This article focuses on watercolor painter Ishikawa KinichirO's (1871-1945) vision of Taiwanese landscape during his two stages of career in Taiwan, 1907-1919 and 1924-1932. In his first stay in Taiwan, Ishikawa was chiefly an officer working for the colonial government and a part-time art teacher. During Ishikawa's second stay, he became a full-time art teacher and helped with the opening of annual Taiwan art Exhibition (1927-1936; 1938-1943). In Taiwan, Ishikawa published a great deal of essays and painting, introducing his readers how to look at Taiwanese landscape and to paint watercolor. His vision of Taiwanese landscape, being pastoral and nostalgic, is a reflection of Japanese nationalism in the Meiji era. This had a strong impact on his young followers in Taiwan and other Japanese painters visiting Taiwan. However, by the beginning of 1930's, with the fast growing of oil painting and painters in Taiwan, watercolor soon faded away in the main stream.