數位靈魂曝光術--論電腦視覺與幽靈狩獵意圖的合流__臺灣人文及社會科學引文索引資料庫

:::

詳目顯示

第 1 筆 / 總合 1 筆

/1頁

來源文獻資料
摘要
外文摘要
引文資料

題名：	數位靈魂曝光術--論電腦視覺與幽靈狩獵意圖的合流
書刊名：	清華藝術學報
作者：	李炳曄
作者(外文)：	Li, Ping-yeh
出版日期：	2019
卷期：	1
頁次：	頁135-159
主題關鍵詞：	媒體考古；開放原始碼；新媒體藝術；電腦視覺；靈魂攝影；Media archaeology；Open source；New media art；Computer vision；Spirit photography
原始連結：	連回原系統網址
相關次數：	被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0) 排除自我引用:0 共同引用:1 點閱:2

本研究援引媒體考古學的研究方法，審視十九世紀靈魂攝影術的活動，透過文獻挖掘攝影在當時唯靈論科學化的革新潮流下所扮演的角色、以及在時代動盪中人類情感的依附。透過此媒體考古研究，本研究釐清靈魂攝影的未竟之夢、技術上的限制和拍攝者的矛盾性，提出重新探究靈魂攝影的可能。透過新媒體實驗，本研究進行關於靈魂攝影的實踐，從設計問題界定、技術細節紀錄、展示與觀眾回饋，描述靈魂攝影意圖在當下以電腦視覺方式擷取及呈現的結果，並探討所引發的對照以及省思，意圖突顯人類於影像科技中棲蔭的情感與想像。

以文找文

This research refers to a particularly unique methodology of media archaeology. It investigates the phenomenon of spirit photography that occurred in the 19th century. This study will examine the role this type of photography played in the scientific revolution of Spiritualism and its effect on the attachment of human emotions during the turbulence of the times. Through this media archaeological study, this paper clarifies the unrealized dreams of spirit photography as well as its various technical limitations and contradictions. Based on contextual research, this study then conducts a practice-based new media experiment focusing on how spirit hunting could be realized through computer vision. From the definition of the design problems, documentation of technical details, and the displaying of work and audience feedback, this research reflects on the potential as well as the problems of integrating computer vision and spirit photography. By such practice-based methodology, this study intends to highlight the human emotions and imaginations in image technology.

以文找文

期刊論文
1.	Fishwick, P. A.(2003)。Aesthetic computing manifesto。Leonardo，36(4)，255。
2.	Scrivener, Stephen(2002)。The art object does not embody a form of knowledge。Working Papers in Art and Design，2。
3.	Hertz, G.、Parikka, J.(2012)。Zombie media: Circuit bending media archaeology into an art method。Leonardo，45(5)，424-430。
4.	林晏(20160900)。眼見不為實：William H. Mumler的靈魂攝影與爭議。議藝份子，27，91-116。延伸查詢
5.	邱廷浩(20180500)。社會中的幽靈：重探袁廣鳴的錄像及裝置藝術。雕塑研究，19，55-95。延伸查詢
6.	Cadwallader, J.(2008)。Spirit Photography Victorian Culture of Mourning。Modern Language Studies，37(2)，8-31。
7.	Firenze, P.(2004)。Spirit photography: How early spiritualists tried to save religion by using science。Skeptic，11(2)，70-78。
8.	Foucault, M.(1970)。The archaeology of knowledge。Social Science Information，9(1)，175-185。
9.	Kaplan, L.(2003)。Where the paranoid meets the paranormal: Speculations on spirit photography。Art Journal，62(3)，18-27。
10.	Kim, H.、Monk, A.、Wood, G.、Blythe, M.、Wallace, J.、Olivier, P.(2013)。TimelyPresent: Connecting families across continents。International Journal of Human-Computer Studies，71(10)，1003-1011。
11.	McCarthy, J.、Wright, P.、Wallace, J.、Dearden, A.(2006)。The experience of enchantment in human-computer interaction。Personal and Ubiquitous Computing，10(6)，369-378。
12.	Sheridan, S. L.(1983)。Generative systems versus copy art: A clarification of terms and ideas。Leonardo，16(2)，103-108。
13.	Whitelaw, M.(2013)。Sheer hardware: Material computing in the work of Martin Howse and Ralf Baecker。Scan，10(2)，1-7。
14.	Zhang, K.、Harrell, S.、Ji, X.(2012)。Computational aesthetics: On the complexity of computer-generated paintings。Leonardo，45(3)，243-248。

