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題名:重探兩件董元之作--早期中國巨幅山水畫的範式
書刊名:故宮學術季刊
作者:方聞
作者(外文):Fong, Wen
出版日期:2013
卷期:30:4
頁次:頁1-42
主題關鍵詞:董源董元溪岸圖寒林重汀三遠止觀山水畫Dong YuanThe RiverbankWintry Groves and Layered BanksThree distancesStopping and seeingLandscape painting
原始連結:連回原系統網址new window
相關次數:
  • 被引用次數被引用次數:期刊(2) 博士論文(0) 專書(0) 專書論文(0)
  • 排除自我引用排除自我引用:2
  • 共同引用共同引用:17
  • 點閱點閱:376
期刊論文
1.陳葆真(20050300)。從南唐到北宋--期間江南和四川地區繪畫勢力的發展。國立臺灣大學美術史研究集刊,18,155-208+234。new window  延伸查詢new window
2.Bell, Julian(2009)。Why Art?。The New York Review of Books,61(15),22-24。  new window
3.Fong, Wen C.(1971)。How to Understand Chinese Painting。Proceedings of American Philosophical Society,115(4),282-292。  new window
4.Fong, Wen C.(1969)。Toward a Structural Analysis of Chinese Landscape Painting。Art Journal,28(4),388-397。  new window
5.Fong, Wen C.(1976)。Rivers and Mountains after Snow (Chiang-shan hsueh-chi), Attributed to Wang Wei (A.D. 699-750)。Archives of Asian Art,30,6-33。  new window
6.Haruka, Takenami(2004)。Study of a Work from Kurokawa Institute of Ancient Cultures。Kobunka Kenkyu,3,57-106。  new window
7.Loehr, Max(1937)。Studie uber Wang Meng。Sinica,14(5/6),273-290。  new window
8.Yang, Kathleen(1998)。In Support of The Riverbank。Orientation,29(7),36-42。  new window
9.陳葆真(19960300)。南唐中主的政績與文化建設。國立臺灣大學美術史研究集刊,3,41-93。new window  延伸查詢new window
10.陳葆真(19950500)。南唐烈祖的個性與文藝活動。國立臺灣大學美術史研究集刊,2,27-46。new window  延伸查詢new window
11.石守謙(20010300)。風格、畫意與畫史重建--以傳董元「溪岸圖」為例的思考。國立臺灣大學美術史研究集刊,10,1-36+292。new window  延伸查詢new window
12.傅熹年(1998)。中國古代的建築畫。文物,1998(3),75-94。  延伸查詢new window
13.Loehr, Max(1953)。The Bronze Styles of the Anyang Period (1300-1028 B.C.)。Archives of the Chinese Art Society of America,7,42-53。  new window
14.陳葆真(19970300)。藝術帝王李後主(1)。國立臺灣大學美術史研究集刊,4,43-58。new window  延伸查詢new window
15.陳葆真(19980300)。藝術帝王李後主(2)。國立臺灣大學美術史研究集刊,5,41-76。new window  延伸查詢new window
16.Fong, Wen(2003)。Why Chinese Painting is History。The Art Bulletin,85(2)。  new window
學位論文
1.談晟廣(2009)。宋元畫史演變脈絡中的錢選(博士論文)。清華大學,北京。  延伸查詢new window
圖書
1.陳慧思(1983)。大乘止觀法門。大正新修大藏經。臺北:新文豐出版。  延伸查詢new window
2.米芾(1957)。畫史。中國畫論類編。北京:人民美術出版社。  延伸查詢new window
3.韓拙(1998)。山水純全集。中國古代畫論類編。北京:人民美術出版社。  延伸查詢new window
4.吳鎮(1997)。梅道人遺墨。美術叢書。南京:江蘇古籍出版社。  延伸查詢new window
5.黃公望(1957)。寫山水訣。中國畫論類編。北京:人民美術出版社。  延伸查詢new window
6.趙孟頫(1970)。松雪齋集。歷代畫家詩文集。臺北:學生出版社。  延伸查詢new window
7.董其昌(1967)。畫眼。臺北:世界書局。  延伸查詢new window
8.陳韻如(2006)。范寬谿山行旅圖。大觀:北宋書畫特展。臺北:國立故宮博物院。new window  延伸查詢new window
9.談晟廣(2010)。《浮玉山居圖》研究與錢選畫史地位的現認識。美術史與觀念史。南京:南京師範大學出版社。  延伸查詢new window
10.Acker, William R. B.(1974)。Some T'ong and Pre-T'ang Texts on Chinese Painting。Leiden:E. J. Brill。  new window
11.Barnhart, Richard M.(1970)。Marriage o f the Lord of the River: A Lost Landscape by Tung Yuan。Artibus Asiae Supplementum, 27。Ascona:Artibus Asiae Publishers。  new window
12.Cleary, Thomas(1997)。Stopping and Seeing: A Comprehensive Course in Buddhist Meditation by Chih-i。Boston:London:Shambhala:Shambhala。  new window
13.Fong, Wen C.。Tung Chi, i-ch'ang's Intuitive Leap。Images of the Mind。  new window
14.Fong, Wen C.(1999)。Riverbank。Along the Riverbank: Chinese Paintings from the C. C. Wang Family Collection。New York:The Metropolitan Museum of Art。  new window
15.Fong, Wen C.(2008)。Prologue: Chinese Calligraphy as Presenting the Self。Chinese Calligraphy。New Haven:Beijng:Yale University Press:Foreign Languages Press。  new window
16.Gombrich, Ernst H.(1960)。Art and Illusion。New York, NY:Pantheon Books。  new window
17.Gombrich, E. H.(2002)。The Preference for the Primitive: Episodes in the History of Western Taste and Art。New York:Phaidon Press。  new window
18.Gong, Qi(1999)。On Paintings Attributed to Dong Yuan。Issues of Authenticity in Chinese Painting。New York:The Metropolitan Museum of Art。  new window
