| 期刊論文1. | 易鵬(20140700)。「花心動」:周夢蝶〈賦格〉手稿初探。中山人文學報,37,41-62。 延伸查詢 | 2. | 桑德琳(20140700)。修改的不可能性:王文興手稿中的刪除、修改和添加內容。中山人文學報,37,63-82。 延伸查詢 | 3. | 潘世姬(19931000)。阿諾.荀白克--尋找十二音列作品的和聲及曲式統一性。藝術評論,5,61-71。 延伸查詢 | 4. | 潘世姬(19951200)。阿諾.荀白克--尋找十二音列作品的和聲及曲式統一性。藝術評論,6,87-116。 延伸查詢 | 5. | Agawu, Kofi(2011)。Taruskin's Problem(s)。Music Theory Spectrum,33(2),186-190。 | 6. | Gossett, Philip(1974)。Beethoven's Sixth Symphony: Sketches for the First Movement。Journal of american musicological society,27(2),248-284。 | 7. | Headlam, Dave(1993/1994)。Sketch Study and Analysis: Berg's Twelve-Tone Music。College Music Symposium,33/34,1-171。 | 8. | Johnson, Douglas(1978)。Beethoven Scholars and Beethoven's Sketches。19th Century Music,2,3-17。 | 9. | Krebs, Harald(1997)。Schumann's Metrical Revisions。Music Theory Spectrum,19(1),35-54。 | 10. | Rao, Nancy Yunhwa(2002)。Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Contemporary Chinese Music。Perspectives of New Music,40(2),190-232。 | 11. | Rao, Nancy Yunhwa(2014)。Allegro scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance。Music Theory Spectrum,36(2),181-202。 | 12. | Rogers, Lynn(2004)。A Serial Passage of Diatonic ancestry in Stravinsky's The Flood。Journal of the Royal Musical Association,129(2),220-240。 | 13. | Sallis, Friedemann(2006)。Segmenting the Labyrinth: Sketch Studies and the Scala Enigmática in the Finale of Luigi Nono's Quando stanno morendo Diario Polacco N. 2 (1982)。Ex-tempore,8(1)。 | 學位論文1. | 傅秀娟(2007)。JonathanD.Kramer《音樂的時間》之時間經驗初探(碩士論文)。國立中山大學,高雄。 延伸查詢 | 圖書1. | 連憲升(2014)。音樂的現代性與抒情性--臺灣視野的當代東亞音樂。臺北:唐山出版社。 延伸查詢 | 2. | Berry, Paul(2014)。Brahms Among Friends: Listening, Performance, and the Rhetoric of Allusion。Oxford:Oxford University Press。 | 3. | Carter, Elliottk、Hopkins, Nicholas、Link, John F.(2002)。Harmony Book。New York:Carl Fischer。 | 4. | Craft, Robert(1982)。Igor Stravinsky and Robert Craft, Dialogues。Berkeley:Los Angeles:University of California Press。 | 5. | Deppman, Jed、Ferrer, Daniel、Groden, Michael(2004)。Genetic Criticism: Texts and Avant-textes。Philadelphia, PA:University of Pennsylvania Press。 | 6. | Forte, Allen(1973)。The Structure of Atonal Music。New Haven:Yale University Press。 | 7. | Hall, Patricia(1996)。A View of Berg's Lulu Through the Autograph Sources。Berkley:University of California Press。 | 8. | Sallis, Friedemann(2015)。Music Sketches。Cambridge:Cambridge University Press。 | 單篇論文1. | 盧炎。《木管五重奏》樂譜手稿。 延伸查詢 | 其他1. | Carter, Elliott。Manuscript Sketch: Quartets, Strings,http://lcweb2.loc.gov/diglib/ihas/loc.natlib.ihas.2001638/default.html, 2015/07/05。 | 2. | Goodwin, Maria。A Composer's Odyssey: Notes from Jay Sydeman,http://www.realestatemendocino.com/editorial_548print.htm。 | 圖書論文1. | Dushkin, Samuel(1949)。Working with Stravinsky。Igor Stravinsky。New York:Duell, Sloan and Pearce。 | 2. | Kinderman, William(2009)。Introduction: Genetic Criticism and the Creative Process。Genetic Criticism and the Creative Process: Essays from Music, Literature, and Theater。Rochester:University of Rochester Press。 | 3. | Kinderman, William(2008)。Introduction in Genetic Criticism and the Creative Process: Essays from Music。Literature, and Theater。Rochester:University of Rochester Press。 | 4. | Link, John F.(2002)。The Combinatorial Art of Elliott Carter's Harmony Book。Harmony Book。New York:Carl Fischer。 | 5. | Nabokoff, Nicolas(1949)。Christmas with Stravinsky。Igor Stravinsky。New York:Duell, Sloan and Pearce。 | 6. | Schoenberg, Arnold(2008)。On the Presentation of Idea。A Schoenberg Reader: Documents of a Life。New Haven:Yale University Press。 | 7. | Schoenberg, Arnold(1984)。Composition With Twelve Tones。Style and Idea: Selected Writings of Arnold Schoenbergs。Berkeley:University of California Press。 | |