將焦點轉為創作時的選擇性與創意研發，宋代以前銅雀臺詩尚有餘意、精彩之處值得發揮。詳人所略，提出三點成果：一、《世說新語》提供的史料，詩人們多少有些選擇性忽略，直至南宋劉克莊方才發揚該記載。二、「君王去後行人絕」一類的詩句，與該類詩歌起點－－曹操〈遺命〉的內容不符，應屬詩人移植一般冷宮情境入詩的誇飾修辭。三、唐代魏宮詞這一分支或更具愛情詩意味、或更跳脫窠臼，予人另闢新徑之感，從而拓大了該詩類的堂廡。

From selective and creative writing, before the Song Dynasty “Dongjak Tower poem”there are wonderful place worth to play. Made three outcomes: First, poets selective ignoring“Shih-Shuo Hsin-Yu”records until the Southern Song Liu Kezhuang an emphasis of. Second, the poet often ignore the starting point of such poetry - Cao Cao Testament content, and will transplant limbo situations into the poetry. Third, the Tang Dynasty “Wei Gong word” this branch, or more love poems imply, or even escape the stereotype, explore the contents of the “Dongjak Tower Poetry”.