Lee Tong's Ga Ma Lan trilogy has received a good reputation and wide discussion among the teenage fictions in Taiwan. Although Young Ga Ma Lan and Sky-Gazing Hill both focus on the idea of the traveler, which portrays seizing the moment while traveling over time and space. The implications of these two works are quite different and should not be both evaluated from the same perspective of history and culture. While Young Ga Ma Lan places emphasis on seeking identification with history and culture, in Sky-Gazing Hill, Lee Tong invests more in the description of the exchange of true feelings and coexistence with different cultures, threading continuous historical and cultural evolutions through the workings of affection. Interpreting the meaning of the traveler from the perspective of affection, we can see that Lee Tong has constructed another world of life and death, where time and space overlap and living and dying are actually a non-stop journey. The idea of the traveler conveys the solicitude and affection of Lee Tong, a drifter himself.