Towards a Bigger Picture: Transatlantic Ekphrasis in William B. Patrick's "The Slave Ship"_

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題名：	Towards a Bigger Picture: Transatlantic Ekphrasis in William B. Patrick's "The Slave Ship"
書刊名：	文山評論：文學與文化
作者：	Plasa, Carl
出版日期：	2018
卷期：	11:2
頁次：	頁27-59
主題關鍵詞：	William B. Patrick's The Slave Ship；Ekphrastic poetry；Turner's The Slave Ship；Zong atrocity；Middle passage；Transatlantic exchange
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:0 點閱:2

David Dabydeen's ＂Turner＂ (1994) is well-known as an ekphrastic response to J. M. W. Turner's Slavers Throwing Overboard the Dead and Dying-Typhon Coming On (1840) and firmly established as an important achievement in the field of postcolonial Caribbean poetry. While such a status is wholly justified, it is the premise of this essay that the critical privileging of Dabydeen's text as the horizon for The Slave Ship's poetic legacy is not without its drawbacks. The most serious of these is that it has resulted in a certain blindness towards another long and complex ekphrastic poem on Turner's masterpiece that emanates from an American rather than a Caribbean literary context and that was published in the same year as Dabydeen's-William B. Patrick's ＂The Slave Ship.＂ It is not this essay's purpose to speculate on why ＂Turner,＂ written by a black Caribbean author, has enjoyed such critical prestige while ＂The Slave Ship,＂ written by an author who is a white American, has been rendered critically invisible, nor is the concern to adjudicate between the aesthetic merits of the two poems, which would seem to have been composed entirely independently of one another. The aim, rather, is to bring the transatlantic encounter between Patrick's text and Turner's painting into critical view for the first time and demonstrate the ways in which it extends and enriches the current understanding of contemporary ekphrastic poetry that takes the Middle Passage as its subject

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期刊論文
1.	Boeninger, Stephanie Pocock(2011)。'I Have Become the Sea's Craft': Authorial Subjectivity in Derek Walcott's Omeros and David Dabydeen's 'Turner'。Contemporary Literature，52(3)，462-492。
2.	Drescher, Seymour(2012)。The Shocking Birth of British Abolitionism。Slavery & Abolition: A Journal of Slave and Post-Slave Studies，33(4)，571-593。
3.	Frost, Mark(2010)。'The Guilty Ship': Ruskin, Turner and Dabydeen。Journal of Commonwealth Literature，45(3)，371-388。
4.	Gravendyk, Hillary(2011)。Intertextual Absences: 'Turner' and Turner。Comparatist，35，161-169。
5.	Jones, Neil(2007)。The Zong: Legal, Social and Historical Dimensions。Journal of Legal History，28，283-370。
6.	McCoubrey, John(1998)。Turner's Slave Ship: Abolition, Ruskin, and Reception。Word & Image: A Journal of Verbal/Visual Inquiry，14(4)，319-353。
7.	Major, Clarence(1994)。The Slave Trade: View from the Middle Passage。African American Review，28，11-22。
8.	Piersen, William D.(1977)。White Cannibals, Black Martyrs: Fear, Depression, and Religious Faith as Causes of Suicide Among New Slaves。Journal of egro History，62(2)，147-159。
9.	Plasa, Carl(2016)。'In Another Light': New Intertexts for David Dabydeen's 'Turner'。Connotations: A Journal for Critical Debate，26，163-203。
10.	(1840)。Royal Academy Exhibition。Blackwood's Edinburgh Magazine，47，374-386。
11.	Shockley, Evie(2011)。Going Overboard: African American Poetic Innovation and the Middle Passage。Contemporary Literature，52(4)，791-817。
12.	Skeehan, Danielle(2013)。Deadly Notes: Atlantic Soundscapes and the Writing of the Middle Passage。The Appendix，1(3)。
13.	Slapkauskaite, Ruta(2014)。Intermedial Translation: The Gyrating Gaze in David Dabydeen's Turner。European Journal of English Studies，18，316-329。
14.	Smith, R. T.(2014)。Turner's Slave Ship。Atlanta Review，20(2)，104-105。
15.	Thackeray, William Makepeace(1840)。A Pictorial Rhapsody。Fraser's Magazine for Town and Country，1840(Jun.)，720-732。
16.	Walker, Andrew(1994)。From Private Sermon to Public Masterpiece: J. M. W. Turner's 'The Slave Ship' in Boston, 1876-1899。Journal of the Museum of Fine Arts, Boston，6，4-13。
17.	Wallart, Kerry-Jane(2010)。Lines and Circles: Geometrical Horizons in David Dabydeen's Turner。Commonwealth，33(1)，11-22。
18.	Ziff, Jerrold(1964)。John Langhome and Turner's 'Fallacies of Hope'。Journal of the Warburg and Courtauld Institutes，27，340-342。

