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題名:
Absent Presence: The Absent Father and Postmemory in Tash Aw's The Harmony Silk Factory
書刊名:
文山評論:文學與文化
作者:
hsiung, ting-hui
出版日期:
2017
卷期:
11:1
頁次:
頁33-56
主題關鍵詞:
Japanese Occupation of Malaya
;
Tash Aw
;
The Harmony Silk Factory
;
Absent father
;
Malayan Communist
;
Postmemory
原始連結:
連回原系統網址
相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:0
共同引用:0
點閱:2
Tash Aw's The Harmony Silk Factory (2005) is a novel of war memories, dealing with the Japanese Occupation of Malaya and its aftermath. Longlisted for the Man Booker prize, this novel comprises three inconsistent narratives about the mysterious past of Johnny Lim, an ex-Malayan communist and later a Chinese tycoon in Kampar, Malaysia. The article suggests that the characterization of Johnny as a Malayan Communist and absent father can be read as an allegory of the repressed memory of the Malayan communists, who cooperated with the British to resist the Japanese invasion but ended up being "betrayed" by the British government and later by the Malaysian government. Belonging to the "postmemory" generation, Johnny's son Jasper learns about the Japanese Occupation through archival resources. His accusation against Johnny demonstrates how the historical event is only partially remembered by the one who was not there. This essay also points out that while on the one hand Harmony underscores the discrepancy between history and memory, and shows us how a postgeneration writer imagines and characterizes the Malayan Chinese of the 1940s, on the other hand the novel makes clear the risks Aw faces in attempting to revisit the now-absent past of his homeland. Writing about wartime Malaya outside Malaysia is, for this diasporic Malaysian Anglophone novelist, all about the politics of "post"ness in the senses of both postcolonialism and postmemory
以文找文
期刊論文
1.
Moy, Sook Chin(2011)。Trihedron。Eye Asia,58,72。
2.
Newton, Pauline T.(2008)。From Chempaka, the Muslim Tree of Death, to Scarf-Wrapped Banana Plants: Postcolonial Representations of Gardening Images in Tash Aw's The Harmony Silk Factory。Kunapipi,30(1),169-186。
3.
Sim, Wai-chew(2011)。History and Narrative: The Use of the Sublime in Tash Aw's Fiction。The Journal of Commonwealth Literature,46(2),293-310。
4.
Wang, Gungwu(1970)。Chinese Politics in Malaya。The China Quarterly,43,1-30。
5.
Comber, Leon(2010)。'Traitor of all Traitors'--Secret Agent Extraordinaire: Lai Teck, Secretary-General, Communist Party of Malaya (1939-1947)。Journal of the Malaysian Branch of the Royal Asiatic Society,83(299),1-25。
6.
Gabriel, Sharmani Patricia(2014)。'After the Break': Re-conceptualizing Ethnicity, National Identity and 'Malaysian-Chinese' Identities。Ethnic and Racial Studies,37(7),1211-1224。
7.
Ngoi, Guat Peng(2015)。The Historical Discourse on the Malay Communists and Its Limitation。Inter-Asia Cultural Studies,16(1),67-84。
會議論文
1.
Chen, Pui Ling(2012)。On contemporary Anglophone Malaysian literature's antihegemony and writing strategy of construction of nation。The Inaugural Biennial Conference on Malaysian Chinese Studies: The Chinese in Malaysia: From Migrants to Citizens,(會議日期: 2012/06/09-2012/06/10)。Kuala Lumpur:Federal Hotel。
圖書
1.
Barthes, Roland、Howard, Richard(1981)。Camera Lucida: Reflections on Photography。New York:Hill and Wang。
2.
Aw, Tash(2006)。The Harmony Silk Factory。London:Harper Perennial。
3.
Chin, Peng(2003)。My Side of History。Media Masters。
4.
Hirsch, Marianne(2012)。The Generation of Postmemory: Writing and Visual Culture After the Holocaust。Columbia University Press。
5.
Hoffman, Eva(2004)。After Such Knowledge: Memory, History, and the Legacy of the Holocaust。New York:Public Affairs。
6.
Kennedy, Joseph(1993)。A History of Malaya。Kuala Lumpur:S. Abdul Majeed & Co.。
7.
Tay, Eddie(2011)。Colony, Nation, and Globalisation: Not at Home in Singaporean and Malaysian Literature。Hong Kong:Hong Kong UP。
8.
Liu, Jian Quan(2004)。The Mountain Still Young: The History of Malayan Communists。Hong Kong:Ming Pao。
9.
White, Hayden(1973)。Metahistory: The Historical Imagination in Nineteenth-Century Europe。Johns Hopkins University Press。
10.
Said, Edward William(1978)。Orientalism。Routledge and Kegan Paul。
其他
1.
Editorial Board of Eslite Station(20120213)。I've been thinking what 'identity' is through novels: Interview with Ou Da Xu, author of Map of the Invisible World 2012/03/27。
2.
Godbersen, Anna(20050330)。The Harmony Silk Factory by Tash Aw: Love in the Time of Communism and Colonialism 2013/01/31。
3.
Hickling, Alfred(20050326)。Bound in Tropes of Silk: The Harmony Silk Factory by Tash Aw 2012/01/31。
4.
Mukerji, Shalini(20121020)。I don't Set Out to Judge 2014/12/12。
5.
Mukherjee, Neel(20050226)。The Harmony Silk Factory by Tash Aw 2014/12/09。
6.
Nayar, Parvathi(20060127)。Fresh Material, Sharp Prose。
7.
Nayar, Parvathi(20060127)。Writing with a Sense of Nostalgia: Talks to Tash Aw。
8.
Sethi, Anita(20050311)。Unravelling the Strands of Memory: The Harmony Silk Factory by Tash Aw。
9.
Shih, Jian-feng(20130507)。Chinese Malaysians in Shanghai: Life is a Competition。
圖書論文
1.
Benjamin, Walter、Zohn, H.(2003)。On the Concept of History。Walter Benjamin: Selected Writings, Vol. 4: 1938-1940。Belknap Press of Harvard University Press。
2.
Lee, Yu-cheng(2006)。Introduction: Tash Aw and his The Harmony Silk Factory。The Harmony Silk Factory。London:Harper Perennial。
3.
Tucker, Louise(2006)。Unravelling the Story: Louise Tucker Talks to Tash Aw。The Harmony Silk Factory。London:Harper Perennial。
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