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題名:從藝術作品感性結構的“生發-顯現”看海德格爾的“凡.高闡釋”
書刊名:文藝理論研究
作者:張云鵬
出版日期:2018
卷期:2018(1)
頁次:177-183
主題關鍵詞:存在藝術藝術作品感性顯現BeingArtArtistic worksSensory manifestation
原始連結:連回原系統網址new window
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海德格爾的"凡·高闡釋"在學界產生極大影響,同時也引發了一些質疑、批評與爭論。為深化對其闡釋的理解,需將其置于其思想轉向后的理論語境中。判斷這種闡釋是否合理并合度,需要回到審美經驗中藝術作品感性結構的"生發-顯現"這一現象去印證。如果說藝術作品感性的顯現是詩,那么審美解釋則是思。詩思是否同一,當成為理解海德格爾"凡·高闡釋"的基本根據和參照。
While Heidegger’s "Interpretation for Van Gogh"is influential in academic circles,there are also some challenges,criticism and arguments. In order to deepen the understanding of Heidegger’s interpretation,we need to contextualize it in the theory after the turn of his thought. To determine whether the explanation is reasonable and appropriate,we need to verify it by returning to the phenomenon of "becoming and manifestation" within the sensory structure in aesthetic experience of artistic works. If the sensory manifestation of artistic works is poetry,then the aesthetic interpretation is thought. Whether poetry and thought are identical or not should be the fundamental basis and reference to understand Heidegger’s "Interpretation for Van Gogh".
 
 
 
 
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