本文以臺灣電影為對象，旨在觀察並詮釋臺灣電影系統存在的生態脈絡。鑑於全球電影工業與地方市場有著高度連動性，因此國片電影產業無法自外於全球化電影發展的影響。本研究以Niklas Luhmann的系統理論出發，透過對全球電影的爬梳，配合臺灣電影產業的生態運作，而對國片系統形成一個理論上的理解。本研究發現如下：第一，國片系統必須參照外在全球環境而定；第二，國片工業的邊界與生產元素亟待系統化；最後，當前臺灣電影的核心系統元素在發行與通道，成為自我封閉系統之建立。

This paper takes the Taiwanese cinema as a target, aiming for observing and interpreting the ecological context of the national cinema system. In consideration of the highly connectivity between the global movie industry and local market, the Taiwanese cinema cannot cut the influences from the movie globalization. From the perspective of Niklas Luhmann’s System Theory, this paper focused on the national cinema ecology, along with the analysis of the global movie industry, and found conclusions as followings: (1) the national cinema system has to refer to the global environment; (2) the boundary and elements of the Taiwanese cinema industry need to be systematized; (3) the most crucial elements of the Taiwanese cinema hinges on distribution and channels to build a self-closed system.