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引文資料
題名:
The Taming of the Prodigal Husband: All's Well That Ends Well as a Psychological Drama
書刊名:
NTU Studies in Language and Literature
作者:
邱錦榮
作者(外文):
Chiu, Chin-jung
出版日期:
2017
卷期:
38
頁次:
頁1-26
主題關鍵詞:
莎士比亞問題劇
;
精神分析
;
梅蘭妮.克萊恩
;
客體關係
;
Shakespeare's problem plays
;
Psychoanalysis
;
Melanie Klein
;
Object Relations theory
原始連結:
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相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:0
共同引用:
1
點閱:4
All's Well That Ends Well, a play produced when Shakespeare emerged as London's leading playwright in the mid-1590s, seems to be nobody's favorite: it was not popular with its first audience, it is rarely acted, and it has seldom received much praise from critics. The play is about an abandoned wife who accomplishes a series of seemingly impossible tasks in order to regain her prodigal husband. Though originally classified as a comedy, the play is now considered one of Shakespeare's problem plays, so codified because they cannot be neatly classified as either tragedy or comedy. The title of this play is the proverb "all's well that ends well," which means the process does not really matter as long as the outcome is good. The ending of the play, however, has been a focus of critical discontent and has bothered its audience/readers for four centuries. Is this disturbing ending an intended effect or simply a failed attempt of the Bard? I will answer this question in the following paper. Drawing on the theories of psychoanalysis, particularly the object-relations of Melanie Klein (1882-1960), this essay aims to map out that space where a late adolescent is wrestling his way to adulthood and thereby spell out his resistance to marrying the heroine. I propose that this is a key to understanding the play and to explaining its lukewarm reception. The main problem of this play, I shall argue, rests on the hero's mental pain or growing pain of not living in an ideal world. His final recognition that love itself is not simply a phantasy but a matter of complex adjustments marks the beginning of his real, adult journey. To read All's Well as a rich inner phantasy life of Bertram, I shall look at the psychological processes of the hero and how they are put into the context of crucial experiences of his story and relationships
以文找文
期刊論文
1.
謝君白(20070500)。Dark Shades in the Unfortunate Comedy: Helena's Project in All's Well that Ends Well。臺大文史哲學報,66,93-121。
2.
Estill, Laura(2015)。'Spare your arithmetic, never count the turns': A Statistical Analysis of Writing about Shakespeare, 1960-2010。Shakespeare Quarterly,66(1),1960-2010。
3.
McCandless, David(1994)。Helena's Bed-trick: Gender and Performance in All's Well That Ends Well。Shakespeare Quarterly,45(4),449-468。
4.
Levin, Richard A.(1980)。All's Well That Ends Well, and 'All Seems Well'。Shakespeare Studies,13,139-142。
會議論文
1.
Klauber, Trudy(2009)。A Kleinian Reading of Dis-ease and Recovery in the Internal World in All's Well That Ends Well。Taipei:Psychiatry Center of Taipei Municipal Hospital-Song-de Branch。11-20。
圖書
1.
Ranald, Margaret Loftus(1987)。Shakespeare and His Social Context: Essays in Osmotic Knowledge and Literary Interpretation。New York:AMS P。
2.
Segal, Hanna(1974)。Introduction to the work of Melanie Klein。New York:Basic Books。
3.
Stone, Lawrence(1979)。The Family, sex and marriage in England 1500-1800。London:Penguin。
4.
Evans, G. Blakemore(1997)。The Riverside Shakespeare。Boston:Houghton Mifflin。
5.
Hunter, G. K.(1997)。English Drama 1586-1642: The Age of Shakespeare。Oxford:Oxford University Press。
6.
Chute, Marchette(1956)。Stories from Shakespeare。New York:The New American Library。
7.
Dessen, Alan(1986)。Shakespeare and the Late Moral Plays。Lincoln:U of Nebraska P。
8.
Harris, Barbara J.(2002)。English Aristocratic Women 1450-1550: Marriage and Family, Property and Careers。Oxford:Oxford UP。
9.
Klein, Melanie、Riviere, Joan(1964)。Love, Hate and Reparation。New York:Norton。
10.
Miola, Robert S.(1994)。Shakespeare and Classical Comedy: The Influence of Plautus and Terrance。Oxford:Clarendon P。
11.
Paris, Bernard J.(1991)。Bargains with Fate: Psychological Crises and Conflicts in Shakespeare and His Plays。New York:Plenum P。
12.
Price, Joseph G.(1968)。The Unfortunate Comedy: A Study of All's Well That Ends Well and Its Critics。Liverpool:Liverpool UP。
13.
Stockholder, Kay(1987)。Dream Works。Toronto:U of Toronto P。
14.
Zitner, Sheldon P.(1989)。All's Well That Ends Well: Twayne's New Critical Introductions to Shakespeare。Boston:Twayne。
15.
Adelman, Janet(1992)。Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, Hamlet to the Tempest。New York:Routledge。
16.
Wright, Elizabeth(1998)。Psychoanalytic Criticism: A Reappraisal。Cambridge:Polity Press。
其他
1.
Billington, Michael(20090529)。All's Well That Ends Well--Review。
2.
Froehlich, Heather(2017)。How Many Female Characters Are there in Shakespeare?,https://hfroehli.ch/2013/02/08/how-many-female-characters-are-there-in-shakespeare/。
3.
Mansfield, Katherine(2015)。Shakespeare (1921)。
4.
Moshinsky, Elijah,Miller, Jonathan(2005)。All's Well That Ends Well,London:BBC Worldwide。
5.
Youn, Robert M.(2000)。Melanie Klein I。
圖書論文
1.
Lawrence, William Witherle(1969)。Shakespeare's Problem Comedies。Penguin Shakespeare Library。Harmondsworth:Penguin。
2.
Bergeron, David M.(2007)。'The Credit of your father': Absent Fathers in All's Well, That Ends Well。All's Well That Ends Well: New Critical Essays。York:Routledge。
3.
Barton, Anne(1997)。Introduction to All's Well That Ends Well。The Riverside Shakespeare。
4.
Harrison, G. B.(1952)。[All's Well That Ends Well] Introduction。All's Well That Ends Well。New York:Harcourt Brace。
5.
Hunter, G. K.(1962)。[All's Well That Ends Well] Introduction。All's Well That Ends Well。Cambridge:Harvard UP。
6.
Kay, W. David(2004)。Reforming the Prodigal: Dramatic Paradigms, Male Sexuality, and the Power of Shame in All's Well That Ends Well。Re-visions of Shakespeare in Honor of Robert Ornstein。Newark:U of Delaware P。
7.
Snyder, Susan(2008)。[All's Well That Ends Well: The Oxford Shakespeare] Introduction。All's Well That Ends Well: The Oxford Shakespeare。Oxford:Oxford UP。
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