研究報告
1.	Candy, Linda(2006)。Practice based research: A guide。Sydney：University of Technology Sydney。

圖書
1.	Zielinski, Siegfried、Custance, Gloria(2006)。Deep time of the media: Toward an archaeology of hearing and seeing by technical means。Cambridge, Massachusetts：MIT Press。
2.	Kittler, Friedrich A.、Winthrop-Young, Geoffrey、Wutz, Michael(1999)。Gramophone, Film, Typewriter。Stanford University Press。
3.	Barthes, Roland(1981)。Camera Lucida: Reflections on Photography。New York：Hill and Wang。
4.	Derrida, Jacques、Stiegler, Bernard、Bajorek, Jennifer(2002)。Echographies of Television: Filmed Interviews。Cambridge, MA：Polity Press。
5.	Pearsall, Ronald(2004)。Table-Rappers the Victorians and the Occult。The History Press。
6.	Cloutier, Crista、Apraxine, P.、Fischer, A.、Canguilhem, D.、Schmit, S.、Cloutier, C.(2005)。The Perfect Medium Photography and the Occult。New Haven：Yale University Press。
7.	Kaplan, Louis(2008)。The Strange Case of William Mumler Spirit Photographer。Minneapolis：University of Minnesota Press。
8.	Braude, A.(2001)。Radical Spirits: Spiritualism and Women's Rights in Nineteenth-Century America。Indiana University Press。
9.	Brock, W. H.(2008)。William Crookes (1832-1919) and the commercialization of science。Ashgate。
10.	Coates, J.(1911)。Photographing the Invisible: Practical Studies in Supernormal Photography, Script, and Other Allied Phenomena。L. N. Fowler。
11.	Fishwick, P.(2008)。Aesthetic computing。MIT Press。
12.	Hess, D. J.(1993)。Science in the New Age: The paranormal, its defenders and debunkers, and American culture。University of Wisconsin Press。
13.	Jolly, M.(2006)。Faces of the living dead: The belief in spirit photography。British Library。
14.	Kittler, F. A.(1985)。Discourse Networks, 1800/1900。Standford University Press。
15.	Kluitenberg, E.、Zielinski, S.、Sterling, B.、Huhtamo, E.、Carels, E.、Beloff, Z.、Akomfrah, J.(2007)。The book of imaginary media: Excavating the dream of the ultimate communication medium。Art Data。
16.	Leja, M.(2004)。Looking askance: Skepticism and American art from Eakins to Duchamp。University of California Press。
17.	Sargent, E.(1880)。The scientific basis of spiritualism。Colby & Rich。
18.	Shiffman, D.(2008)。Learning processing a beginner's guide to programming images, animation, and interaction。Morgan Kaufmann/Elsevier。

其他
1.	Sontag, S.。On photography，http://writing.upenn.edu/library/Sontag-Susan-Photography.pdf。
2.	(19871129)。Three forms of thought; M. M. Mangassarian addresses the society for ethical culture at Carnegie Music Hall。

圖書論文
1.	Benjamin, Walter、許綺玲(1998)。攝影小史。迎向靈光消逝的年代。臺北：臺灣攝影工作室。延伸查詢
2.	Druckrey, T.(2006)。Foreword to Siegfried Zielinski。Deep time of the media: Toward an archaeology of hearing and seeing by technical means。MIT Press。
3.	Ernst, W.(2011)。Media archaeology: Method and machine versus history and narrative of media。Media archaeology: Approaches, applications and implications。University of California Press。
4.	Latour, B.(2000)。Opening Pandora's black box。Technology, organizations and innovation: Theories, concepts and paradigms。Routledge。

推文
推薦
引用網址
引用嵌入語法
轉寄

top

:::

相關期刊
相關論文
相關專書
相關著作
熱門點閱

1.	以畫廊產業與藝術家探討在NFT趨勢下的影像藝術革命
2.	社會中的幽靈：重探袁廣鳴的錄像及裝置藝術
3.	眼見不為實：William H. Mumler的靈魂攝影與爭議

無相關博士論文

無相關書籍

無相關著作

無相關點閱

QR Code

臺灣人文及社會科學引文索引資料庫系統

詳目顯示

臺灣人文及社會科學引文索引資料庫