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題名:Disappearing Politics and the Politics of Disappearance: Female Subjectivity, Left-Wing Films, and the Representation of 1930s Shanghai in Center Stage
書刊名:Concentric: Literary and Cultural Studies
作者:Li, Han
出版日期:2012
卷期:38:1
頁次:頁197-221
主題關鍵詞:Ruan LingyuCenter StageLeft-wing filmSubjectivityIntertextualDepoliticizationHong Kong
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(0) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:0
  • 共同引用共同引用:7
  • 點閱點閱:44
期刊論文
1.張英進(20010300)。游離於香港與上海之間 : 懷舊,電影,文化想像。中外文學,29(10)=346,51-67。new window  延伸查詢new window
2.Jameson, Fredric(1989)。Nostalgia for the Present。South Atlantic Quarterly,88(2),517-537。  new window
3.Stringer, Julian(1997)。Centre Stage: Reconstructing the Bio-Pic。Cineaction,42,28-39。  new window
4.Zhang, Zhen(1998)。The ‘Shanghai Factor’ in Hong Kong Cinema: A Tale of Two Cities in Historical Perspectives。Asian Cinema,10(1),146-59。  new window
5.Chu, Blanche(1998)。The Ambivalence of History: Nostalgia Films Understood in the Post-Colonial Context。Hong Kong Cultural Studies Bulletin,8/9,41-54。  new window
6.Cui, Shuqin(2000)。Stanley Kwan’s Center Stage: The (Im)possible Engagement between Feminism and Postmodernism。Cinema Journal,39(4),60-80。  new window
圖書
1.Zhang, Y.、Xiao, Z.(1998)。Encyclopedia of Chinese Film。London:New York:Routledge。  new window
2.Hu, Jubin(2003)。Projecting a Nation: Chinese National Cinema before 1949。Hong Kong:Hong Kong University Press。  new window
3.張英進(2004)。Chinese National Cinema。New York:Routledge。  new window
4.Abbas, Ackbar(1977)。Hong Kong: Culture and the Politics of Disappearance。Minneapolis, MN:University of Minnesota Press。  new window
5.Teo, Stephen(1997)。Hong Kong Cinema: the extra dimensions。British Film Institute。  new window
6.酈蘇元、胡菊彬(1996)。中國無聲電影史。北京:中國電影出版社。  延伸查詢new window
7.Mulvey, Laura(1989)。Visual and Other Pleasures。Bloomington:Indiana University Press。  new window
8.Lee, Leo Ou-fan(1999)。Shanghai Modern: The Flowering of a New Urban Culture in China, 1930-1945。Harvard University Press。  new window
9.Pang, Laikwan(2002)。Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, 1932-1937。Lanham。  new window
10.Reynaud, Bérénice(2003)。Centre Stage: A Shadow in Reverse。Chinese Films in Focus II. [2nd Ed.] \\ Berry, Chris (Ed.)。London。  new window
11.沈寂(1985)。Yidai yingxing Ruan Lingyu。Shanghai。  new window
12.Stein, Wayne(2006)。Stanley Kwan’s Centre Stage (1992): Postmodern Reflections of the Mirror Within the Mirror。Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking \\ Rhodes, Gary D. ; Springer, John Parris (Ed.)。Jefferson, N. C.。  new window
13.China Film Art Research Center(1993)。Zhongguo zuoyi dianying yundong。Beijing。  new window
14.朱劍(1997)。Wumian yinghou Ruan Lingyu。Lanzhou。  new window
15.Chan, Natalia Sui Hung(2000)。Rewriting History: Hong Kong Nostalgia Cinema and Its Social Practice。The Cinema of Hong Kong: History, Arts, Identity \\ Fu, Poshek ; Desser, David (Ed.)。Cambridge。  new window
16.Chang, Michael(1999)。Good, the Bad, and the Beautiful: Movie Actresses & Public Discourse in Shanghai, 1920s-1930s。Cinema and Urban Culture in Shanghai, 1922-1943 \\ Zhang, Yingjin (Ed.)。Stanford。  new window
17.陳儒修(1995)。Dianying diguo—ling yizhong zhushi: dianying wenhua yanjiu。Taipei。  new window
18.程季華、李少白、邢祖文(1963)。Zhongguo dianying fazhanshi。Beijing。  延伸查詢new window
19.Harris, Kristine(1997)。The New Woman Incident: Cinema, Scandal, and Spectacle in 1935 Shanghai。Transnational Chinese Cinemas: Identity, Nationhood, Gender \\ Lu, Sheldon Hsiao-peng (Ed.)。Honolulu。  new window
20.Hjort, Mette(2006)。Stanley Kwan’s Center Stage。Hong Kong。  new window
其他
1.Kwan, Stanley(1992)。Center Stage。  new window
2.Kwan, Stanley(1996)。Nansheng nüxiang。  new window
圖書論文
1.林文淇(19970000)。後現代的風格.後殖民的香港 : 關錦鵬電影中的女性與(反)國家寓言。認同、差異、主體性 : 從女性主義到後殖民文化想像。臺北:立緒。new window  延伸查詢new window
 
 
 
 
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