19.Hearn, Maxwell K.(1999)。Along the Riverbank。Along the Riverbamk: Chinese Paintings from the C. C. Wang Family Collection。New York:The Metropolitan Museum of Art。  new window
20.Hearn, Maxwell K.(1999)。A Comparative Physical Analysis of Riverbank and Two Zhang Daqian Forgeries。Issues of Authenticity in Chinese Painting。New York:The Metropolitan Museum of Art。  new window
21.Kuhn, Dieter(2009)。The Age of Confucian Rule: The Song Transformation of China。Cambridge, Mass.:Belknap Press of Harvard University Press。  new window
22.Munakata, Kiyohiko(1974)。Ching Haos “Pi-fa-chi”: A Note on the Art of Brush。Ascona, Switezerland:Artibus Asiae。  new window
23.Scharfastein, Ben-Ami(2009)。Art without Borders: A Philosophical Exploration of Art and Humanity。Chicago:London:University of Chicago Press:University of Chicago Press。  new window
24.Shih, Shou-ch'ien(1999)。Positioning Riverbank。Issues of Authenticity in Chinese Painting。New York:The Metropolitan Museum of Art。  new window
25.Silbergeld, Jerome(1999)。The Referee Must Have a Rule Book: Modem Rules for an Ancient Art。Issues of Authenticity in Chinese Painting。New York:The Metropolitan Museum of Art。  new window
26.Soper, Alexander C.(1959)。Literary Evidence for Early Buddhist Art in China。Artibus Asiae Supplementum 19。Ascona, Switzerland:Artibus Asiae。  new window
27.Sun, Chang Kang(1980)。The Evolution of Chinese Tz'u Poetry from Late Tang to Northern Song。Princeton:Princeton University Press。  new window
28.Barnhart, Richard M.(1983)。Along the Border of Heaven: Sung and Yüan Paintings from the C. C. Wang Family Collection。New York:The Metropolitan Museum of Art。  new window
29.Fong, Wen C.(1976)。Archaism as a 'Primitive'Style。Arts and Traditions: Uses of the Past in Chinese Culture。Princeton:Princeton University Press。  new window
30.Hervitz, Leon(1962)。Chih-I (538-597): An Introduction to the Life and Ideas of a Chinese Buddhist Monk。Brussels:Institut Beige des Hautes Etudes Chinoises。  new window
31.Kubler, George(1962)。The Shape of Time。New Haven:Yale University Press。  new window
32.Loehr, Max(1968)。Chinese Landscape Woodcuts: From an Imperial Commentary to the Tenth-Century Printed Edition of the Buddhist Canon。Cambridge, MA:Belknap Press of Harvard University Press。  new window
33.Rowley, George(1959)。Principles of Chinese Painting。Princeton:Princeton University Press。  new window
34.王原祁(1984)。玫瑰集。北京:中國書店。  延伸查詢new window
35.沈括(1987)。夢溪筆談校證。上海:上海古籍出版社。  延伸查詢new window
36.Fong, Wen C.(1984)。Images of the Mind: Selections from the Edward L. Elliott Family and John B. Elliott Collections of Calligraphy and Painting at the Art Museum, Princeton University。Princeton, NJ:The Art Museum。  new window
37.周密(1975)。雲煙過眼錄。藝文。  延伸查詢new window
38.馮友蘭(1993)。中國哲學史‧原儒墨。臺北:臺灣商務印書館。  延伸查詢new window
39.郭若虛、黃苗子(1963)。圖畫見聞誌。上海:人民美術出版社。  延伸查詢new window
其他
1.Fong, Wen C.。Art as History: The Han-Tang Miracle at Dunhuang. to come.。  new window
圖書論文
1.宗炳(1957)。畫山水序。中國畫論類編。北京:人民美術出版社。  延伸查詢new window
2.荊浩(1957)。筆法記。中國畫論類編。北京:人民美術出版社。  延伸查詢new window
3.郭熙、郭思(1957)。林泉高致集。中國畫論類編。北京:人民美術出版社。  延伸查詢new window
4.Kao, Yu-kung(1991)。Chinese Lyric Aesthetics。Words and Images: Chinese Poetry, Calligraphy and Painting。New York:The Metropolitan Museum of Art。  new window
5.Bush, Susan(1983)。Tsung Ping's Essay on Painting Landscape and the 'Landscape Buddhism' of Mount Lu。Theories of the Arts in China。Princeton:Princeton University Press。  new window
6.Cahill, James(1999)。The Case against Riverbank: An Indictment in Fourteen Counts。Issues of Authenticity in Chinese Painting。New York:The Metropolitan Museum of Art。  new window
 
 
 
 
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