In 1947, Changli Dehe, who stayed at Ti Chin-ting in her own garden Yiyuan at her home, organized the lyrics club-which called Ti Chin-ting Lyric-writing Club. She organized this club to write lyrics without the limitation of Lu-shih and Chueh-chu. In 1949, the Ou Club revived again. Lyrics-writers were indifferent to the fame and wealth that they wrote the lyrics and poetry to cultivate their temperament and praise the high and upright characteristics. The works of two lyrics clubs contained the rich themes of lyric-making, things-chanting, nostalgia, emotion-expressing, and scenery-portraying. They reflected: 1. Since the Ou club is the poetry club, there are usually one lyric and one poem existed. 2. The scenery-lyrics are expressed by lien changti. 3. The lyric-writers rhyme on the basis of others' rhyme. 4. The questions of rhythm-it was lacked with the lyrics collection, so there happened to have the situation of mixed rhymes. The meaning of the lyric study which the two clubs presented are: 1. Consciously named the lyric-collection, they published Loshan Tichin Collection and Loshan Ti Chin-ting Lyrics Collection. Chiayi used to call Loshan, so the lyrics consciously expressed the landscape and features of the villages. 2. To improve the interaction of the lyric study, the Ou Club held Ya Chi to let the all lyrics-works exchange different ideas and interact each other. It helped to improve the creating skill. The Ou Club also held Toshe Lienyin to learn from each other and enhance the emotion and art of lyrics. 3. Preserved the documents of lyrics study. It needed to cost lots of money to publish books, so the lyrics-works were mostly not published. Due to the publication of Loshan Ti Chin-ting Lyrics Collection and Ou Club Yiyuan, they helped to preserve the works of lyrics-writers completely.