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題名:從「泡泡沙發」淺析臺灣傳統竹工藝
書刊名:商業設計學報
作者:陳凱筠連德仁 引用關係高瑞楨 引用關係
作者(外文):Chen, Kai-yunLien, Te-jenKao, Jui-chen
出版日期:2015
卷期:19
頁次:頁113-129
主題關鍵詞:泡泡沙發傳統竹工藝工藝設計Bubble SofaTraditional bamboo craftArtisanshipDesign
原始連結:連回原系統網址new window
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台灣位處亞熱帶地區,氣候高溫多雨,適合竹林生長,豐富的竹林資源曾造就竹工藝的興盛。然而隨著生活型態的改變,傳統竹工藝面臨低價進口品的衝擊,陷入了竹產業低迷的危機。90年代開始,竹工藝開始朝向精緻化、藝術化的精品發展,近年來工藝結合時尚美學的新穎設計開始在國際問大放異彩。分析台灣竹工藝發展的脈絡時發現,雖然過往榮景不再,部分竹林也為茶園取代;然而隨著時代的改變,環保意識抬頭,對環境友善的產業終究還是會回歸主流市場來。雖然無法迅速銜接好因景氣長期低迷而產業鏈中斷的竹工藝產業,但在政府、地方共同努力之下,已然漸漸看到成效。本研究針對「泡泡沙發」這個作品,採用「個案研究法」之資料蒐集與分析,進行文獻探討,同時採用「訪談法」實地拜訪工藝師進行面對面訪談,得以一窺傳統竹工藝的製作工序,並對傳統竹工藝的契機與發展做出如下評析:一:採取「品牌戰略」,將台灣傳統竹工藝塑造出一個清晰形象、質感獨具的品牌,讓「台灣竹工藝」成為「高品質美學工藝」的代名詞。二:掌握市場利基與品牌精髓,做出品牌最大差異化:國際市場對竹材的好感度,正是台灣竹工藝切入並穩固品牌的絕佳時機。品牌無需做大,然而卻必須做出無可取代性,我國得天獨厚、品質優良的竹材與精湛的竹工藝技術,是無人能出其右的。將傳統竹工藝品牌化、國際化,形成一種時尚美學新概念,透過竹材這樣的介質,向世界演繹台灣的綠產業,這是竹工藝的契機,藉此翻轉台灣的傳統竹工藝,在一片崇尚自然設計的風潮中,轉而躍升為主角。
Taiwan is located in the subtropical region with a hot and humid climate that is beneficial for growing bamboos. The abundance of bamboo resources had once contributed to the popularization of bamboo craft in Taiwan. However, as lifestyle changed, traditional bamboo crafts were challenged by low-priced imports, leading to a downturn in the bamboo industry. In the early 1990’s, bamboo craft began to develop into fine and artistic gifts. In the recent years, the novel designs integrating bamboo craft with fashion aesthetics began to shine internationally. An analysis on the context of bamboo craft development in Taiwan revealed that although the craft has lost its popularity and some of the bamboo forests have been replaced with tea gardens environmentally friendly industries, such as bamboo growing will eventually come back as a mainstream industry, as environmental awareness increases over time. Bamboo-related supply chains were dismantled due to the long-term downturn of the bamboo industry, making it difficult for the bamboo industry to rapidly return to its former glory. However, the collaborative efforts of the government and local communities have brought about considerable improvement. In this study, we examined the “Bubble Sofa,” adopting the case study research methodology to perform data collection and analysis for literature review. In addition, we also conducted field interviews with bamboo experts to take a glimpse into the production processes of bamboo artworks. Based on the opportunities and development of bamboo craft, we made the following comments: 1. Adopt “brand tactics” to create a clear image and a unique brand for the traditional Taiwanese bamboo craft, creating a message that the Taiwanese bamboo craft represents high quality aesthetics. 2. Grasp niche markets and brand essence to maximize brand distinctiveness. The current positive viewpoint of bamboo from the international market is an ideal opportunity for Taiwan’s bamboo craft to enter the market and secure its brand. Brand name does not need to be big and famous but must be non-substitutable. Taiwan has been blessed with high quality bamboo and superb artisanship that is unmatched. By branding and globalizing traditional bamboo craft, we are able to form a new concept of novel aesthetics. While marketing bamboo, we also promote the green industries in Taiwan. This is a golden opportunity to turn around the traditional bamboo craft of Taiwan into a leading industry amid the trend of natural design.
