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題名:擴延地景的電影邊界:論蔡明亮從〈不散〉至影像裝置的非/藝術性
書刊名:現代美術學報
作者:孫松榮 引用關係
作者(外文):Sing, Song-yong
出版日期:2012
卷期:23
頁次:頁27-50
主題關鍵詞:蔡明亮電影迷戀電影之死造形展示後-媒介影像裝置非/藝術性Tsai Ming-liangCinephiliaThe death of cinemaPlasticity-monstrationPost-mediumFilm installationNon/artisticity
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:1
  • 共同引用共同引用:2
  • 點閱點閱:197
期刊論文
1.Fowler, Catherine(2004)。Room for Experiment: Gallery Films and Vertical Time from Maya Deren to Eija Liisa Ahtila。Screen,45(4),324-343。  new window
2.孫松榮(2011)。新電影的窗框景觀,或新臺灣電影的銀幕脈動:從侯孝賢的反身性呈現到蔡明亮的造形展示。電影欣賞學刊,14(6),39-54。new window  延伸查詢new window
3.Balsom, Erika(2009)。A Cinema in the Gallery, a Cinema in Ruins。Screen,50(4),411-427。  new window
4.Bao, Wei Hun(2007)。Biomechanics of Love: Reinventing the Avant-garde in Tsai Ming-liang’s Wayward ‘Pornographic Musical。Journal of Chinese Cinemas,12,139-160。  new window
5.Casetti, Francesco(2011)。Back to the Motherland: the Film Theatre in the Postmedia Age。Screen,52(1),1-12。  new window
6.Parente, André、Vieta de Carvalho(2008)。Cinema as Dispositif: Between Cinema and Contemporary Art。CiNéMAS,19(1),37-55。  new window
7.Rushton, Richard(2009)。Deleuzian Spectatorship。Screen,50(1),45-53。  new window
8.Sabouraud, Frédéric(2009)。Tsai Ming-liang: l’épure et la manière。Trafic,72,36-43。  new window
9.Zhang, YingJin(2007)。Comparative film studies, transnational film studies: interdisciplinarity, crossmediality, and transcultural visuality in Chinese cinema。Journal of Chinese Cinemas,11,27-40。  new window
圖書
1.Suderburg, Erica(2000)。Space, Site, Intervention: Situating Installation Art。Minneapolis:University of Minnesota。  new window
2.Bordwell, David(2005)。Figures Traced in Light: On Cinematic Staging。University of California Press。  new window
3.Xu, G.(2007)。Sinascape: Contemporary Chinese Cinema。Boulder:Lanham。  new window
4.Rodowick, David Norman(2007)。The Virtual Life of Film。Harvard University Press。  new window
5.Udden, James(2009)。No Man an Island: The Cinema of Hou Hsiao-hsien。Hong Kong:Hong Kong University Press。  new window
6.Connolly, Maeve(2009)。The Place of Artists’ Cinema: Space, Site and Screen。Sc Chicago:Intellect Bristol P。  new window
7.Cavell, Stanley(1984)。Themes out of School: Effects and Causes。Chicago:University of Chicago Press。  new window
8.Paini, Dominique(2002)。Le temps exposé: le cinéma de la salle au musée。Cahiers du Cinéma。  new window
9.Balcerzak, Scott、Jason Sperb(2009)。Cinephilia in the Age of Digital Reproduction: Film, Pleasure, and Digital Culture。London:Wallflower。  new window
10.Barthes, Roland(2002)。Œuvres complètes IV: Livres, Textes, Entretiens 1972-1976。Paris:Seuil。  new window
11.Bordwell, David(2008)。Poetics of Cinema。Berkeley:University of California。  new window
12.Foucault, Michel(1998)。Aesthetics, Method, and Epistemology: Essential Works of Foucault。New York:The New Press。  new window
13.Galt, Rosalind、Karl Schoonover(2010)。Global Art Cinema: New Theories and Tistories。New York:Oxford University Press。  new window
14.Krauss, Rosalind(1999)。A Voyage on the North Sea。Thames & Hudson。  new window
15.Lu, Feii、Chris Berry(2005)。Island On the Edge: Taiwan New Cinema and After。HK:Hong Kong University Press。  new window
16.Lyotard, Jean-François(1980)。Des dispositifs pulsionnels。Paris:Chistian Bourgois Editeur。  new window
17.Margulies, Ivone(1996)。Nothing happens: Chantal Akerman’s Hyperrealist Everyday。N.C.:Duke University Press。  new window
18.Spielmann, Yvonne(2008)。Vìdeo: The Reflexive Medium。Cambridge, Mass:MIT Press。  new window
19.Vancheri, Luc(2009)。Cinémas contemporains: du film à I’installation。Paris:Aléas。  new window
其他
1.放映週報編輯室(20100911)。好想看蔡明亮的〈臉〉?法國DVD有在賣!,。  延伸查詢new window
2.蔡明燁,阿冠(20110107)。在人的侷限中,定義創作與自由:專訪里茲影展終身成就獎蔡明亮,。  延伸查詢new window
圖書論文
1.Crary, Jonathan、蔡佩君、王嘉驥(20070900)。觀察者的技術--論十九世紀的視覺與現代性。主觀視覺與感官之分離。台北:行人出版社。  延伸查詢new window
2.Jones, Kent(1998)。粗造與平滑。洞:電影劇本與評論。臺北:萬象出版社。  延伸查詢new window
3.Sontag, Susan(2004)。電影百年回眸。重點所在。上海:譯文出版社。  延伸查詢new window
4.Berry, Chris(2005)。Hyperbolic Realism and Indulgence in Vive L’Amour。Island On the Edge: Taiwan New Cinema and After。HK:Hong Kong University Press。  new window
5.Iles, Chrissie(2000)。Video and Film Space。in Space, Site, Intervention: Situating Installation Art。Minneapolis:University of Minnesota Press。  new window
6.Ng, Jenna(2009)。A Point of Light: Epiphanie Cinephilia in Mamoru Oshii’s Avalon (2001)。Cinephilia in the age of digital reproduction: Film, Pleasure, and Digital Culture。London:New York: Wallflower。  new window
7.Price, Brian(2010)。Art/Cinema and Cosmopolitanism Today。Global Art Cinema: New Theories and Histories。New York:Oxford University Press。  new window
 
 
 
 
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