| 期刊論文1. | Frankel, Hans H.(1957)。Poetry and Painting: Chinese and Western Views of their convertibility。Comparative Literature,9(4),289-301。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Paglia, Camille、Postman, Neil(1991)。She Wants Her TV! He wants His Book! A (Mostly) Polite Conversation About our Image Culture。Harpers,1991(Mar.),44-55。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Cahill, Janies(1989)。The 'Madness' in Bada Shanren's Paintings。Ajia bunka kenhyu,17,119-113。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | 孫康宜(1986)。Symbolic and Allegorical Meanings in the Yüeh-fu pu-t'i Poem Series。Harvard Journal of Asiatic Studies,46(2),363。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 5. | Fong, Wen C.(1970)。Stages in the Life and Art of Chu Ta。Archives of Asian Art,40,15。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | 饒宗頤(19740300)。詞與畫(論藝術的換位問題)。故宮季刊,8(3),9-20。 延伸查詢![new window](/gs32/images/newin.png) | 圖書1. | Wimsatt, W. K.(1954)。The verbal icon。University of Kentucky Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Paglia, Camille(1990)。Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson。New Haven:Yale UP。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 3. | Sullivan, Michael(1980)。The Three Perfections: Chinese Painting, Poetry and Calligraphy。New York:George Braziller。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 4. | 周濟、鄺士元(1971)。宋四家詞選箋注序。台北:臺灣中華書局。 延伸查詢![new window](/gs32/images/newin.png) | 5. | Paz, Octavio(1988)。Sor Juana。Cambridge:Harvard Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Pang, Mae Anna(1985)。Zhu Da the Mad Monk Painter。Melbourne:National Gallery of Victoria。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | 孫康宜(1991)。The Late-Ming Poet Ch'en Tzu-lung: Crises of Love and Loyalism。New Haven:Yale Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 8. | 施蟄存、馬祖熙(1983)。陳子龍詩集。上海古籍出版社。 延伸查詢![new window](/gs32/images/newin.png) | 9. | 林大椿(1967)。全唐五代詞彙編。台北:世界書局。 延伸查詢![new window](/gs32/images/newin.png) | 10. | Williams, C. A. S.(1976)。Outlines of Chinese Symbolism & Art Motives。New York:Dover。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 11. | 吳翌鳳(1975)。吳梅村詩集箋注。香港。 延伸查詢![new window](/gs32/images/newin.png) | 12. | Mitchell, W. J. T.(1986)。Iconology: image, text, ideology。Chicago:The University of Chicago Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 13. | 蕭統、李善(1977)。文選。中華書局。 延伸查詢![new window](/gs32/images/newin.png) | 14. | De Man, Paul(1986)。The Resistance to Theory。Minneapolis:University of Minnesota Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 單篇論文1. | Zhang, Longxi(1990)。The Tao and the Logos: An East-West Comparative Study in Literary Hermeneutics,Duke Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | Lee, Hui-shu(1988)。Pa-ta Shan-jen's Bird and Fish Painting and Chuang Tzu: The Art of Transformation。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 其他1. | (19901030)。中國時報。 延伸查詢![new window](/gs32/images/newin.png) | 2. | Lee, Pat(19900412)。The Eyes have It。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 圖書論文1. | Barnhart, Richard M.(1990)。[Master of the Lotus Garden: The Life and Art of Bada Shanren (1626-1705)] Introduction。Master of the Lotus Garden: The Life and Art of Bada Shanren (1626-1705)。New Haven:Yale Univ. Art Gallery:Yale Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 2. | 饒宗頤(1984)。八大山人《世說》詩解。八大山人論集。台北:國立編譯館。 延伸查詢![new window](/gs32/images/newin.png) | 3. | 王方宇(1984)。「八大山人詩試解」及「八大山人《世說新語詩》」。八大山人論集。台北:國立編譯館。 延伸查詢![new window](/gs32/images/newin.png) | 4. | (1984)。八大山人論集附錄。八大山人論集。台北:國立編譯館。 延伸查詢![new window](/gs32/images/newin.png) | 5. | Kao, Yu-kung、Mei, Tsu-lin(1976)。Ending Lines in Wang Shih-chen's 'Ch'i-chueh。Artists and Traditions: Uses of the Past in Chinese Culture。Princeton:Princeton Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 6. | Barnhart, Richard M.(1990)。Reading the Paintings and Calligraphy of Bada Shanren。Master of the Lotus Garden: The Life and Art of Bada Shanren (1626-1705)。New Haven:Yale Univ. Art Gallery:Yale Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | 7. | Yeh, Chia-ying(1978)。The Ch'ang-Chou School of Criticism。Chinese Approaches to Literature from Confucius to Liang Ch'i-ch'ao。Princeton:Princeton Univ. Press。 ![](/gs32/thssjcncl/image/nclsfx.gif) ![new window](/gs32/images/newin.png) | |