kinmen in summer vocation. On the one hand, it completely puts the characters on the students of senior high school. On the other hand, this film tries to avert the traces and memories of Kinmen as a battle-field, and transforms it to be a beautiful and romantic love-field through visual-audio aesthetics and narrative form. This article reads and interprets it through citing theoretical perspectives of film studies and adopting the method of textual analysis. It discusses with three dimensions including the writing of travelling guide and the use of visual-audio aesthetics, the construction of narrative form and the representation of gender image, and the struggling and negotiation of cultural field. This article argues how "Summer Times" represents specific cultural meanings through film language.
期刊論文
1.陳儒修(19990600)。女兒的凝視:電影中的父女情結。藝術學報,64,121-127。new window  延伸查詢new window
2.Brecht, B.、Bentley, Eric(1961)。On Chinese acting。The Tulane Drama Review,6(1),130-136。  new window
3.Bredin, H.(1984)。Roman Jakobson on metaphor and metonymy。Philosophy and Literature,8(1),89-103。  new window
4.Mulvey, Laura(1975)。Visual Pleasure and Narrative Cinema。Screen,16(3),6-18。  new window
圖書
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3.Weeks, Jeffrey(1981)。Sex, Politics and Society: The Regulation of Sexuality Since 1800。London:Harlow:Longman。  new window
4.Carroll, Noel(1996)。Theorizing the Moving Image。Cambridge:Cambridge University Press。  new window
5.Weeks, Jeffrey(1985)。Sexuality and Its Discontents: Meanings, Myths and Modern Sexualities。New York。  new window
6.Lacan, Jacques、Sheridan, Alan、Miller, Jacques-Alain(1977)。The Four Fundamental Concepts of Psycho-Analysis。London:Hogarth。  new window
7.Barthes, R.、Lavers, Annette(1973)。Mythologies。London:Paladin。  new window
8.Giannetti, Louis D.、焦雄屏(2005)。認識電影。臺北市:遠流出版公司。  延伸查詢new window
9.Barthes, R.、Lavers, Annette、Smith, Colin(1968)。Elements of semiology。London:Cape。  new window
10.Kristeva, J.、Moi, Toril(1986)。The Kristeva reader。Oxford:Basil Blackwell。  new window
11.Kristeva, J.、Waller, Margaret(1984)。Revolution in Poetic Langauge。New York:Columbia University Press。  new window
12.Lacan, Jacques、Sheridan, Alan(1997)。Ecrits: A Selection。New York:W. W. Norton。  new window
13.Foucault, Michel、Sheridan, Alan(1977)。Discipline & Punish: The Birth of the Prison。New York:Pantheon Books。  new window
14.Aunont, Jacques、Marie, Michel、吳珮慈(1997)。當代電影分析方法論。遠流。  延伸查詢new window
15.齊隆壬(1992)。電影符號學。臺北:書林。  延伸查詢new window
16.Stam, Robert、陳儒修、郭幼龍(2002)。電影理論解讀。台北:遠流出版社。  延伸查詢new window
17.Brecht, Bertolt、丁揚忠、張黎、景岱靈、李健鳴、金雄暉、君余、董祖祺(1990)。布萊希特論戲劇。北京市:中國戲劇出版社。  延伸查詢new window
18.Kaplan, E. Ann.(1982)。Women and film: both sides of the camera。London:Routledge。  new window
圖書論文
1.Jakobson, R.(1972)。Linguistics and poetics。The structuralists from Marx to Levi-Strauss。New York:Doubleday。  new window
2.Freud, S.、Strachey, J.(1924)。The dissolution of the Oedipus complex。The Standard Edition of the Complete Psychological Works of Sigmund Freud。London:Hogarth Press。  new window
3.Jakobson, R.(1988)。Concluding statements: Linguistics and poetics。Modern Criticism and Theory: A Reader。London:Longman。  new window
4.Jakobson, Roman(1960)。Closing Statements: Linguistics and Poetics。Style in Language。Cambridge:MIT Press。  new window
5.Nixon, Sean(1997)。Exhibiting masculinity。Representation: Cultural representations and signifying practices。Sage。  new window
 
 
 
 
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