期刊論文
1.陳怡如(2015)。現代設計遇見竹工藝。商業週刊,1419。  延伸查詢new window
2.陳國珍(20091100)。建構時尚工藝的創新價值。臺灣工藝,35,12-17。  延伸查詢new window
3.竇營、余學軍(2008)。世界竹產業的發展與比較。世界農業,2008(7)。  延伸查詢new window
4.賴怡利(20110200)。臺灣工藝設計的改變與轉化:工藝時尚Yii之設計觀點初探。臺灣工藝,40,50-59。  延伸查詢new window
研究報告
1.文化部(2014)。「台灣竹產業基礎調查與竹材研發調查」成果報告。  延伸查詢new window
學位論文
1.李庚錞(2006)。竹材運用於創新生活產品設計之可能性(碩士論文)。國立臺灣科技大學。  延伸查詢new window
2.林桓民(2012)。以竹材探討現代工藝設計之產品化模式(碩士論文)。南台科技大學。  延伸查詢new window
3.洪煜清(2005)。南投縣竹山竹藝文化節慶的在地效應與評價研究(碩士論文)。國立雲林科技大學。  延伸查詢new window
4.高宜淓(2012)。竹山竹工藝產業的發展轉型與文化創意(博士論文)。國立雲林科技大學。new window  延伸查詢new window
5.廖天銘(2009)。0設計:產品設計新思維以竹製傢俱創新設計為例(碩士論文)。實踐大學。  延伸查詢new window
6.詹明哲(2005)。南投縣竹山竹工藝工業之發展歷程及其調適策略(碩士論文)。國立彰化師範大學。  延伸查詢new window
圖書
1.黃世輝、林文龍、林秀鳳、陸蕙萍(1999)。竹藝竹情在竹山:竹山地區竹開發三百年史。南投:竹山鎮公所。  延伸查詢new window
2.王建柱(1984)。手工業技藝研習會專輯。南投縣:台灣省手工業研究所。  延伸查詢new window
3.李贊壽(2000)。二十世紀台灣住民生活竹器。台北市:藝術家出版社。  延伸查詢new window
4.Neumeier, Marty、邱順應(2005)。品牌魔力九。台北市:藍鯨。  延伸查詢new window
5.林秀鳳(1998)。亞太編織藝術節--中日編織工藝交流展。南投:台灣省手工業研究所。  延伸查詢new window
6.後藤武、深澤直人、佐佐木正人、黃友玫(2008)。不為設計而設計=最好的設計--生態學的設計論。台北市:漫遊者文化。  延伸查詢new window
7.楊孟蓉(2011)。品竹游藝:臺灣特色竹工藝文化。南投縣草屯鎮:台灣工藝研發中心。  延伸查詢new window
8.朱庭逸、方雯玲(2004)。工藝新境:打造手工精品的經營之路。臺北:典藏藝術家庭。  延伸查詢new window
其他
1.鄭雅菁(2011)。台灣Yii品牌如何驚艷國際?,http://www.brain.com.tw/News/NewsPublicContent.aspx?ID=15985, 2015/06/25。  new window
2.國立傳統藝術中心。傳統藝術概述,http://www.ncfta.gov.tw/iicfta_ce/e01/inciex.aspx, 2015/06/25。  延伸查詢new window
3.台灣傳統藝術>分類地圖>藝術分類概說>工藝>竹藝,http://www.ncfta.gov.tw/ncfta_ce/c01/c01020122.aspx, 2015/06/19。  延伸查詢new window
4.Yii。Yii品牌精神,http://www.oniondesign.com.tw/demo/yii/cli/aboin.php Yii/Exhibition, 2015/06/22。  new window
 
 
 
 
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