作為美國當代著名的藝術批評家,羅薩琳·克勞斯從結構主義和后結構主義出發,結合索緒爾語言學、符號學、精神分析等對現代與后現代藝術進行哲學藝術批評。文章在綜述克勞斯哲學藝術批評的同時,對她獨特的哲學式的格子和非形理論進行探究,從而展現了現代主義神話背后的邏輯和后現代主義的思想精髓。由此,克勞斯通過哲學式的藝術批評,在揭開現代主義面紗的過程中,完成了從形式主義向后形式主義的轉變。

As a well-known American art critic and art theorist on modem and postmodern art,Rosalind Krauss established her own criticism style from the perspective of structuralism and post-structuralism by drawing on Saussure’s ideas,semiology,psychoanalysis and various theories.This paper explores her philosophical idea about the theory of the grid and the formless while reviewing her philosophical art criticism,and therefore it presents the cultural logic behind modernist myths and essential postmodernist ideas.Through philosophical art criticism,Krauss went through the change from formalism to post-formalism during the course of unveiling the modernist idea.