高濂《玉簪記》問世以來，始終在舞台上盛演不衰。相形之下，研究、評論、注釋等方面卻比較薄弱。我以為其中〈假宿〉、〈幽情〉、〈手談〉、〈合慶〉四出，都是重要關目，而且其內容都涉及茶藝、茶事，弄清楚「龍團」、「丹灶」、「雲衣」、「蟹眼」、「竹爐」等語匯的涵義，能進一步理解女貞觀的社會地位與陳妙常的風度與氣質，有助於對《玉簪記》的研究、欣賞與評價。

Ever since the emergence of Jade Hairpin, this opera has been a long lasting opera performed on stages. By comparison, studies, comments, interpretations of it have been relatively few. Its four plays, "night stay" (jiasu), "deep feeling" (youqing), "play black and white chess" (shoutan), and "joint celebration" (heqing), are important keys in this opera and their contents are all relevant to tea art and tea matters. The understanding of the meanings of vocabularies such as "long-tuan," "dan-zao," "yun-yi," "xie-yan," and "zhu-ru" helps further understand the social status of woman taoist priests and the demeanor and temperament of Chen Miao-chang. It also helps to study, appreciate, and evaluate Jade Hairpin.