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| 2. | McPhee, Colin(1976)。Music in Bali-A Study in Form and Instrumental Organization in Balinese Orchestral Music。New York：Da Capo Press。 |
| 3. | Tenzer, Michael(1998)。Balinese Music。Periplus Editions。 |
| 4. | Dibia, I. Wayan(2012)。Taksu: In and Beyond the Arts。Denpasar, Bali：Wayan Geria Foundation。 |
| 5. | Gold, Lisa(2005)。Music in Bali: Experiencing Music, Expressing Culture。Oxford University Press。 |
| 6. | Gray, Nicholas(2011)。Improvisation and composition in Balinese gendér wayang: music of the moving shadows。Farnham：Ashgate Publishing Limited。 |
| 7. | Sorrell, Neil(1990)。A Guide to the Gamelan。Amadeus Press。 |
| 8. | Hood, Made Mantle(2010)。Triguna: A Hindu-Balinese Philosophy for Gamelan Gong Gede Music。LitVerlag Press。 |
| 9. | 李婧慧(20190000)。交織（Kotekan）與得賜（Taksu）：巴里島音樂與社會--以克差（Kecak）為中心的研究。臺北：國立臺北藝術大學。 延伸查詢 |
| 10. | Bakan, Michael B.(1999)。Music of Death and New Creation: Experiences in the World of Balinese Gamelan Beleganjur。University of Chicago Press。 |
| 11. | Ballinger, Rucina、Dibia, I. Wayan(2004)。Balinese Dance, Drama & Music: A Guide to the Performing Arts of Bali。Tuttle Publishing。 |
| 12. | Downing, Sonja Lynn(2019)。Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles。University of Illinois Press。 |
| 13. | Lum, CheeHoo、Whiteman, Peter(2012)。Musical Childhoods of Asia and the Pacific。IAP Inc.。 |
| 14. | Spiller, Henry J.(2008)。Focus: Gamelan Music of Indonesia。Routledge。 |
| 15. | Susilo, Emiko Saraswati(2003)。Gamelan Wanita: A Study of Women's Gamelan in Bali。Center for Southeast Asian Studies, School for Hawaiian, Asian and Pacific Studies, University of Hawaii at Manoa。 |
| 16. | Tenzer, Michael(2000)。Gamelan Gong Kebyar: The Art of Twentieth-century Balinese Music。University of Chicago Press。 |
| 17. | Tong, Rosemarie(2013)。Feminist Thought: A Comprehensive Introduction。Routledge Books。 |
| 18. | 顧燕翎、劉毓秀、王瑞香、林津如、范情、張小虹、黃淑玲、莊子秀、鄭至慧、鄭美里(2019)。女性主義理論與流變。貓頭鷹出版社。 延伸查詢 |