Shi Tie-Sheng (1951-) wrote his classic work of "I and the Temple of Earth" in 1990. This masterpiece was his conclusion on the spiritual predicament and salvational path of the insignificant individual and the significant mankind after he went through long term speculation and writing experiences from the end of the 1970s to the entire 1980s, ever since he became handicapped due to an illness when he was twenty years old. Reviewing Shi Tie-Sheng's writing career from the end of the 1970s to the 1980s, one could see that the life and spiritual predicament and his salvational path that an individual as well as the entire mankind had to face has always been the center of his attention. In the process of pondering on life issues, he started from the view of life was like theater and gradually developed into an angle of view that overlooked the complicated maze of life of mankind. He also broke loose from his struggle with the fate of being handicapped and became the "God" who could calmly and objectively treat the predicament and limitation of mankind. This study discussed and analyzed the works of Shi Tiesheng from the end of the 1970s to the 1980s, in order to see how his novel creation transcended from facing his handicap and his spiritual pain, and turned to inherently grasp the common incompleteness and limitation of human nature. Also, how he treated and described the various aspects of the man's world with a theatrical vision and writing style during this transformation. After 1985, his works gradually expanded, converged, transformed from a theatrical viewpoint and conception into writings on the maze of life, whereas this style of writing also corresponded to his spiritual pursuit of "earnest devotion while transcending gain and loss" toward life.