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來源文獻資料
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引文資料
題名:
The World and Japan: Animated Anxiety in a Global Age
書刊名:
中央大學人文學報
作者:
Griffith, John Lance
出版日期:
2009
卷期:
39
頁次:
頁1-54
主題關鍵詞:
全球化
;
動漫
;
攻殼機動隊
;
村上春樹
;
魯曼
;
Globalism
;
Anime
;
Ghost in the shell
;
Haruki Murakami
;
Niklas Luhmann
原始連結:
連回原系統網址
相關次數:
被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
排除自我引用:0
共同引用:0
點閱:60
全球化的表現之一就是通俗文化從一個國家擴散到另一個國家。日本動漫與漫畫在美國的重要性日趨明顯;它不再是僅為日本市場的產,不僅是為此一特定文化的消費,這些事實顯示出它將自身置於一全球化世界之中並且視其自身為此一世界之一部分。一方面來說,動漫自我定位於更大的世界,對於期創作者與其特定文化,有其一定優勢,亦即提供日本在世界的一個發聲地位。但另一方面,儘管動漫在世界上的擴張以及全球化潛在的收穫,在動漫敘本身之內,持續存在著揮之不去的焦慮與疑惑,針對不斷強化的經濟與文化的全球化。在動漫之中,如邪惡的跨國公司以及常見對於非人質的網路[《攻殼機動隊》(Ghost in the shell) 與《玲音》(Serial Experimen Lain)],其中我們看到經濟的統整與文化的匯合對於格人與國家身分的威脅之恐懼。本論文分析針對文學作品(村上春樹的小說)中有關全球化愛恨交織 (敘事與意象) 的再現,同時亦將論及其他更通俗的形式,如動漫;再者,論文將援引社會學家魯曼 (Niklas Luhman) 系統理論,以便能夠探討敘事如何能表達對於全球系統在此全球化年代對於他們個人以及其身分形成之衝擊的焦慮。
以文找文
The spread of pop culture productions out from one coumtry across the world is the very expression of globalism. The significance of Japanese anime and manga in America is becoming increasingly appearent; that it is no longer simply a produst for the Japanese market, for the exclusive consumption of its particular culture, means that that it has placed itself within and recognized itself as part of that globalized world. On the one hand, the positioning of anime within the large world has its advantages for its writers and the culture at large, by providing Japan a voice in that world. On the other hand, despite anime's spread acress the world and the potential benefits of globalization, within the narratives of an-ime itself there persists a strain od anxiety and suspicion regarding the prospect of increased economic and culture globalism. In anime's villainous multi-mational corporations and its frequent depiction of a de-humanizing internet (Ghost in the Shell, Serial Experiments Lain), we see a fear that integration of economy and the melding of culture threatens identity at level of the individual and the nation. This es-say analyzes the ambivalent representation (narratives and images) of globalism in literature (the novel of Haruki Murakami) and also more popular forms of culture such as anime; and it considers both in light of sociologist Niklas Luhmann's system theory, in order to explore how these narratives articulate their anxiety about the impact of the global system on the individual and about the formation of identity in a global age.
以文找文
期刊論文
1.
Leonard, S.(2005)。Progress against the law: Anime and fandom, with the key to the globalization of culture。International Journal of Cultural Studies,8(3),281-305。
2.
Grigsby, Mary(1998)。Sailormoon: Manga (Comics) and Anime (Cartoon) superheroine meets Barbie: Global entertainment commodity comes to the United States。Journal of Popular Culture,32(1),59-80。
3.
Allison, Anne(2006)。The Japan Fad in Global Youth Culture and Millennium Capitalism。Mechademia: Emerging Worlds of Anime and Manga,1,11-21。
4.
Cubbison, Laurie(2005)。Anime Fans, DVDs, and the Authentic Text。Velvet Light Trap,56,45-57。
5.
Griffith, John Lance(2009)。Integration and Inversion: Western Medieval Knights in Japanese Manga and Anime。Medieval and early Modern English Studies,17(1),89-119。
6.
Notaro, Anna(2007)。'Innocence is Life': Searching for the Post-Human Soul in Ghost in the Shell 2。International Journal of Comic Art,9(1),610-622。
7.
Price, Shinobu(2001)。Cartoons from Another Planet: Japanese Animation and Cross-Cultural Communication。Journal of American and Comparative Cultures,24(1)/24(2),292-305。
8.
Ruh, Brian(2005)。Creating 'Amateur' Manga in the US: Pedagogy, Professionalism, and Authenticity。International Journal of Comic Art,7(2),375-394。
9.
Silvio, Carl(2002)。Anime, Both Global and Local。Science Fiction Studies,29(3),489-491。
10.
Wong, Wendy Siuyi(2006)。Globalizing Manga: From Japan to Hong Kong and Beyond。Mechademia: Emerging Worlds of Anime and Manga,1,23-45。
圖書
1.
Napier, Susan J.(2007)。From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West。New York:Palgarve Macmillian。
2.
Moeller, Hans-Georg(2006)。Luhmann Explained: From Souls to Systems。Chicago:Open Court Publishing Company。
3.
Desser, David(2003)。Consuming Asia: Chinese and Japanese Popular Culture and the American Imaginary。Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia。Philadelphia。
4.
King, Michael、Thornhill, Chris(2006)。Luhamnn on Law and Politics: Critical Appraisals and Applications。Luhamnn on Law and Politics: Critical Appraisals and Applications。Portland。
5.
Lent, John A.(2001)。Aime and Manga in Parts of Asia and Latin America。Animation in Asia and the Pacific。Bloomington, IN。
6.
Levi, Antonia(2006)。The Americanization of Anime and Manga: Negotiating Popular Culture。Cinema Anime: Critical Engagements with Japanese Animation。New York, NY。
7.
Mathias, Albert(2004)。Observing International Relations: Niklas Luhmann and World Politics。Observing International Relations: Niklas Luhmann and World Politics。New York。
8.
McCarthy, Helen(2001)。The Development of the Japanese Animation Audience in the United Kingdom and France。Animation in Asia and the Pacific。Bloomington, IN。
9.
Murakami, Haruki(1994)。Dance Dance Dance。Dance Dance Dance。New York。
10.
Napier, Susan J.(2007)。When the Machines Stop: Fantasy, Realityi, and Terminal Identity in Neon Genesis Evangelion and Serial Experiments: Lain。Robot ghosts and wired dreams : Japanese science fiction from origins to anime。Minneapolis。
11.
Patten, Fred(2001)。Anime in the United States。Animation in Asia and the Pacific。Bloomington, IN。
12.
Philippopoulos-Mihalopoulos, Andreas(2008)。Niklas Luhmann: Law, Society, Justice。Niklas Luhmann: Law, Society, Justice。London。
其他
1.
Luhmann, Niklas。Globalization or World Society?: How to Conceive of Modern Society。
2.
(1998)。Ghost in the Shell。
3.
(1998)。Lain (Serial Experiments Lain)。
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