改編在敘述層面,主要指對傳奇體制特有的敘事方式的改動,包括開場過場等各場面安排、腳色配置、曲唱、賓白和科介的關系等共同形成的敘事格局,具體表現了敘事意圖的轉變。腳色制的傳奇敘事結構,在類型化人物設置中保證了人物形象的獨特性;曲詞、賓白、科諢也作為刻畫人物、推動情節的重要敘事介質;傳奇的演出逐漸由以"曲"為中心轉向以"戲"為本,促使場面安排等敘事交流關系的改變、整合,體現了從案頭到場上的敘事格局的變化。

As far as narrative is concerned,Xiqu adaptation mainly refers to the changes of the unique narrative style of Chuanqi,including the change on the narrative pattern formed by the arrangement of scenes such as the opening scene,the arrangement of roles,the singing,the relationship between"Binbai"and"Kejie",which shows the change of narrative intention. The narrative structure of Chuanqi based on the set roles ensures the uniqueness of the characters’ stereotypical images. Lyrics,"Binbai " and "Kehun " are also important narrative media to portray the characters and drive the plot. The performance of Chuanqi gradually changes its focus from"Qu"( tune) to"drama",motivating the change and integration of the narrative elements such as scene arrangement,which reflects the changes of narrative pattern from desktop drama to stage theatre.