1950年代後期及1960年代臺灣詩壇出現三十多位寫現代詩的女詩人，包括蓉子、林泠、敻紅、朶思等，她們的詩風受古典詩歌影響，大多清麗，婉約而含蓄。1980年代中期歐美的女性主義傳入臺灣，先驅者夏宇的詩歌表現女性的覺醒和强烈的、顛覆父權社會權威的思想。許多臺灣女詩人在1990年代已經熱烈投入撰寫表達女性主義思想的詩歌。1998年近十位激進的女詩人成立女鯨詩社，包括李元貞、顔艾琳等。即使是早期崛起的女詩人，也有不少人寫女性主義的主題，但是她們仍舊運用含蓄的手法。本論文討論臺灣女詩人採用了什麽文體策略來表達她們顛覆父權社會思想的内涵。文體策略是指作家在文本中採用某種語調、比喻的手法，暗示手法，或象徵手法等。她們的策略有六：（一）挑戰式的語言，（二）輕嘲的諷刺體，（三）不動聲色的反擊，（四）俏皮搗蛋的戲謔語氣，（五）透過强烈的象徵發聲，（六）閃躲的、匿藏的論述。臺灣的女性主義詩歌因爲採用歷史悠久的婉約詩風，而呈現獨特的風格。

In the late 1950s and the 1960s, there appeared more than thirty women poets in Taiwan, including Rong Zi, Lin Ling, Xiong Hong, Duo Si, etc. They wrote in the gentle, unobtrusive style of traditional Chinese poetry. Feminism was introduced to Taiwan in the 1980s. In the poetry of the pioneer Xia Yu, an awakening is expressed and patriarchal authority is thoroughly subverted. In the 1990s many women poets wrote about Feminist thoughts. Radical women poets such as Li Yuanzhen and Yan Ailin formed the Female Whale Poetry Society in 1998. Earlier women poets also wrote about Feminism, but in an unobtrusive style. This article studies the literary strategies of using certain tone, simile, metaphor, symbol, etc. by these women poets. The strategies include 1) a challenging language, 2) a light satirical tone, 3) unobtrusive retaliation, 4) mischievous jest, 5) speaking through a strong symbol and 6) a dodging, elusive discourse. Because Taiwan women poets adopt some elements in traditional “wanyue” writing, their Feminist writing presents a unique style.