圖書
1.	Walcott, Derek(1990)。Omeros。London：Faber and Faber。
2.	Heffernan, James A. W.(1993)。Museum of Words: The Poetics of Ekphrasis from Homer to Ashbery。University of Chicago Press。
3.	(1790)。Abridgment of the Minutes of the Evidence, Taken before a Select Committee of the Whole House, to Whom it was Referred to Consider of the Slave-Trade, Number III. 1790。London：The Internet Archive：Andrew W. Mellon Foundation。
4.	Baucom, Ian(2005)。Specters of the Atlantic: Finance Capital, Slavery, and the Philosophy of History。Durham：Duke UP。
5.	Costello, Leo(2012)。J. M. W. Turner and the Subject of History。Famham：Ashgate。
6.	Dabydeen, David(1999)。A Harlot's Progress。London：Cape。
7.	Dabydeen, David(1994)。Turner: New & Selected Poems。London：Cape。
8.	Dawes, Kwame(1996)。Requiem: A Lament for the Dead。Leeds：Peepal Tree。
9.	Falconbridge, Alexander(1788)。An Account of the Slave Trade on the Coast of Africa。London：J. Phillips。
10.	Feelings, Tom(1995)。The Middle Passage: White Ships/Black Cargo。New York：Dial。
11.	Green, Jonathon(2015)。The Vulgar Tongue: Green's History of Slang。Oxford：Oxford UP。
12.	Lhamon, W. T. Jr.(2003)。Jump Jim Crow: Lost Plays, Lyrics, and Street Prose o f the First Atlantic Popular Culture。Cambridge：Harvard UP。
13.	Lyall, Andrew(2017)。Granville Sharp's Cases on Slavery。Oxford：Hart。
14.	Macedo, Lynne(2011)。Pak's Britannica: Articles by and Interviews with David Dabydeen。Kingston：University of the West Indies Press。
15.	Mannix, Daniel P.、Cowley, Malcom(1963)。Black Cargoes: A History of the Atlantic Slave Trade, 1518-1865。London：Longmans。
16.	Matthews, John(1788)。A Voyage to the River Sierra-Leone, on the Coast of Africa; Containing an Account of the Trade and Productions of the Country, and of the Civil and Religious Customs and Manners of the People; in a Series of Letters to a Friend in England。London：B. White and J. Sewell。
17.	May, Stephen J.(2014)。Voyage of The Slave Ship: J. M. W. Turner's Masterpiece in Historical Context。Jefferson：McFarland。
18.	Morrison, Toni(1997)。Beloved。London：Vintage。
19.	Philip, Marlene Nourbese(2008)。Zong!。Middletown：Wesleyan UP。
20.	Rediker, Marcus(2007)。The Slave Ship: A Human History。London：Murray。
21.	Shakespeare, William、Brooke, Nicholas(2008)。Macbeth。Oxford：Oxford UP。
22.	Twain, Mark、Bruce, Robert Gray、Hill, Hamlin(1997)。A Tramp Abroad。London：Penguin。
23.	Unsworth, Barry(1992)。Sacred Hunger。London：Hamilton。
24.	Walvin, James(2011)。The Zong: A Massacre, The Law and the End of Slavery。New Haven：Yale UP。

其他
1.	Kearney, Douglas(2011)。MAST，https://www.poetryfoundation.org/harriet/2011/01/mast，(Harriet: A Poetry Blog--Poetry Foundation)。
2.	(17830318)。To the Printer of The Morning Chronicle。

圖書論文
1.	Dabydeen, David(1988)。Dependence, or the Ballad of the Little Black Boy。Coolie Odyssey。London：Hansib。
2.	Dabydeen, David(1994)。Turner。Turner: New & Selected Poems。
3.	Fabre, Geneviève(1999)。The Slave Ship Dance。Black Imagination and the Middle Passage。New York：Oxford UP。
4.	Harting, Heike H.(2007)。Painting, Perversion, and the Politics of Cultural Transfiguration in David Dabydeen's Turner。No Land, No Mother: Essays on the Work of David Dabydeen。Leeds：Peepal Tree。
5.	Hogarth, George(1848)。The Songs of Charles Dibdin, Chronologically Arranged, with Notes, Historical, Biographical, and Critical; and the Music of the Best and Most Popular of the Melodies with New Piano-Forte Accompaniments。To which is Prefixed a Memoir of the Author。London：G. H. Davidson。
6.	Kearney, Douglas(2011)。Swimchant for nigger mer-folk (an aquaboogie set in lapis)。The Black Automaton。Albany：Fence。
7.	Olson, Ted(1997)。Jim Crow。Oxford Companion to African American Literature。Oxford：Oxford UP。
8.	Patrick, William B.(1995)。The Slave Ship。These Upraised Hands。Brockport：BOA。
9.	Ruskin, John。Modem Painters I。The Library Edition of the Works of John Ruskin。

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