明末到清初是個戲劇性變化的時代。除了政治權力的轉移外，江南各城市的經濟區域也呈現高度的發達，物質文化成為城市生活的主流。在這段時期，李漁擁有作家、劇作家、園主和出版商等多重身份。然而，要適應與經營寫作著述和看戲聽曲的生涯事業，對於那些在仕途上受挫的人來說，是一種精神上的流放。在明清時期，園林生活方式和知識分子相互結合起來，展示了文人士子的特殊文化。文人士子的高雅精緻思想和李漁的審美生活經驗完美地相互綰結。李漁的家庭戲班和園林裡看戲聽曲的諸朋好友，咸具高尚優雅的品味。因此，本文意欲闡發李漁在園林、文學、戲曲表演和他的雅趣生活之間的交互關係。

The late Ming to early Qing Dynasty was the epoch of dramatic changes. In addition to political power transfer, the economy of the cities within the Jiangnan (江南) region was highly developed, and the material culture became the mainstream of urban life. In the period, Li Yu had multiple identities as a writer, playwright, gardener, and publisher. However, it is a spiritual exit to fit careers into writing and theatergoing for those who frustated by their political careers. During Ming and Qing Dynasties, garden life style and intellectuals were combined to display a special culture of scholars. The delicate mind of scholars and Li Yu's aesthetic life experiences mixed together. Li Yu family troupe and theatergoers in garden should be in good taste. Herewith, we intend to illustrate the interrelationships among garden, literature, dramatic performance, and human life.