The Yuefu Anthology is not only a poetry collection, but also a scholarly research exploring the relation between music and literature prior to the Sung Dynasty. The Yuefu Anthology’s documentary contributions are incredibly tremendous as the first collection of ancient musical poems. Influenced by his knowledgeable family, Guo Maoqian made great efforts to compile this masterpiece when books-inscribing had moved into the prosperous period, the Sung Dynasty. Guo almost collected all the musical poems at that time, and therefore a comprehensive collection, from ancient times to Five Dynasties, is provided for us with great literary, documentary, and musical value. Although great efforts were made to acquire materials to build a thorough collection, deficiencies are inevitable especially when only a single manpower completed a grand masterwork. This paper attempts to discuss the possible miss on the collection and classification standard of the Miscellaneous Yuefu Songs established by Guo Maoqian. It also compares other Miscellaneous Songs besides Guo’s version, which are “Significant Explanations of the Yuefu Poetry” by Wu Jing from the Tang Dynasty, “Ancient Yuefu Poetry” by Zuo Keming from the Yuan Dynasty, and “the Poetry of Pre-Qin,Han, Wei, Jin and the Southern and Northern Dynasties” by Lu Qin Li from the Qing comparing Guo’s Miscellaneous Yuefu Songs to these three inclusive anthologies in terms of the classification on the Miscellaneous Songs, I found the differences among them. Thus the classification is worthy of further discussion and research.