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題名:通過視覺感知談3D擬像的本質思考
書刊名:人文社會學報. 世新大學
作者:陳明珠
作者(外文):Chen, Ming-chu
出版日期:2017
卷期:17
頁次:頁265-286
主題關鍵詞:3D影像深度結構影像本體視覺感知Merleau-Ponty3D imagesDepth structureImage ontologyVision perception
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(1) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:0
  • 點閱點閱:1
期刊論文
1.Gunning, T.(1986)。The Cinema of Attractions: Early Film, its Spectator, and the Avant-garde。Wide Angle,8(3/4),63-70。  new window
2.黃怡菁、黃乙白、謝漢萍(2010)。3D立體顯示技術。科學發展,451,46-52。  延伸查詢new window
3.Canudo, R.、Gibson, B.、Ranvaud, D.、Sokota, S.、Young, D.(1980)。The birth of the sixth art。Framework,13,3-7。  new window
4.馬士超、張韜(2010)。數位3D立體電影技術之深度分析。現代電影技術數位立體電影研究,5,6-14。  延伸查詢new window
學位論文
1.林智祥(2014)。3D 影像之立體感與舒適度探討(博士論文)。國立交通大學。new window  延伸查詢new window
圖書
1.Bazin, André、Gray, Hugh(1971)。What is Cinema?。University of California Press。  new window
2.Maltby, R.(2003)。Hollywood cinema。Blackwell Publications。  new window
3.Arnheim, Rudolf(1957)。Film as Art。University of California Press。  new window
4.安德烈•塔可夫斯基、陳麗貴、李泳泉(1993)。雕刻時光:塔可夫斯基的電影反思。臺北:萬象。  延伸查詢new window
5.Bazin, André、Gray, Hugh(1967)。What is Cinema?。University of California Press。  new window
6.Deleuze, Gilles、Tomlinson, Hugh、Habberjam, Barbara(1986)。Cinema。University of Minnesota Press。  new window
7.Baudrillard, Jean、Glaser, Sheila Faria(1994)。Simulacra and Simulation。University of Michigan Press。  new window
8.莫里斯.梅洛-龐蒂、楊大春(2007)。眼與心。北京:商務印書館。  延伸查詢new window
9.Merleau-Ponty, Maurice、Smith, Colin(1962)。Phenomenology of Perception。Routledge & Kegan Paul Ltd.。  new window
10.詹姆斯.施密特、尚新建、杜麗燕(1992)。梅洛龐蒂:現象學與結構主義之間。臺北:桂冠圖書股份有限公司。  延伸查詢new window
11.Merleau-Ponty, Maurice、姜志輝(2001)。知覺現象學。北京:商務印書館。  延伸查詢new window
12.Turner, Graeme(1988)。Film as Social Practice。New York:Routledge Press。  new window
13.Horkheimer, Max、Adorno, Theodor W.、Cumming, John(1972)。Dialectic of Enlightenment。New York:Continuum Books。  new window
14.Deleuze, Gilles、黃建宏(2003)。電影II--時間‧影像。台北:遠流出版事業。  延伸查詢new window
15.Althusser, Louis、Brewster, Ben(1971)。Lenin and Philosophy and Other Essays。New Left Books。  new window
16.Arnheim, Rudolf、滕守堯、朱疆源(1998)。藝術與視知覺。四川人民出版社。  延伸查詢new window
17.Descartes, Rene、Cottingham, John、Sroothoff, Robert、Murdoch, Dugald(1984)。The Philosophical Writings of Descartes。Cambridge:Cambridge University Press。  new window
18.ZONE, RAY(2007)。Stereoscopic Cinema and the Origins of 3-D Film, 1838-1952。Lexington:University Press of Kentucky。  new window
19.Shriver, L.、葛窈君(2006)。凱文怎麼了?。台北:台灣商務。  延伸查詢new window
20.Balazs, B.、Livingstone, R.(2010)。Early film theory: Visible man and the spirit of film。New York:Bergham Books。  new window
21.De Valk, M.(2013)。The film handbook。Routledge。  new window
22.Lester, P. M.(2014)。Visual communication: Images with messages。Boston:Wadsworth。  new window
23.Metz, C.、Britton, C.(1982)。Psychoanalysis and cinema: The imaginary signifier。London:Macmillan Press。  new window
24.Tarkovsky, A.、Hunter-Blair, K.(2003)。Sculpting in time。Austin:University of Texas Press。  new window
25.Bordwell, David(1985)。Narration in the Fiction Film。Madison, Wisconsin:University of Wisconsin Press。  new window
26.Benjamin, W.、Arendt, Hannah(1968)。Illuminations: Essays and reflections。New York:Schocken Books。  new window
圖書論文
1.賈磊磊(1999)。電影的「虛擬時代」。電影理論:邁向21世紀。北京:北京廣播學院出版社。  延伸查詢new window
2.Baudry, J.(1986)。The apparatus: Metapsychological approaches to the impression of reality in the cinema。Apparatus, Ideology: A Film Theory Reader。New York:Columbia University Press。  new window
3.Breton, A.(1968)。What is surrealism?。Theories of modern art。Berkeley:University of California Press。  new window
4.Vertov, D.、O'Brien, K.(1984)。Kinoks: A revolution。Kino-eye: The writings of Dziga Vertov。Berkeley:University of California Press。  new window
5.Flitterman-Lewis, S.(1987)。Psychoanalysis, film and television。Channels of discourse。The University of North Carolina Press。  new window
 
 
 
 
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